Wednesday, 12 March 2025

March 13th 2025

Mickey 17
No Other Land (streaming) 
Birrarangga Film Festival
More from the French Film Festival

It's all happening this week. A terrific First Nations film festival, the French Film Festival continuing, the Academy Award-winning documentary streaming, and a fun new release that's funny and satirical. 

Mickey 17
Dir:  Bong Joon Ho
Length: 137 mins

© Universal - plenty to laugh at and 
plenty to think about with a great perf
from Robert Pattinson
Mickey Barnes (Robert Pattinson) and his pal Timo (Steven Yeun) are being chased by debt-collectors. What better thing to do than apply to go off-world and be one of the founding members of a new colony on the planet of Niflheim? Trouble is, Mickey doesn't read the disclaimer carefully, and ends up being an "expendable" - a scientific guinea pig who dies over and over, but is simply reprinted the next day, with his personality and memories intact. The messianic leader of the space expedition, Kenneth Marshall (Mark Ruffalo), and his wife Yifa (Toni Collette), have great aspirations for the new colony (and their own power), but first must get control of the native inhabitants, a sort of armadillo-shaped, tentacle waving, but highly intelligent creature. This may not be as bitingly satirical as Bong's award-winnning Parasite, but it has a very funny and pointed dig at so many negative aspects of today's world, its politicians and the human species overall. The film is a mish-mash of many genres: sci-fi, satire, at times veering into slapstick, but the imaginative scripting makes it never less than highly engaging. Of course it also makes us think of what damage humans seem to do wherever they go, which is ultimately quite depressing. Regardless, this timely film will give you a terrific laugh, while enjoying Pattinson's impressive performance.
3.5 - well recommended

No Other Land
Dir:  Yuval Abraham, Basel Adra & Hamdam Ballal
Length: 92 mins
Streaming only on DocPlay
© DocPlay - an Israel/Palestine story
you won't get every day in the news
You've heard plenty about Gaza, but probably not much about Masafer Yatta, a collection of more than a dozen tiny villages near Hebron in the occupied West Bank. Its residents are mostly farmers and herders, people who have lived there for decades. Israel doesn't want them there and has been systematically destroying their homes and meagre farms, so as to put IDF training facilities in, or to allow settlers to build on the land. Basel Adra is a Palestinian journalist and lawyer (though he has no work) who has become an activist and filmaker, documenting over years the attempts of Israel to displace his people. Yuval is an Israeli investigative journalist who speaks Arabic and has teamed up with Basel to bring this story to the world.  On one level they have succeeded, as the film has more than 100 wins and nominations to its name, including the big one, Best Documentary Feature at this year's Oscars. 
It's hard to describe the emotional clout a film of this nature has; at once upsetting, infuriating, but with a tiny shred of hope. The sorts of criminal acts committed by soldiers against the villagers are beyond belief - people shot for trying to prevent their building tools from being taken, their cars stolen by the IDF, water wells being filled with concrete, along with the endless bulldozers demolishing the modest homes. Despair is everpresent, alongside tenacity. The tiny ray of hope comes from two brave men from "opposite sides" of the conflict, demonstrating that there can be room for collaboration, friendship understanding, and the courage to stand against injustice.
4.5 - wholeheartedly recommended

Birrarangga Film Festival
March 13-23
Various cinemas throughout Naarm (Melbourne)
For all the information you need visit https://www.birrarangga.world/

Curated by Tony Briggs, the writer of hit film The Sapphires, this festival celebrates Indigenous film from around the world. The films explore strength, resilience and the environment in relation to First Nations peoples, and many of them demonstrate the strong similarities between various Indigenous cultures worldwide. More than 150 feature films, short films, and immersive experiences will be presented from countries as diverse as Australia, Canada, New Zealand, Finland, Peru and many more. Some films have already had cinematic releases, so this makes a great opportunity to catch up with what you've missed. Many others are fresh off the cutting room floor. 
Worthy of mention are:

Singing Back the Buffalo: We call them bison, the Cree peoples of the Great Plains call them buffalo. Either way this noble beast which once roamed the plains, and was so important to Indigenous culture, was almost wiped out by the white man. This doco looks at how the tribespeople have managed to bring back the great herds. There's quite a bit of voice-over philosophy and spirituality, giving an insight into how important the land and its creatures are to the Indigenous Americans.

Before the Sun: Logan Red Crow is a young woman of the Siksika tribe. She has grown up around horses and competes in what is possibly the world's most dangerous horserace - the bareback relay at the Calgary Stampede. This exciting doco traces her aspirations to be a top rider, competing in a male-dominated world. It also beautifully documents the way her father and brother support her dreams. For people who love horses and want to see some of the glorious scenery surrounding the horse ranches (not to mention the stunning horses themselves), this is a fine film to see. 

The Tundra Within Me: 
The Sami come from what used to be known as Lapland, the far northern regions of Finland, Sweden, Norway and Russia. They are traditionally reindeer herders, with men mostly being the top dogs in the business.  The low-key, gentle story is about Lena, a Sami woman, once a herd manager, who left her homeland years ago to become an artist in Norway. She returns for a time to do a gender-focused project about women in reindeer management. When she meets herder Mahtte, and they start a relationship, she needs to decide what direction her life will take. A tender love story, with a telling look at gender roles in a traditional society, this is worthwhile viewing.

Limbo
Detective Travis Hurley (Simon Baker) is sent to the outback opal mining town of Limbo to investigate a 20-year-old cold case of Charlotte, an indigenous girl who went missing. The police hadn't cared, and when they finally investigated had tried to pin the blame upon local First Nations men, even implicating Charlotte's brother, Charlie . If you missed this finely crafted, haunting film when it had its mainstream release, here's your chance to catch it. Director Ivan Sen shoots in black and white creating a noir feel. The setting location of Coober Pedy is perfect and Baker is compelling as the world-weary Hurley. There is much pain in the story - that of fractured families and a justice system that continually ignores or mistreats the First Nations people. 


Ka Whawai Tonu
Movies in Maori language are rapidly gaining in popularity. This latest film uses as its historical basis the Battle of Orakao in 1864, a bloody affair, as two traditionally warring Maori tribes team up to slug it out with the Brits. Fictional characters bring a more personal focus to the tale. Two teenagers who feel alienated from their people try to survive and rescue others in the face of the brutal slaughter. One feels the pain of individuals and the Maori people at large, however some of the violent battle scenes tend to overpower. Heavyweight NZ actors Cliff Curtis and Temeura Morrison bring their talents to bear, the two young leads are strong, and like many First Nations stories, this one throws light on an important chapter of a dark history.


The ConvertMost famous for directing Once Were Warriors in 1994, Lee Tamahori helms this impressive drama set in the 1830s. NZ at that time was Maori-dominated; wars raged between tribes, and a few fledgling British settlements were establishing themselves. Thomas Munro (an excellent Guy Pearce), a man with a violent past and now a lay preacher, is sent to the settlement of Epworth. En route he witnesses Maori inter-tribal savagery, and saves the life of a young woman, Rangimai (Tioreore Ngatai-Melbourne), who he takes into his care. Munro soon discovers the racism and entrenched anti-Maori sentiment among the British colonists, as he becomes further estranged from those he was sent to minister to and more involved in trying to broker peace among the Maoris. The film has been called one of the most authentic filmic depictions of pre-colonial Maori culture, with fabulous production design along with costumes and sets that bring that world to life.  All performances from leads and the many significant tribal warriors are authentic, and the many battle scenes are chillingly brutal. This is a most worthy examination of important issues of colonialism, violence and faith.

More from . . . 
Alliance Francaise French Film Festival
Melbourne : Until April 9
Venues: Palace cinemas
For other states' dates, bookings, and venues, visit: affrenchfilmfestival.org

I've previewed more and they are indeed to be recommended. 

When Fall is Coming
: Sublime! There's no other word for Francois Ozon's latest film, dealing with three generations and the resentments of the past. The film is suffused with secrets, recriminations, chances to start anew and the love and kindness between an ageing grandmother and her 
beloved grandson Lucas. Set in the idyllic countryside of Burgundy it is the story of Michelle, who spends her languid days foraging for mushrooms with her best friend Marie-Claude. But when daughter Valerie turns up with Lucas, and a tragic mistake is made, old enmities are rekindled. When Marie-Claude's son Vincent gets out of prison, Michelle sees a new purpose in her life. Intertwining friendships are the heart of this, underpinned by an exceptional lead performance from Helene Vincent. You'll need some tissues for this one! 

The Divine Sarah Bernhardt: Sandrine Kiberlain gives a mesmerising performance as the woman once considered to be the finest stage actress in the world. In this lavish production we first meet Sarah near the end of her life, in the Paris of the 1920s. It was a decadent era, filled with Bohemian artists, and Sarah was their darling. The film's timeline moves back and forth through the years to portray a most volatile and flighty personality, along with the most scandalous episodes in her life.  Her undying love for fellow actor Lucien Guitry (Lauren Lafitte) is a central part of the story, along with the countless sycophants and decadent characters that waft in and out. Settings and costumes are absolutely sumptuous.  

Saint Exupery: This is the true story of the author of the famous children's book The Little Prince. Antoine Saint Exupery (Louis Garrell) flies planes in Argentina for France's Aeropostale. After he flies too high over the Andes and crashes into the sea, he is rescued by his best friend Henri (Vincent Cassell). So when Henri goes missing over a high mountain range, Saint Ex defies common sense to head off to try to rescue him.  This is an inspiring story of friendship and bravery, with absolutely breathtaking sweeping cinematography shot on location in Patagonia. There's also plenty of heart-stopping plane action. Diane Kruger adds romantic interest as Henri's devoted wife, and overall this makes for seriously entertaining viewing. 

Tuesday, 4 March 2025

March 5th 2025

Hard Truths
My Melbourne
Every little Thing
Alliance Francaise French Film Festival

With the French Film Festival upon us, it's time to publish a little early. I expect to bring you more reviews over the weeks that it runs. It's another terrific week for movie lovers. 

Hard Truths
Dir:  Mike Leigh
Length: 97 mins
© Mushroom Studios /Reset Collective - another
Mike Leigh slice of British life
Mike Leigh reunites with his lead actress from Secrets and Lies, Marianne Jean-Baptiste, who gives a searing (if at times infuriating!) performance as Pansy, a wife and mother who constantly complains, criticises, picks fights with strangers, and generally alienates everyone around her. Her hardworking husband Curtley (David Webber) and slacker son Moses (Tuwaine Barrett) are always in her firing line, and the only person who seems to have a shred of compassion for Pansy is her sister Chantelle (Michele Austin). When the sisters visit their mothers' grave, there seems to be a slight shift in Pansy's outlook, encouraging us to question the whys of her endless malcontedness. We may laugh at her incessant griping, but what starts out as vaguely humourous settles into a darker and deeper look at what makes people tick, their strengths and frailties, and how they learn to tolerate each other. A typical Leigh "slice-of-life" drama that may well lead us to examine our own attitudes to life, asking ourselves whether we are in the "glass half-full or half-empty" department.
4 - highly recommended

My Melbourne
Dir:  Imtiaz ali, Kabir Khan, Rima Das & Onir
Length: 100 mins
© Mind-blowing Entertainment - four moving
and insightful stories 
There's something exciting about seeing one's own city up on the big screen. And it's even more engaging when the stories are something fresh and original, as is the case here. Four established Indian film-makers have collaborated with emerging film-makers in Melbourne to bring us four loosely connected short films dealing with issues around sexuality, gender, race and disability. Each story has been inspired by true events. 
Nandini is the story of a gay Indian man, Indraneel, living with his lover, something which his conservative father over in India highly disapproves of. But when Indraneel's mother dies, her last wish is for her ashes to be scattered in Melbourne. The father arrives, bringing ashes and hope for reconciliation. This is a tender and gently told story. 
Jules focuses upon two totally different women. Sakshi is a young woman recently arrived in Australia with her dominating husband, and working as a kitchen hand in a Melboune restaurant. When she meets a homeless woman, Jules (Aussie actress Kat Stewart), things start to turn around in Sakshi's life, as she gains confidence to stand up for her rights. 
Setara tells an inspiring story of a young Afghani refugee who has emigrated here with her mother and sister. Her school sports coach (played by legendary cricketer Brad Hodge) recognises her skill as a cricketer, but Setara must defy her mother's disapproval to pursue the sport she loves. It's a lovely tale of becoming recognised and accepted. 
Emma: Finally, the fourth story in the film features a young deaf dancer who faces self-doubts and  discrimination in the industry, until she meets Nathan, a profoundly deaf dancer who teaches her the discoveries she can make in the silence. All four episodes work really well, are beautifully and truthfully scripted and finely acted. As well as giving local creatives a chance to work with the finest Indian directors, this moving and insightful film entertains while highlighting people in our city who have so much to give but are often overlooked.
4 - highly recommended


Every Little Thing 
Dir: Sally Aitken
Length: 93 mins
© Umbrella - a story of compassion and tiny
resilient creatures of great beauty
Bird lovers should not miss this shimmering documentary about hummingbirds, and a big-hearted woman from Los Angeles who devotes her life to caring for those creatures which fall from the nest or are otherwise injured. Terry Masear has a homemade bird hospital, and filmmaker Aitken (an Aussie documentarian) sets up her camera to track the progress of several feathered friends, from admission to release. Each bird is given a name by Terry, so their tiny personalities soon become utterly endearing and, as a viewer, we become invested in the fate of each individual. The close-ups and slo-mos of the amazing avians are stunning, as is all the cinematography. Impatient viewers probably won't enjoy this type of film, but it feels like a little ray of hope, caring and compassion in a world that seems to be heading in a more heartless and uncaring direction. 
3.5 - well recommended


Alliance Francaise French Film Festival
Melbourne : March 5 - April 9
Venues: Palace cinemas
For other staes' dates, bookings, and venues visit: affrenchfilmfestival.org

One of Australia's favorite film festivals rolls around again! The 36th AFFF presents 42 outstanding films. As always, it encompasses the gamut of genres, from blockbusters like The Count of Monte Cristo, to intimate life stories such as When Fall is Coming, through to such action thrillers as Elyas, zany comedies like Scammers, and some strong biopics about the likes of Sarah Bernhardt, Charles Aznavour and Maria Schneider. I've started my previewing and bring you several to consider, with more to come over the weeks of the festival.

Elyas
:  Want a nail-biting, heart-stopping thriller?  Special forces veteran, Elyas (Roschdy Zem), is haunted by his past in Afghanistan, but accepts a job as a bodyguard to an Arab family from Saudi. He must protect the mother Amina (Laetitio Eido) and her young 13-year-old daughter Nour (Jeanne Michel), though from what only gradually reveals itself. As 
Elyas starts to bond with his young charge, the intricacies of the plot develop, and the tension ratchets up. Elyas must revisit all the skills he learned in combat. At times things get pretty brutal and violent, but the film retains a lovely grounded central relationship between the taciturn, battle-scarred man and the frightened young girl. 

Bolero
: In 1928, Russian dancer Ida Rubenstein commissioned a young French composer to write a short piece of music for her, stipulating that it be highly erotic. And so Maurice Ravel composed a 17-minute piece of music that, apparently, is played around the world today once every 15 minutes. That piece is Bolero and this is the story of the man who created it. Raphael Personnaz embodies the melancholy composer, full of self doubt but mentally scouring his surroundings for the sounds that will both haunt him and inspire his iconic piece. Emmanuelle Devos is pianist and Ravel's supportive friend Marguerite, while Doria Tillier adds a poignancy as the beautiful Misia, an unattainable romantic interest for Ravel. Jeanne Balibar acts and dances sensually as Rubenstein. Director Anne Fontaine is skilled at capturing a historical period, and the movie is an intriguing look at a sad man, who composed many fine works but seemes ultimately defined by the one iconic piece. 

Being Maria
: If you're as old as I am, you may remember the 1972 film, Last Tango in Paris. Starring Marlon Brando and a 16-year-old Maria Schneider, it caused a furore becaus
e of one controversial sex scene. This is the story of a young naive actress, who escapes her mother's influence and falls under the spell of Brando and the director of Last Tango, Bernardo Bertollucci. Anamaria Vartolomei is perfectly cast as the effervescent alluring young girl, whose experience on set is a turning point which damages the rest of her life. In the #metoo era, especially where movie-makers are under close scrutiny, this is a highly releveant and disturbing film. It also asks the question of just what is acceptable in pursuit of art. A fine biopic, with an impressive performance by Matt Dillon as Brando.

Scammers: Often, English-speaking film-makers remake French films; this one is a French remake of an Irish film, Waking Ned Devine. On a tiny island off the coast of Brittany, two old best friends, Jean-Jean and Henri, discover that the lottery has been won by one of the few people on the island. They set out to discover who, but when they find the owner of the winning ticket dead in his chair, ticket in hand, they set up a convoluted scam to get their hands on the money. I don't usually enjoy French comedies, but I laughed a lot at this one, and the main characters are so likeable and the Bretagne scenery so lovely, that it's hard not to simply enjoy the film's light-heartedness. 
 
The FFF is of course wholeheartedly recommended!!




Wednesday, 26 February 2025

February 27th 2025

The Seed of the Sacred Fig
The Last Journey
Inside
White Bird
Dahomey
The Goat Life (streaming on Netflix)


I go from a meagre one review last week to a hefty six today, offering you a huge choice of excellent viewing. 


The Seed of the Sacred Fig
Dir:  Mohammad Rasoulof
Length: 167 mins
© Sharmill -  political, personal and
powerful film-making
Iman (Missagh Zahreh) is an honest judge in Tehran, living with his wife Najmeh (Soheila Golestani) and daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). He receives a promotion to the position of investigating judge in the Revolutionary Court of Iran, but his integrity will be tested, as he is expected to sign countless death warrants for people who have been arrested protesting against the oppressive government. His family is instructed to keep a low profile, but free-thinking, modern sisters Rezvan and Sana are outraged at what is going on around them, especially when their friend is arrested and 
badly beaten on the streets. When Iman's gun goes missing he starts to doubt his wife and daughters, setting off a family crisis of mistrust and suspicion. Winner of three prestigious critics' awards at Cannes, this is an important and timely film. There is an intelligent blending of the personal family dynamic, counterpointed with the broader socio-political issues in Iran. Tension gradually ratchets up, making the film gripping, thrilling and ultimately a shocking indictment of Iran's system of corruption and oppression. Aside from its excellent scripting and powerful performances, the film is even more astonishing as it was shot entirely in secret, such are the dangers to film-makers in that country. 
4.5 - wholeheartedly recommended

The Last Journey
Dir:  Filip Hammar & Fredrik Wikingsson
Length: 90 mins
© Universal - a warm, funny and moving story of
a roadtrip attempting to revisit the past
Seeing the shorts for this, I assumed it was another zany Scandi narrative movie. But I was surprised to discover it is a documentary, featuring the two directors, along with Filip's father, Lars, and his mum, 
Tiina. Lars was a French teacher all his working life, with  a passionate love of France, a country to which he travelled countless times, with his wife and son. But now, ageing and retired he seems to have lost all his zest for life, and sits in his chair, perhaps just waiting for death. Filip is distressed and decides he will take Lars, along with his best pal Fredrik, on a road trip to France, to revisit favorite places, in the hope he can give his dad some of his old joie de vivre. They head off in a very old orange Renault, but things don't go totally as planned. This film is suffused with so much joy, fun, laughter, love and poignancy. There a is total naturalness between the characters, even more so than when Rob Brydon and Steve Coogan went off on their famously filmed road trips. The scenery and places in the south of France are, as  expected, simply beautiful, and the current adventure is interspersed with old video footage and photos of the family's past trips when Filip was a kid. The film also takes a sobering look at the issues involved in ageing, both physical and emotional, especially for those who no longer have the sense of identity their work gave them. The story is also a reminder that, even though we cannot turn back time or  recreate the past, there is so much to be gained from seizing the present. Filip's creativeness in devising special scenarios that will please Lars, along with an uplifting testament from past students, all combine to make for a moving and inspiring movie experience. 
4 - highly recommended

Inside
Dir:  Charles Williams
Length: 104 mins
© Bonsai - one of the best prison films
in years.  
Mel Blight (Vincent Miller) has spent many years in juvenile prison for killing another boy when he was 12. He is now being transferred to an adult facility. He shares a cell with Mark Shepherd (Cosmo Jarvis), a child rapist who has apparently "found God", speaks in tongues and runs services for inmates. Shepherd co-opts Mel to play keyboard to accompany the sermons. Fellow inmate Warren Murfett (Guy Pearce) has done an inside deal to kill Shepherd, and decides to sub-contract Mel to do the hit. And so Mel, totally alone in the world with no family or visitors, is caught between these two men who have taken him under their wings, and his own feelings of helplessness, despair and rage. This is no ordinary run-of-the-mill prison drama. Rather, it is a stand-out tour-de-force of film-making and acting, and none of the stereotypical scenarios we usually get in prison dramas. Pearce arguably gives a career-best performance. Miller knows how to use subtle facial gestures and minimum dialogue to maximum effect, while Jarvis is extraordinary at evoking an unlikely compassion for a man who has committed such a heinous act. Each character is so carefully nuanced and layered, so that we are reluctant to  unconditionally condemn; instead seeing a glimmer of the humanity that lurks underneath even the most reprehensible of characters. The film was shot in a not yet opened prison in Lara, Victoria, adding to its oppressive and realistic atmosphere. For those able to tolerate the bleakness, it is probably one of the most truthful and unsensationalised depictions of the broken justice system and its sad inhabitants that you've seen.  
4.5 - wholeheartedly recommended

White Bird
Dir:  Marc Forster
Length: 121 mins
© -  a grandmother recounts her childhood
hiding from the Nazis
Grandmother Sara (Helen Mirren) sits with her grandson, reproaching him for his unkind attitude to his classmates and his unruly behaviour. She decides the time has come to tell him of her childhood wartime experiences. And so begins a flashback to yet another Holocaust story, this one of a well-off French family who are rounded up by the Gestapo in Paris in 1942. Young Sara (Ariella Glaser) escapes and is hidden in a barn by the family of one of her classmates, 
Julien (Orlando Schwerdt), a boy paralysed in one leg by polio. Julien's kind mother Vivienne (Gillian Anderson) cares for the girl, while she and her brave classmate create a world of fantasy which helps them get through the nightmarish time. Although presented in a rather sanitised and overly romanticised way, this is a very engaging story, and it's always great to see Mirren in action. If it's more darker stories of this terrible era out there you want, head off to see The Brutalist.
3 - recommended
 
Dahomey
Dir:  Mati Diop
Length: 68 mins
Exclusive to Cinema Nova in Vic
© Rialto - unusual and informative doco
that will resonate with certain audiences
If you've seen the film The Woman King with Viola Davis, you may know of the kingdom of Dahomey in Africa. The country was once a major centre for slave trade and was taken over by the French in 1894. In 1960 the colony gained independnce and 15 years later became known as Benin. Enough of the potted history, but it is important in the context of this little award-winning documentary which raises some big ideas. Of course colonising countries love to plunder, and France stole some 7000 valuable items from Dahomey. This doco follows the process of repatriation of 26 of these items, and is told through the "voice" of a statue of one of Dahomey's kings, as it is returned to its country of origin. After a fairly slow and careful tracing of the process of packing and shipping the treasures, we join a spirited conversation among students in Benin as they debate weighty issues, among them the legacy of colonisation and the importance of the repatriation of artefacts. The film has won some pretty hefty awards, but is likely to be more popular with critics than your average movie-goer. 
3 - recommended

The Goat Life
Dir:  Blessy
Length: 173 mins
Streaming on Netflix

© Netflix -  modern slavery: an Indian
man is abducted and forced to work
in the blazing Saudi desert
Najeeb (Prithviraj Sukumaran) wants to provide for his beloved wife and forthcoming child, so follows a job lead which takes him to Saudi Arabia. When he and his friend Hakim (K. r. Gokul) are picked up at the airport, they soon find they have been abducted by brutish Arab criminals, who take them to the middle of the desert and  s
eparate them. Najeeb finds himself being held captive and forced to work as a goat-herder. Beaten, starving and desperate, he looks for a means of escape. You'll need real staying power to survive this one, not only because of its length but because the story itself is so harrowing. It is based upon the real-life experience of a man from southern India, whose gruelling experience became the basis for a best-selling book in that country. Watching it, one really feels the pain, deprivation and suffering that Najeeb must have felt. Sukumaran's performance is stunning, as is the makeup which transforms him into a near-mute wild man.The wide-screen vastness of the stunning cinematography just adds to the feeling of his isolation. Indians often aspire to earning their fortune in the Arab Gulf States, but this story certainly casts a light on the harsh conditions many migrants endure. Ultimately this is a story of abduction and modern slavery, harsh to watch, but important to know about. (And . . . had I been editor, I'd have taken the knife to the run-time!)
3.5 - well recommended

Thursday, 20 February 2025

February 21st 2025

Bird
It may not be a two-dog night, but it is a one-film week. And what a terrific film this is!  However, prepare for the onslaught of many more in the coming weeks. 

Bird
Dir: Andrea Arnold
Length: 119 mins
© Mushroom Group/Reset Collective  - moving,
funny, chaotic, and magical. A winner! 
Bailey (Nikiya Adams) is a young teen living with her brother Hunter and her Dad, Bug (Barry Keoghan), in a squalid run-down squat. Bug, who had Bailey when he was 14, is like an overgrown kid, and her stoner mother lives with Bailey's three half-siblings and an abusive boyfriend. 
So, Bailey more or less raises herself and is a loner, watching birds fly overhead, talking to seagulls, and in need of a friend. One day she chances upon a strange elf-like, skirt-wearing man, Bird (Franz Rogowski), who befriends her and gradually becomes like a protector to her. This gorgeous film celebrates both the joyous and the depressing sides of life. The conditions in which Bailey and her family live are chaotically recreated with loud music and grimy sets depicting an environment that borders on shocking. Bailey's little siblings, who she cares for deeply,  live in fear of the mother's violent boyfriend, while Bailey is distraught that her Dad plans to marry. But, when Bird enters her life, things change. We never learn where this man came from, and there is such an other-worldliness, gentleness and kindness to him as he transforms Bailey's life. Rogowski is simply mesmerising as this strange character. After all the in-your-face realism, the film takes a drastic turn towards the end, to enter a place of magic realism, but if you just go along for the ride you will be richly rewarded by this gem of a film.
4 - highly recommended

Wednesday, 12 February 2025

February 13th 2025

Grand Tour
The Six Triple Eight (streaming on Netflix)
Europa Europa Film Festival

A quiet(ish) week for me, with the highlight being Italian film Anna from the Europa Europa Film Festival. 


Grand Tour
Dir:  Miguel Gomes
Length: 129 mins
© Potential - a very different combo of
love story and travelogue 
Billed as a "travelogue drama", Grand Tour is at once quirky, intriguing, and eye-opening, blending an Edwardian "romance gone wrong" tale with real documentary footage of contemporary life in the countries featured in the narrative. In Burma in 1918 Edward (Goncalo Waddington) flees his fiancee Molly (Crista Alfaiate) on their wedding day. He heads off on a travel circuit comprising Burma, Singapore, Thailand, Vietnam, Japan and China. Determined to be married, Molly pursues him, sending letters but always one step behind. This is the sort of movie you need to surrender yourself to, and not hunt for any conventional narrative. As Edward's and Molly's stories are shown, the film is shot in black and white; the modern-day footage of people going about their lives in the various countries is in colour. Edward's adventures border on the surreal at times, but Molly's are more grounded in reality, as she meets an American rancher and his maid living in Vietnam.  Eschewing his marriage proposal she persists in pursuing Edward. The contrast between the colonial view of the eastern world, and the realities of life there today make for much philosophical pondering, and the narrative remains (mostly) engaging. Grand Tour won Best Director at Cannes 2024.
3.5 - well recommended

Europa Europa Film Festival
Feb 12-March 12
Melbourne: Classic and Lido Cinemas; Sydney: Ritz
For more info visit: www.Europafilmfestival.com.au

Want to see the best of European arthouse film in one festival? 46 films from 26 countries are headed your way, many of them nominated and awarded at Europe's most prestigious festivals. I've had a small advance sneak preview, and both films are the sort of gems that you seldom find upon general release. 
 
Anna: With several  Best Film wins to its name and a win for lead actress 
Rosa Aste, this is a thoroughly engrossing film with a decided David vs Goliath theme. Anna has lived on her father's land in Sardinia all her life, tending her goats and making cheeses which she sells at local markets. Then along comes a huge hotel chain, claiming they have bought the land from the local authorities and they intend to build. The locals are delighted that the hotel build brings them employment, but Anna and her handful of supporters are aghast that her rights should be so overridden. So begins the legal battle. Director Marco Amenta wields a slow and steady hand over his story, which totally draws you in to barrack for "the little person". Aste is absolutely deserving of her awards, with Marco Zucca a strong support as her lawyer. Shot in the rugged land of southern Sardinia, the stark and beautiful landscapes are a reflection of Anna's strength and pride in her land. (For goat lovers, the irrestible goats are stars in their own right!)

Mother Mara: Serbian star Mirjana Karanovic plays Mara, a mother grieving for her son who has died suddenly at age 20. She manages to vaguely keep up her competent businesswoman persona, but underneath she is falling apart. That is, until she starts an affair with a friend of her son, Milan (Vucic Perovic). This delicate, sad film features a star turn from its lead actress. It is a sympathetic look at the issues of loss, grief, ageing and rediscovering passion.  
Europa Europa is a highly recommended festival.

The Six Triple Eight
Dir:  Tyler Perry
Length: 127 mins
Streaming on Netflix
© Netflix - the true story of a battallion of 
women who defeated the odds
The Women's Army Corps (WAC) was established in the USA during World War 2, giving women an opportunity to serve in non-combat roles. This is the true story of the only WAC unit comprising women of color. The story opens with Lena Derricott King (Ebony Obsidian) in love with a Jewish boy. When he is killed in battle, she opts to join the 6888 Battallion, led by Captain Charity Adams (Kerry Washington). The women train hard, but somehow are always overlooked for serious missions because of their colour. Finally the army sends them to Europe, where they are tasked with sorting 17 million pieces of mail, which have neither reached home sent from soldiers, nor arrived from home at the battle field. They are given a small window to achieve the job, and the men in power think the women are not up to it. General Halt (Dean Norris), is especially vocal in his misogynistic and racist remarks. This is definitely in the "feel-good" category of movie making - a little sanitised and sweet, but with a good heart and telling a truly inspiring tale. 
There is nothing like seeing the underdog rise up and kick butt!  The two lead women are excellent in their roles, the period is well recreated, and a song from the movie is nominated for an Oscar.
3.5 - well recommended