Saturday, 15 July 2023

 July 16th 2023

Reality
Daliland
New Boy
Carmen
The Scandinavian Film Festival

Here's another week of strong films to choose from, plus a festival that always offers the best of Nordic releases. 
 
Reality
Dir: Tina Satter
Length: 83 mins
© Kismet - brilliant acting in a whistleblower
story that is confined but compelling
In 2017, Reality Winner (Sydney Sweeney), fresh from the US Air Force,  worked as a translator for the National Security Agency. She was arrested for leaking classified information about Russia's attempts to influence the 2016 election.  This film is based verbatim upon transcripts from the FBI interview with Ms Winner. The casual start to the film, shorts-clad Reality returning from grocery shopping and bailed up by two chatty FBI bods, lulls us into a sense that nothing is really wrong. But as Agent Garrick (Josh Hamilton) and Agent Taylor (Marchant Davis) turn their conversation from banal topics to a deeper grilling of the young woman, we realise trouble is afoot. The setting is confined to Reality's home, almost like a theatrical play, and yet the tension ramps up in a way that inexorably draws us in. The film is a knock-out 
master class in acting, with Sweeney giving us an extraordinary emotional arc as her carefully constructed denials are broken down. Precisely crafted camera angles add to the menacing power the two men bring to the young woman. In the present era of politicians battling truth with prosecution, this is an important film, that will reward patient viewers.
3.5 - well recommended

Daliland
Dir: Mary Harron
Length: 97 mins
© Kismet - Ben Kingsley is perfect as 
the eccentric musachioed artist, Dali
Salvador Dali (Ben Kingsley) is preparing for a big show in New York. It is 1973 and he is somewhat past the height of his notoriety. His relationship with his increasingly money-hungry wife Gala (Barbara Sukowa) is fraught. Dali hires a young assistant James Linton (Christopher Briney), from whose perspective the story is told. This is a film where critics are cruel, but audiences favourable; I thoroughly enjoyed it, and who can resist such a star turn from Kingsley, in full flight as the egotistical, eccentric, dare I say, crazy painter. Dali may well have invented the word extravagance, and the film's production values capture well his lavish parties and over-the-top costumery, his attempt to make his life itself a performance piece. James, a fictional amalgam of Dali's many young assistants, is nicely acted by Briney, a man whose good looks and youth help get him into a world he discovers is not all he thought it to be. The film doesn't purport to be an in depth examination of Dali's work; more a peek into the world of eccentric artistry, relationship power struggles, and mindless acolytes riding in the wake of real, if fading, talent.
3.5 - well recommended
 
Carmen
Dir: Benjamin Millepied
Length: 116 mins
© Madman - visually stunning, full of
passion, rhythm and dance
Carmen (Melissa Barrera) is fleeing from the ruthless Mexican cartel. Her beloved mother has just been murdered protecting her daughter's whereabouts, and Carmen attempts an illegal border crossing into the USA. When a member of the border patrol catches her and is about to kill her, she is rescued by ex-marine Aidan, running from his own demons. The two flee, and head to Los Angeles where Masilda (Rossy de Palma), Carmen's godmother, runs a nightclub dedicated to dance and freedom of spirit. Director Millepied was a dancer and choreographer with the New York City Ballet. His love of dance is the driving force within this film, which he says is inspired by the traditional Carmen story, though not derivative of it. From the opening flamenco piece performed defiantly by Carmen's mother, through dreamy, steamy surrealistic performances in the nightclub, pas de deux between Carmen and Aidan, and an unexpected boxing match choreographed to a rap/hip-hop beat, dance just oozes out of the film. A stand-out hypnotic performance comes from de Palma, that amazingly beautiful/ugly woman who dominates the screen in her every scene. Barrera's beauty is also overwhelming, while Mescal, (award-nominated for Aftersun) delivers a subtle but emotional performance as the traumatised soldier. Surprisingly, shot in Australia, this is a film that must be seen on the big screen, as the beauty of the cinematography, along with its bold soaring score and creative settings, deserves nothing less. 
4 - highly recommended

The New Boy
Dir: Warwick Thornton
Length: 116 mins
© Roadshow - unusual and thought-provoking
look at the clash of two cultures
Director Thornton spent time as a child in a Christian boarding school and this experience has obviously inspired and informed the narrative of his latest film, which is both impressive and baffling. An unnamed young Aboriginal boy (Aswan Reid) is delivered to an orphanage in the middle of nowhere. Hard-drinking but pragmatic and kind Sister Eileen (Cate Blanchett), caring Sister Mum (Deborah Mailman) and helping hand George (Wayne Blair) run the place (no-one else knows the head honcho priest died a year ago). The new child, with an exceptionally angelic face, has some mysterious supernatural powers, creating light from his fingers, and possibly even healing people. When a wooden Christ statue is delivered, strange things happen. Thornton doesn't seem to be trying to deliver any overt message; just showing us a world where kindness, faith and spirituality intersect, not always for the betterment of everyone. Also behind the camera, the director has a mighty sharp eye for beauty and creating a sense of place, while in the music department  Nick Cave and Warren Ellis serve up a brilliant score. Not a lot actually happens, but so many scenes, with their stark beauty and mystical quality had me enthralled. While Blanchett is very understated in her role, young Reid is a revelation, lighting up the screen with his presence. This is a film that keeps you guessing as to its deeper meanings - maybe it's an allegory, maybe it claims white people took the power from Indigenous people, maybe it's an examination of what spirituality means to different cultures. And while not for the popcorn brigade, it is definitely a wonderful addition to the Aussie film catalogue.
4 - highly recommended

Saxo Scandinavian Fim Festival
Melbourne until 2nd August
Palace Cinemas
For other states, ticket times, film synopses, visit ScandinavianFilmFestival.com
As always, the best and latest in Nordic cinema is showcased in this festival. And for those craving a retro hit, the festival brings you six films under the banner Scandi Screams, focusing upon past films that examine mysterious folklore traditions and mythology.  A few I've reviewed come highly recommended. 

Darkland: The Return: This Danish action thriller is very dark. It follows the earlier film Darkland, in which heart surgeon Zaid was imprisoned for a violent revenge rampage. Here, he is co-opted by a police investigator in a deal that gets him out of prison, enables him to see his son, in return for going undercover to infiltrate the local gangs. Despite moments of shocking violence, this is an impressive film, with a powerful and surprisingly emotional central performance from Dar Salim, as a father caught between two worlds. 

Camino
: Thirty-something Regitze and her father Jan have never got along well, the daughter having always felt marginalised by her parents. Now her mother has just died of cancer and left a dying wish that the two walk the Camino to try to reconnect. What starts off as a low-key film, with some amusing moments, develops into something deeply moving, as the two gradually begin to reveal more of themselves to the other. Adding to an insightful narrative of family ties, is the fabulous backdrop of the Camino, with its quirky hostels, and the characters they meet along the way. 
 
Midsommar
: This 2019 Swedish horror classic is the winner of no less than 27 major awards (plus another 70-odd nominations!) Florence Pugh plays Dani, who travels with her boyfriend Christian to a Swedish midsummer festival. What starts off seeming to be an innocent and flower-strewn event, turns into a nightmare involving ghastly cultish rituals. No supernatural horror is involved here - just the horror of humans inflicting their beliefs and customs on others, and the terror of being caught up in something you can't escape. At 171 minutes, you need to steel yourself for this one, but for lovers of the genre it is richly rewarding. 


Wednesday, 28 June 2023

 June 28th  2023

Red White and Brass
Driving Madeline
Belle & Sebastian: Next Generation
More from the Spanish Film Festival

This week sees again several films worthy of your consideration. French (x 2) , Tongan and Spanish. What a multi-cultural feast. 
 
Red White and Brass
Dir: Damon Fepulea'i
Length: 85 mins
© Madman - plenty of zany fun here,
wth the Tongan community in the spotlight
This film is loosely based upon true events in New Zealand in 2011. Maka (John Paul Foliaki) is a member of the Tongan community living in New Zealand. The rugby World Cup is about to be played between France and Tonga in their home town of Wellington. When Maka and his friends are unable to get tickets, they decide to form a Tongan brass marching band, a guarantee of seeing the match. Trouble is, no-one even knows how to play an instrument. Not letting this stop him, Maka organises a group, a teacher, and an initial bunch of instruments, most based on empty bottles. This is  definitely a feel-good, light and delightful film, anchored by a charming lead performance. The Tongans have a word, "mafana", which describes their spirit and energy, and that is indeed what this film has so much of. There is something daggy about it, but oh so much fun, and lovely to see a community speaking their language and taking so much pride in themselves.
3.5 - well recommended 

Driving Madeleine
Dir: Christian Carion
Length: 91 mins
© Rialto - a tender, uplifting tale
of a sudden bond that is life-changing
Madeleine (Line Renaud) is 92 years old and has suffered a fall, rendering her unable to live alone. She hires a taxi to take her on the long journey to the other side of Paris, where she will enter a nursing home. Inevitably she and the taciturn driver Charles (Dany Boon) get talking. It's easy to see where this one will be going - the pair gradually open up to each other, learn about each others' lives, and form a bond in a very short time. But there are also many surprises and some unexpected dark turns to the story, as Madeleine reveals the unhappy (think violent) marriage she experienced in the post-War years and Charles reveals that he is in a parlous financial state and about to lose his taxi licence. Aside from the excellent scenes of Paris (a Francophile's delight), there is so much heart and sweetness in this film. The wonderful connection between the characters is beautifully rendered wthout ever getting mawkish, and the scenes told in flashback, with Alice Isaaz terrific as young Madeleine, make for engaging and at times disturbing viewing. This is a tiny gem of a film.
4 - highly recommended 

Belle & Sebastian: Next Generation
Dir: Pierre Core
Length: 96 mins
© Icon - cute boys and appealing dogs-
a great combo
The fourth in a series of films that started in 2013, and is based upon a popular French book,  this is a wonderful boy and dog story, but with so much more in it than your standard Hollywood Lassie fare. Young Seb (Robinson Mensah Rouanet) is sent to stay for a while with his aunt and his grandma Corinne (Michele Laroque), who runs a sheep farm and really doesn't want a little kid around. Grandma is reluctantly selling the farm to neighbours who are planning some ski fields with snow-making machines. Lonely Seb befriends a big white dog Belle, which is mistreated by her owner. Soon boy and dog will be vital to changing the lives of all those around them. Aside from the film looking glorious (shot in the French high Alps), there is quite a good bit of thematic content: the loss of the old farming ways, exploitation (of resources and other humans), animal cruelty (fortunately not too explicit) and healing of family wounds. So as well as the delightful, heart-warming boy/dog thing, there's enough for grown-ups to appreciate too. 
3.5 - well recommended 

More from HSBC Spanish Film Festival
Melbourne Now until July 12
Cinemas: Palace throughout Melbourne
For other states, session times, film details, visit www.spanishfilmfestival.com.au
Still plenty of time to catch some of the wonderful films on offer at this festival. Continuing on from my last reviews, here are . . . 

The Kings of the World: This multi-award-winning film was Colombia's entry into the Oscars. Teenager Ra inherits land from his grandmother, and with a group of friends journeys from the city to the Andean countryside to try to claim what is rightfully his. The small group of rough and ready boys walks a line between being almost delinquent, and yet having goals and dreams that, due to their marginalised positions in society, will probably never be realised. With beautiful naturalistic performances from all, and moments that lurch from dreamy near fantasy, to tenderness to brutal violence, this is a surprisingly moving story of life on the margins. 

Fados
: Although this film only had two screenings as part of the Carlos Saura restrospective, (both now past) if you have the streaming service Plex you can watch this beautiful tribute to the traditional Fado music of Portugal. For those who don't know Fado, it features songs and music of love, loss, longing and sometimes joyousness. All the performances that Saura has captured here, in a most cinematic way, are stunning. For music lovers, it should make your day. 



Friday, 16 June 2023

June 17th 2023

You Hurt My Feelings
The Last Daughter
Spanish Film Festival

From a funny and biting relationship film, to a moving cross-cultural documentary, and a great selection from the vibrant Spanish Film Festival, there is, yet again, some strong movies up for your delectation this week. 

You Hurt My Feelings
Dir: Nicole Holofcener
Length: 93 mins
© Roadshow - funny and very true to
many people's experiences
Beth (Julia Louis-Dreyfus) is working on her second book, a novel, after the moderately succesful publication of her memoir. Her husband Don (Tobias Menzies) is a psychiatrist, none too successful, as the wonderful opening scene of an arguing couple in his office testifies. Beth's sister Sarah (Michaela Watkins) is an interior design advisor, while her husband Mark (Arian Moayed) is an aspiring actor. All have their personal dramas and crises of self-confidence, but for Beth it is almost a deal breaker when she overhears Don talking to Mark about her latest book. He declares how much he dislikes it, having told Beth he loves it. Don defends himself, saying he wanted to be supportive and not hurt her feelings. Meantime the sisters must tend to sharp-tongued mother 
Georgia (Jeannie Berlin), while Don and Beth have to handle the aspirations and heartaches of their son Elliot (Owen Teague). Director Holofcener always has a sharp eye for the details of human relationships, which is what makes this marriage and all the characters' dilemmas feel so authentic. There's a lovely balance between comedy and intimate personal small tragedies, with Dreyfus (forever Elaine in Seinfeld) a wonderful comic foil to her very serious husband. The film, although small in scope, manages to be highly entertaining while bringing up many relatable issues that will no doubt start lots of heated conversations over coffee afterwards.
3.5 - well recommended 

The Last Daughter
Dir: Brenda Matthews, Nathaniel Schmidt
Length: 90 mins
© Bonsai - the hunt for identity and 
a lost family
Brenda Matthews was only three in 1973 when she was handed over to a white family who were happy to foster a little indigenous child. There were few explanations from the Aboriginal Welfare people other than the assertion that Brenda's parents were unfit, and all seven children had been taken away and fostered out. Brenda settled happily into her new loving family, and adored her little white sister. Then, shockingly, about seven years later, the white parents were informed that Brenda was to be returned to her family of origin. Never knowing quite where she belonged, Brenda later married her white husband, Mark. Forty years after being returned to her family of origin, she goes in search of her white family and answers to how such a thing could have happened. What she uncovers is a web of lies and deep grief from the parents in both her families. Using the real people, plus moving reenactments, this is yet another extraordinary damning story of Stolen Generations, at a time when the practice was supposedly abolished. It is also about reconciliation and how one woman learns to walk between two worlds, the sort of connection that could well be a model for overcoming the divisiveness that exists between white Australia and its First Nations people. There is a lot of compassion for the two families involved, and moving testimonies from all concerned.
4 - highly recommended 

HSBC Spanish Film Festival
Melbourne Now until July 12
Cinemas: Palace throughout Melbourne
For other states, session times, film details, visit www.spanishfilmfestival.com.au
The festival celebrates its 25th birthday this year, with a bumper lineup of the best of modern Spanish cinema, and a selection of films from Latin America. This year's festival has several different emphases: one focus will be on Argentina, with six films from that country. For music lovers there is a retrospective on  the great director Carlos Saura whose 1983 version of Carmen, with plenty of flamenco dance, is memorable. Women directors are also in the spotlight with seven films coming from the female perspective. Lucky me, as usual, has previewed a handful of strong offerings.

Cork: Winner of the critics prize at San Sebastian FF 2022, this is the story of Elena and Ivan, who leave the Barcelona big smoke and head to a country property which abuts a 1200-acre cork forest. As they begin working with the locals to harvest the cork, it soons become apparent that the couple have a lot of conflict in every area, from how to live on the land through to who wields the most power in their relationship. When young Moroccan. Karim. joins the crew this leads to further marital strains and racism among the workers. There is a constant sense of tension and almost menace in this intriguing feature,  inspired by the director's own work in a cork plantation.

Prison 77
: Another winner of umpteen awards, this powerful film centres around the shocking prison conditions in Spain in 1977 as it transitioned from the Franco era to democracy. Manuel is awaiting trial for a white collar crime. The guards are brutal, the system is corrupt, so he and cellmate Pino start up a group to fight for prisoners rights and to fundamentally change the penitentiary system. Based around true events and shot in Barcelona's Modelo prison, this is gripping, hard-hitting and tense story telling, which also celebrates resilience, friendship and determination. 

Greg Mortimer: In 2020 the cruise ship Greg Mortimer set off for the Antarctic, just as the Covid pandemic was declared. Everyone thought they were heading for the safest spot on earth, until a passenger fell ill and Covid rampaged through the ship. But as it turned back, the Greg Mortimer found no country was willing to allow it to dock until Uruguay stepped in with a compassionate and audacious plot to repatriate the passengers and crew back to their starting points. The film features many compelling interviews from surviving passengers, and is often very gripping, even though we know the outcome. It is an inspiring tale of a country stepping up, in the face of fear, to do the right and humanitarian thing.   

Carmen (1983): Part of the Carlos Saura retrospective, this much-awarded film is a must-see for lovers of Spanish flamenco dance and music. It is the story of Antonio (actual flamenco dancer Antonio Gades) who is choreographing a production of Bizet's Carmen. He hires a young sultry dancer named Carmen (Laura del Sol) for the lead role. Gradually the lives of  the modern dance troupe start to look a lot like the dramatic plot they are performing, with all its passion and jealousy. This film is vibrant, energetic, and simply enthralling. It features some of the best flamence dance scenes up on the big screen, and with the actual numero uno flamenco guitarist Paco de Lucia as Paco, you get to experience the best of Spanish song and dance, and human passions.

Thursday, 8 June 2023

 June 9th 2023

One Fine Morning

After all the freneticness of so many films each week for the past umpteen weeks, I only have one for you this week. But it's a winner! It's a French film of deep emotional intensity with effortlessly authentic performances from all. 

One Fine Morning
Dir: Mia Hansen Love
Length: 112 mins
© Palace - a sublimely lovely slice
of everyday life

Sandra (Lea Seydoux) is a widowed mother raising her young daughter Linn (Camille Leban Martins). She juggles this with her work as a translator and caring for her aging father Georg (Pascal Greggory), once a professor, now deteriorating with dementia (insp
ired by the real-life father of the director). Amidst all the stress, Sandra embarks upon an affair with an old friend Clement (Melvil Poupaud), who happens to now be married with a young child. This low-key but powerful film is sublimely beautiful in its total authenticity in portraying ordinary life as it is for so many people. Hansen Love never over-dramatises things, but achieves a subtle balance of joy, grief, fun and love as it plays out in the characters' lives. The simplicity of small things, such as Clement playing a game with Linn, is seamlessly interwoven with the complexity of such larger issues, as the stress of finding the right care home for a beloved parent. The three lead actors give magnificent performances, with Seydoux a standout, as she portrays her inner emotions in such a nuanced way. The euphoria of new love, with its occasional erotic moments, counterbalances delicately with the dismay at gradually losing a parent. There is a clarity to the look of the film, and with little extraneous musical soundtrack, we feel, as viewers, that we are part of the lives we are witnessing. Even the smaller characters, Sandra's mother and sisters, all fit perfectly into the story. This is not one for the popcorn brigade, but for those wanting film doing something it does best - portraying life in all its richness.
4.5 - wholeheartedly recommended

Friday, 2 June 2023

June 3rd 2023

Bank of Dave
John Farnham: Finding the Voice 
More from CHIFF
The Alpinist (streaming on Netflix)

Winter is officially here, so what better place to hide away from the cold than in the cinema? Take your little ones to CHIFF, or just languish on the couch with your favorite streaming service. Here are a few for your consideration. 
Bank of Dave
Dir: Chris Foggin
Length: 107 mins
© The Reset Collective - strange but true - a
working class man sets up his own bank.
In an era where people are sick to death of feeling screwed over by the big banks, it's refreshing to see a film about how a working class man beat them at their own game. In this true story, Dave Fishwick (Rory Kinnear) becomes very wealthy running his van business and starts lending money to locals in the town of Burnley in northern England. He decides to take it a step further and set up a small community bank. Dave hires London lawyer Hugh (Joel Fry) who is initially sceptical but with the support of councillor and local doctor Alexandra (Phoebe Dynevor) they take on the 
upper class corporate bankers. This is a fun watch, despite fitting squarely into the British feel-good mould. There is nothing ground-breaking film-wise, but the main characters are all very likeable, and let's face it, who doesn't like to see the small person with  integrity triumph over the big bad greedy banks?
3.5 - well recommended

John Farnham: Finding the Voice
Dir: Poppy Stockell
Length: 94 mins
© Sony - a wonderful doco about a major talent
who took a bit longer to hit his stride
As the title implies, this fabulous doco is all about our own Aussie boy Farnham, and whether you are a fan or not, this is an inspiring and beautifully made film. It traces "Johnny" from his early days in suburban Melbourne, with his sudden rise to prominence 
at age 17 with an oddly vaudevillean song about a cleaning lady. That song seemed to define him for years to come, while he struggled with only average success, until at age 38 he put out an album called Whispering Jack, which became the highest selling Australian album of all time. John's friendship with his manager Glen Wheatley is a large part of the story, as is his quest to find his "true voice", something he did with the song You're the Voice. There are many interviews with friends, family and other musos such as Olivia Newton John and Jimmy Barnes, while overseas stars like Robbie Williams and Celine Dion all sing Farnham's praises. Archival clips from the 60s onwards are terrific, and the soundtrack of big songs drums home just what a talent the man is. Surprisingly, I find the film very emotional and stirring, as it follows the ups and downs of Farnham's life and his devotion to friends, family and his fans.
4.5 - wholeheartedly recommended

More CHIFF
Children's International Film Festival
Until 12th June
Classic Elsternwick , Cameo Belgrave, Lido Hawthorn, Sydney Ritz
For all session times and information visit www.chiff.com.au

This delightful festival continues for another 9 days so there's still a chance to go and explore your inner child with your small friends! Dress-up events will take place at screenings of Billy the Cowboy Hamster and The Dragon Princess (reviewed last week). Put on your party clothes and win prizes! Here's another three films for you to consider:

Erik Stoneheart
Estonian (English dub), 105 mins, ages 9+
Erik feels neglected by his parents, but says he doesn't care, as he thinks he has a stone heart. Their new home has other folks still  living in it, and when Erik befriends Maria the two go on an adventure to find the girl's missing mother. They end up in the In-Between-World. At times farcical and at times realistic, this is an intriguing film, with a mish-mash of different interwoven threads about young friendships, pirates, curses, magic mirrors and, ultimately, coming to terms with death. So, perhaps disturbing for some youngsters. 

Babe: Pig in the City 
97 minutes, English, ages 8+
It's the 25th anniversary of  this film, and for anyone who has never seen it, here's you chance to pig out on the best porcine adventure ever on screen. With a whole array of talking animals and a big adventure in the big smoke, what's not to love here?  

Billy the Cowboy Hamster
6 x 11 minute episodes, French, English dub, ages 6+
A mega-cute animation about a young lad who loves growing up in the Wild West. He heads out daily on adventures with his friends Jean-Claude the worm and Suzie the marten. Charming and easy to relate to, the animation promotes good solid values.   

The Alpinist
Dir: Peter Mortmer and Nick Rosen
Length: 92 mins
Streaming on Netflix - 2021
© Madman/Netflix  - the view from above - 
if you're brave enough to climb up! 
Why do we get such perverse pleasure from watching films that frighten the living daylights out of us? Prepare to chew your fingernails down to the bone with this one, as solo climber Marc-Andre Leclerc scales sheer cliff faces without a rope and then becomes the first climber to summit all sorts of supposedly unclimbable peaks! As a study of someone fearless and obsessional this is fascinating viewing, while technically I'm in awe at how the cinematographers even got the footage. The camera angles are dizzyingly dramatic, giving the viewer a sense of just how death-defying this young man was. Shots of feet and fingers gripping the ungrippable are simply awe-inspiring - and terrifying. The young man's lack of ego, his bizarrely relaxed manner as he climbs, and his relationship with fellow climber Britte Harrington all add an edge of difference to this amazing addition to the genre of extreme sporting films.   
4 - highly recommended (if you have nerves of steel!)