Thursday 30 May 2019

May 30th
Rocketman
D-Day  3D: Normandy 1944
The Heiresses

What a varied batch of releases. The high-profile film about Elton John's rise to fame is so mainstream and sooooo entertaining, D-day is a worthy (if short) war doco, while The Heiresses is true art-house fare hailing from Paraguay. 

Rocketman
Director: Dexter Fletcher
Length: 121  min
© Paramount - Egerton is simply wonderful
as the flamboyant Elton John
Born Reggie Dwight, the little boy insufficiently loved by his parents became singing sensation Elton John (Taron Egerton). The movie traces the singer's career from childhood, through to the time he finally emerged from rehab, swapping self-loathing for self-esteem. The film takes the form of a fantasy/musical, with songs re-interepreted and scattered throughout the narrative. Fans wanting a straight biopic may not enjoy this, but I loved it. Egerton is a singer par-excellence, and his particular take on Elton's music is both gifted and moving. At times the narrative arc follows the tried and true formula (montages and all), but overall the vibrancy, pathos, joy and sheer brilliant musicality of it all overwhelms any reservations I may have. (Not to mention the knock-out costumes!) Jamie Bell plays Elton's lyricist Bernie Taupin, and the abiding friendship between the two is beautifully portrayed. Richard Madden (fresh from Game of Thrones) is wonderfully obnoxious as lover/manager John Reid. Egerton captures the conflicting aspects of Elton's personality - showmanship, shyness, self-destructiveness, insecurity, kindness - in a way that really makes you feel for him as a high-profile, talented but vulnerable human being. This is thoroughly first-class entertainment.
4 - highly recommended!

D-Day 3D: Normandy 1944
Director: Pascal Vuong
Length: 43 min
See it at IMAX for 2 weeks only from June 1

© IMAX - D-Day explained
You don't have to be a fan of war films to get a lot from this film event which commemorates the 75th anniversary of the historic D-Day landings. The film explains, in a way which can be understood by all age groups, the where, when, how and why of the historic event which changed the course of World War II. Aside from the impressive 3D, there are an imaginative variety of film techniques used, from animation (involving fabulous pop-up picture books), to evocative charcoal sketches, archival footage  and stunning CGI effects. As a short and sweet overview of this monumental event, this is a film worth seeing. 
3 - recommended!

The Heiresses
Director: Marcello Martinessi
Length: 95 min
© Palace - life seems to be getting fraught
for these long-term partners
Chela (Anna Brun)  and Chiquita (Margarita Irun) are two women from wealthy families in Ascension, Paraguay. They have lived together for 30 years, but now their debts are mounting and they are selling off family heirlooms to raise money. Chiqui's debts lead to her arrest for fraud and the usually shy retiring Chela finds herself earning money driving rich old ladies around. When she meets the younger and vibrant Angy (Ana Ivanova), Chela starts to rediscover long buried feelings.  This film has won truckloads of awards, including Best Actress for Brun. The critic consensus loves it to bits; the audiences not quite so much. I recognise it is a subtle and beautifully executed film, yet something about Chela's character exasperates me beyond measure. That aside, it is the sort of film that leads one to reflection afterwards about the nature of long-term relationships and how they can kill passion, along with a rare glimpse into a society, and its unusual prison system, that is seldom seen. Fans of the slow-burn relationship film should be rewarded.
3.5 - well recommended!

Thursday 23 May 2019

May 23rd
The Reports on Sarah and Saleem
2040
Peterloo
Aladdin
German Film Festival

Another big week with everything from enviro-doco, to thriller, historical tale, remake of a kids' favorite, and another festival. 

The Reports on Sarah and Saleem
Director: Muayad Alayan
Length: 127  min
© HiGloss  - strong thriller with serious
political overtones 
Sarah (Sivane Kretchner) is a Jewish Israeli cafe owner in Jerusalem. Though married to David (Ishai Golan) she is having a torrid affair with her delivery man Saleem (Adeeb Safadi) who is Palestinian, and has a pregnant wife (Hanan Hillo). After unwisely stopping off at a bar in the West Bank one night, a brawl ensues which threatens to expose the affair. Authorities get involved believing that Sarah is a spy and in their attempts to hide everything, Sarah and Saleem push matters from bad to worse.  This award-winning film works wonderfully well on several levels. As a thriller it is ultra-tense and as a relationship study it is very strong. Of course no film dealing with Israeli/Palestinian matters could escape a strong undercurrent of politics. It seems, while having extra-marital affairs is normally fraught, crossing the unwritten boundaries with a Jewish/Arab affair makes it even more so (especially since Sarah's husband works for the Secret Service!) Scripting is strong and utterly credible, performances are compelling, tension is maintained throughout, and one is left with plenty of food for thought regarding personal deception, prejudice, and near insoluble political situations.
4 - highly recommended!

2040
Director: Damon Gameau
Length: 92 min
© Madman - essential viewing in a world
threatened with destruction

Aussie director Damon Gameau introduces us to his family, and speculates on what life could be like in 2040 for his 4-year-old daughter, Velvet. But, surprisingly, this is not a doom-and-gloom story. His mission is to take technologies already in use in today's world, and extrapolate on how these could be wisely used to reverse climate change and make the world ultimately more sustainable and livable by 2040. He visits a number of countries, starting with Bangladesh where an innovative solar electricity grid is making a dramatic difference to the peoples' lives. He interviews some of the best minds around the world, economists, engineers, academics, and including farmers in Australia who are pioneering inspiring ideas in agricultural techniques. But this is no boring talking heads show; Gameau peppers his thesis with his own globe-trotting adventures, his personal life, quirky humour, and amazingly creative visuals that get his point across to people of all generations. Damon Gameau is positively inspirational and  this film should be compulsory viewing, especially for pessimists, politicians, and folks who think it is all too overwhelming to even make an effort. He proves to us that solutions are nearer than we think.
4.5 - wholeheartedly recommended! (but everyone should see it)

Peterloo
Director: Mike Leigh
Length: 154 min
© Transmission - gruelling historical reenactment 
in an important story that lacks 
an emotional clout
In Manchester in 1819 life is tough for workers. 60,000 of them, including women from the Women's Reform movement, along with children,  gather in St Peter's Field to stage a peaceful protest, and listen to orator Henry Hunt (Rory Kinear). What is intended as a peaceful gathering turns violent when British troops attack the unarmed crowd, killing many and injuring even more. I've usually been a big fan of Mike Leigh films (Mr Turner, Secrets and Lies), as he has a good feel for the working class person. This film has his trademark concern for social justice, and has been awarded for production and costume design. While I can see it is a well-made film it simply hasn't engaged me as I would hope. The subject matter is important - oppression and workers' rights - but despite introducing us to various characters (the family of returned soldier Joseph, the men who work for the local paper, and women protesting for their rights), I find myself mainly disengaged with the characters. With such a powerful story I should have felt passionately moved. Whether the film is too long (it is!!), lacks a personalised focus, or whether it is just me, I remain disappointed. (Most critics are far more in favor than I am.)
2.5 - maybe

Aladdin
Director: Guy Ritchie
Length: 128 min
© Disney - three charismatic leads and more color
than you can shake a stick at make for
a fun ride
With more color and movement than a Bollywood festival, this remake of the classic Disney animation uses real actors (most of whom I don't know) blended with fabulous CGI effects. Will Smith plays Genie, Naomi Scott the gorgeous Princess Jasmine, handsome Mena Massoud is Aladdin and Marwan Kenzari the evil Jafar, plotting to take over the empire. All the actors do their own singing, in true musical comedy style, and using the original songs. I can't remember the original so won't make the sorts of negative comparisons many critics are making. I enjoyed it thoroughly on its own terms, albeit it's a tad long, and redefines the meaning of over-the-top in lavish set design, saturated color, and Will Smith's hyperactive performance. With exciting and exotic shooting locations like Jordan and Morocco, a cute monkey, sumptuousness of costumes and good synergy between the characters, it's simply good old-fashioned entertainment. 
3.5 - well recommended

German Film Festival
23 May - 9 June in Melbourne - ther states, other dates
Palace Balwyn, Brighton Bay, Kino, Como, Astor
For all the details and session times, visit www.germanfilmfestival.com.au


This year's festival features 12 new German feature films, plus three films in "Tear Down the Walls" sidebar to mark the 30th anniversary of the fall of the Berlin Wall. There are also six films specially for kids, plus two Austrian films and two Swiss films. Among four other features are two centring around the Threepenny Opera by iconic German writer Bertold Brecht. So, the two I've previewed are comedies. "What!!" I hear you gasp - "Germans and comedy." Well these two have been winners for me. 
©  German FF
25 km/h: Two estranged brothers meet up at the funeral of their father. Christian (Lars Eidinger) left home years ago to take a corporate job while Georg (Bjarne Madel) worked a trade in their home town, and then cared for their father until he died. In a drunken fit, the two decide to realise a childhood dream of riding on their mopeds across Germany to the Baltic Sea, with a number of required tasks to be achieved along the way. This is a truly lovely film, at once very funny, and also deeply moving. It is great to view a film which is totally entertaining, and yet has themes so many of us can relate to. Eidinger and Madel are wonderful together. 


©  German FF
How About Adolf: Stephan and Elisabeth invite family and friends for dinner. When Thomas arrives he announces that his girlfriend is pregnant and initiates a guessing game as to the name of the baby. When the gathering hears it is Adolf, all hell breaks loose and the dinner takes a downward trajectory. I love this style of comedy, where people get progressively outraged, argue and say things they never mean to, with huge recrimination sessions setting in. All the cast are terrific in their serio-comic roles and many interesting philosophies on the ramifications of names are bandied around. I see the heart of the film as the deep-seated resentments people harbor, which when articulated, create relationship chaos.
Both these films are highly recommended 



Wednesday 15 May 2019

May 16th
Aga
The Realm


Apologies! I ran my review of The Realm one week too early, so here it is again. This week there's not a lot that I've yet managed to catch up with, but the one I have reviewed is a beauty: a film about an Inuit couple living in the middle of nowhere, and exclusive to Cinema Nova. 

Aga
Director: Milko Lazarov
Length: 96 min
Exclusive to Cinema Nova
© Madman -  an old couple living a traditional
life at the ends of the earth
The gem of a film is set in the frozen northern wilderness where aging Inuit couple Nanook and Sedna live a traditional life, in the style of their ancestors. The daily grind is  bleak, challenging, lonely and remote. Each year less food is caught, and Sedna's health is rapidly deteriorating. It is the woman's wish that the couple can reconcile with estranged daughter Aga who works in a far-off mine. Bulgarian director Lazarov has crafted a sublime film, that has won many awards, and which sneaks up on you, after initial ponderings as to whether anything substantial is going to happen. This is an eye-opening insight into a lifestyle that is fading fast, and almost unimaginable to us city-slickers.  The deliberately slow pace, the endless whiteness, and the gradual unfolding of the tale all make for a mesmerising cinematic experience. I can't imagine ever experiencing that culture so it is a privilege to get an insight via this gentle, surprisingly moving film.
4 - highly recommended! 

The Realm
Director: Rodrigo Sorogoyen
Length: 132 min
Limited Release: Palace Como, Balwyn, Kino, Cinema Nova and Classic Elsternwick
© Rialto - Antonio de la Torre is excellent as a corrupt
pollie going from perpetrator to
aspiring whistle-blower
Manuel Lopez Vidal (Antonio de la Torre) is a Spanish politician in a regional area, living a lavish lifestyle largely funded by political corruption. When leaked information threatens to expose the dastardly doings of Manuel and his cronies, the cover-up, distancing and scapegoat games begin. From the fantastic opening long tracking shot to the explosive final two monologues, this is a smart and challenging film, that really exposes the sort of political corruption familiar to parts of Europe (and no doubt many places). Manuel's situation becomes more dire by the moment as his once-loyal pals seek to save their own skins using progressively threatening measures. This is not an easy film and  I needed quite some effort following the characters, who's who and who does what. But I became gradually lured into the suspenseful plot, that doesn't let up for a minute. The film has won copious awards (mostly in Spain) for its acting, scripting and more. It's a salutary lesson for us all to keep those pesky pollies honest!
3.5 - well recommended!

Thursday 9 May 2019

May 10th
All is True
The Realm
Rockabul
The Hustle

An interesting week as usual with such a varied grab-bag of movies. From a Spanish politico-thriller, to insightful doco, women behaving badly, and the Bard himself there is plenty to choose from. 

All is True
Director: Kenneth Branagh
Length: 101 min
© Sony  -  the Bard returns to the bosom of 
his family
In 1613 William Shakespeare (Kenneth Branagh) is the greatest writer of his era. When his renowned Globe Theatre burns down he returns to his familial home in Stratford. There he takes to gardening, and repairing estranged relationships with his wife Anne Hathaway (Judi Dench) and daughters Judith and Susanna. Scandals ensue, and much soul searching takes place, as Will tries to come to terms with the death of his beloved son, Hamnet, years before. Experts love to debate how much of this interpretation of the Bard's last days is true, but for me it isn't overly important. This is an exquisitely realised portrait of an era, a man, and a group of people trying to make some sense of the most important things in life, much as Shakespeare himself did in all his works. The dialogue feels real and immediate, so easy to relate to in this modern day, and yet still in keeping with the sensibility of the time. A near-unrecognisable Branagh (complete with prosthetic nose) pays absolute homage to his hero, and with a bonus appearance by Ian McKellen as the Earl of Southampton, this is a memorable film with superb performances by all. (Dench is sublime, as always.) It is also visually magnificent and has a richly lyrical soundtrack. It left me in tears thanks to its poignant handling of essential truths and sadnesses in life.
4.5 - wholeheartedly recommended! 

The Realm
Director: Rodrigo Sorogoyen
Length: 132 min
Limited Release: Palace Como, Balwyn, Kino, Cinema Nova and Classic Elsternwick
© Rialto - Antonio de la Torre is excellent as a corrupt
pollie going from perpetrator to
aspiring whistle-blower
Manuel Lopez Vidal (Antonio de la Torre) is a Spanish politician in a regional area, living a lavish lifestyle largely funded by political corruption. When leaked information threatens to expose the dastardly doings of Manuel and his cronies, the cover-up, distancing and scapegoat games begin. From the fantastic opening long tracking shot to the explosive final two monologues, this is a smart and challenging film, that really exposes the sort of political corruption familiar to parts of Europe (and no doubt many places). Manuel's situation becomes more dire by the moment as his once-loyal pals seek to save their own skins using progressively threatening measures. This is not an easy film and  I needed quite some effort following the characters, who's who and who does what. But I became gradually lured into the suspenseful plot, that doesn't let up for a minute. The film has won copious awards (mostly in Spain) for its acting, scripting and more. It's a salutary lesson for us all to keep those pesky pollies honest!
3.5 - well recommended!

Rockabul
Director: Travis Beard
Length: 89 min
© Potential  - it's potentially life-threatening
to be in a heavy metal band in Kabul
Imagine living where you could be jailed or killed for simply playing rock music in a band. Director Beard is an Aussie who has lived in Kabul, Afghanistan, for 8 years, and he's focused his film on a group of fearless young fellas who have formed a band, not just any band, but a heavy metal one, determined to bring music to the youth of their country. Beard follows the group, District Unknown, as they play a few tentative gigs, headline the first music festival in Afghanistan for more than thirty years, then end up travelling to a  festival in neighboring India. I loathe metal music, so for me the musical side of this is a bit confronting, but the story is one that really needs telling. Vilely repressive segments of conservative societies need to be constantly challenged, and what better way than with a brave doco of this nature. The boys themselves are entertaining to watch and it's inspiring to hear their progressive views on life. (All are really fluent in English, especially swearing!)  The real strength of Rockabul is the opportunity to get a glimpse into a life we seldom see from a perspective other than the Taliban, the US troops or suicide bombers (though they all feature minimally).
3.5 - well recommended!


The Hustle
Director: Chris Addison
Length: 93 min
© Universal   - chalk and cheese - two con artists
go head to head on the French Riviera
Josephine (Ann Hathaway) is a cool, elegant up-market con artist working in a French Riviera town. When loud, crude Aussie gal Lonnie (Rebel Wilson) turns up, plying the same trade, it's obvious the two will butt heads. Or is it possible they could team up to create double trouble for the unsuspecting men they are ripping off? Much is made of this being a female-based remake of Dirty Rotten Scoundrels, and even with a gender reversal, no-one will do it better than Michael Caine and Steve Martin. But these diametrically opposed women give it a good shot, and I do like seeing women play men at their own tricks. I confess to having several laughs, but something falls short, possibly  because of Wilson being such a type-cast bogan, always presenting herself in the same tired mould. Hathaway, by contrast, is rather impressive in her role. Nevertheless, and depending upon your style of humour, there could be some mildly diverting viewing here.
2.5 - maybe! (good for a total veg-out)


Wednesday 1 May 2019

May 2nd
Top End Wedding
The Hummingbird Project
The Extraordinary Journey of the Fakir
The Chaperone
Long Shot
The Meaning of Vanlife

It's a thunderingly big week with six new reviews! As well as five cinema releases, for the first time I review an interesting doco that's screening on an on-demand channel. 
Top End Wedding
Director: Wayne Blair
Length: 103 min
© Universal - sweet romance with
 strong Indigenous themes
Lauren (Miranda Tapsell) and Ned (Gwilym Lee) are young lawyers in love. Lauren is a Darwin gal and is eager to be married in her home town. After a hastily planned wedding, they arrive in Darwin to learn that Lauren's mother Daffy (Ursula Yovich), a Tiwi Islander, has gone AWOL, leaving English father Trevor (Huw Higginson) broken-hearted and slumped in his pantry listening to sad music. Delaying  the wedding, Ned and Lauren head off on a road trip to find Daffy, a trip which leads them ultimately to the Tiwi Islands, and many answers about Lauren's estranged family.  Yes it's predictable, yes at times it's corny, with moments of tacky forced humour and it's not totally credible from their mode of speech that the two lovers really are lawyers . . but for me most criticisms are forgiven. The film has a truckload of heart, and is a wonderful showcase for parts of Australia many of us have never seen, and for the peoples who first lived there. The plot about white/indigenous romance is fresh, the scenery is a dream, and the wonderful use of non-professional Tiwi Islanders in the film's second half works really well and movingly. Wonderful too is the performance of Kerry Fox as Lauren's austere boss who rises to the challenges she is presented in organising the wedding logistics. Some of my colleagues have been mighty unkind to this, but despite my niggles, I found myself deeply moved by the family themes and the overall refreshing innocence of this story. 
3.5 - well recommended!

The Hummingbird Project
Director: Kim Nguyen
Length: 111 min
© Madman - trouble in the hot tub in this 
unexpectedly tense take of greed
Cousins Anton Zaleski  (Alexander Skarsgard) and Vincent (Jesse Eisenberg) work for a stockbroking house run by tough taskmaster Eva Torres (Selma Hayek). Succesful trades rely on being nano-seconds ahead of the competition. Leaving the firm, the cousins decide to strike out alone in an attempt to build a super-fast fibre optic cable from Kansas to Wall Street, in the hope they will make squillions. A film that features a lot of high-tech digging equipment is not necessarily going to appeal to many viewers, but somehow, with the help of a strong cast and a director with a good handle on wringing tension and creating atmosphere out of excavation, it works for me. The human side of the plot also has its intrigue; greed is often at the heart of this type of plot, but there is also a nice undercurrent of pathos - the guy who thinks he isn't really doing anything wrong, so driven is he to get his algorithms right, and the guy who is hell-bent on coming first, even at the cost of his own self-destruction. And nice, too, to see a woman behaving even more ruthlessly than the men. This won't be everyone's cup of tea, but it's a worthy techno-thriller.
3.5 - well recommended!

Long Shot
Director: Jonathan Levine
Length: 115 min
© StudioCanal  - An unlikely but engaging pair: 
Seth Rogan and Charlize Theron
Charlotte Field (Charlize Theron), US Secretary of State to bozo President Chambers (Bob Odenkirk), is resigning so she can run for first female president in 2020. On a whim she hires Fred Flarsky (Seth Rogen), who she knew way back when, as her speech writer. They are polar opposites - she is a cool, elegant figure on the world stage, he an outspoken, trouble-making scruffy journalist. How their unlikely pairing will pan out makes for some very funny, if at times not totally believable, story-telling. Is this a classic rom-com or a political satire? Well, it's a bit of both. It cleverly combines Rogen's trademark gross-out humour and biting one-liners with Theron's intelligent beauty, along with a plot that never hides its contempt for current US politics and corporate manoeuvring. It also has a surprisingly strong feminist sub-text. Once a viewer puts aside elements of scepticism ("would she really have done that?"), there is much to be relished in this intelligently scripted film which works on a multitude of levels. Chemistry is unexpectedly strong between the leads, while the many pointed digs at political corruption, social media, public image, political division and more work really well. This should be a better-than-average crowd pleaser.     
4 - highly recommended!

The Extraordinary Journey of the Fakir
Director: Ken Scott
Length: 92 min
© Icon - an odd blend of fantasy, refugee tale,  and
morality tale, with Bollywood overtones
Aja Patel (played by Tamil Bollywood heartthrob Danush) grows up in the Mumbai slums, making ends meet by conning people out of their money. After the death of his mother, and eager to trace the identity of his father he heads to Paris where he falls in love, then inadvertently gets transported out of France when he hides in an IKEA wardrobe. His adventures take him to Rome, England, Libya and beyond. Framed by the adult Aja telling a group of slum children his story, this is light-weight fare that entertains by virtue of its international cast, lovely settings, pleasing story, charismatic lead, and a couple of up-beat Bollywood musical numbers. There is something a little too saccharine sweet for me, and the plot's sub-text about the illegal immigrant situation feels a bit stereotyped, although director Scott sees it as a multi-cultural fable about expanding one's horizons and discovering one's identity. Still, for those who like their movies fun and fairly innocuous, it should please. (Aja's obsession with IKEA brand-names is one of the high spots of the film's humour - look out for it.)
3 - recommended! (only just)

The Chaperone
Director: Michael Engler
Length: 103 min
© StudioCanal - women are discovering themselves 
 in the flapper era
Writer (Julian Fellowes) and director (Engler) of Downton Abbey have adapted a popular novel into this handsome production which is part fact, part fiction. In the Roaring Twenties aspiring young dancer Louise Brookes (Haley Lu Richardson) leaves small-town Kansas for New York to audition for a modern dance company. The real life Louise  eventually achieved a measure of movie-star fame. According to memoirs, on her New York trip, Louise was chaperoned, but here the fiction begins. Seemingly conservative middle-aged Norma (Elizabeth McGovern) accompanies her young charge and while Louise pursues getting accepted into the company, Norma goes about examining her past via the local orphanage, where she meets caretaker Joseph (a lovely performance from Geza Rohrig). Again some critics are unkind to this film; for me it's a delightful period piece, which beautifully recreates the era, with an excellent soundtrack to boot. More importantly the two lead women are a great foil for each other, and as women in an oppressive era both throwing off constraints, it works very well. The elements of romance are touching, and the film's surprise ending is well ahead of its time. 
3.5 - well recommended!

The Meaning of Vanlife
Director: Jim Lounsbury
Length: 88 min
Screening now exclusively on STAN
© Cubic Films  - a paradise for Kombi lovers, 
minimalists and nomads
It's a bit like going back to the hippie era, as young folk (and a smatttering of oldies) gather in the US to meet one another and to celebrate their lifestyle. Vanlifers who have been communicating from Australia go over to meet their American counterparts and to make a film about the burgeoning movement. Vanlifers are folk who live and travel in smallish vans on the road, embracing a life of minimalism, adventure, and sometimes even running "normal" jobs from the road. It is certainly a homage to sustainable living, less materialism, becoming unplugged (though there is quite a bit of internet chat), and community building around the campfire. It's not a life for me, but the doco gives much food for thought and perhaps plenty of inspiration to clear out one's junk and live life more simply.
3 - recommended!