Thursday 30 March 2023

March 31st 2023

Broker
His Only Son
Linoleum
Mudbound (streaming on Netflix)

A fabulous week for films! Such a variety here, on the big screen and streamed. Don't let me hear you say there's nothing worth seeing at the movies!!

Broker
Dir: Kore-eda Hirokazu
Length: 129 mins

© Madman - an odd assortment of
characters try to sell off a baby
Sang-hyun (Song Kang-ho) runs a laundrette, but is deep in debt. Dong-soo (Gang Dong-won) was himself an orphaned child, and now works at a baby box facility (a hatch where, in Korea, mothers drop off their unwanted babies). The men decide to take one of the babies and sell him to get some money. But the mother, So-young (Lee Ji-eun) returns the next day to get her child, baby Woo-sung. The three team up with the intention of finding suitable buyers prepared to pay a high price. Gradually the trio start to bond and become concerned about the suitability of prospective buyers, and whether to sell the child at all. Meantime two detectives are on the trail, trying to catch the baby brokers in the act of selling. Kore-eda is renowned for films that focus upon family values, and this is no exception, as a rag-tag group gradually find a family-style connection that is not defined by blood ties. The film has humour and pathos, and alludes to deeper social issues around what it takes to raise a child as well as the idea of trafficking. Every actor brings nuanced emotions to their roles, and the baby is beyond cute. Awarded the Ecumenical Jury Prize and Best Actor at Cannes 2022, this is a film that is moving, uplifting and delightful, with charm and heart, and fortunately never overstepping into sentimentality. 
4 - highly recommended

His Only Son
Dir: David Helling
Length: 106 mins
© Heritage - an important biblical story brought
into the spotlight
Abraham (Nicolas Mouawad) is on a harrowing journey with his son Isaac (Edawan Moskowitz). God has commanded him to head to Moriah and sacrifice the boy. As he treks, he recalls his life with wife Sarah (Sara Seyed), their difficulty in conceiving a child, and all the conversations and visitations he has had with the Lord. His faith and obedience will be tested in the most difficult way. Anyone who watched the first two series of The Chosen (see my earlier review at  http://hurstosfiveminutefilms.blogspot.com/2021/08/august-26th-more-from-indian-film.html) will know how well the team involved is able to handle complex biblical stories. Both are a far cry from many Hollywood block-busters in the past. Here, like in The Chosen, the filmmakers capture an authenticity (settings, costumes, etc) in re-imagining how people lived 4000 years ago. Because of its subject matter, featuring God appearing, it feels a bit bombastic at times, and while it is obviously a story about faith, one doesn't necessarily need faith to get inspiration from a story that forms part of the bedrock of Judaeo-Christian beliefs today.
3.5 - well recommended

Linoleum
Dir: Colin West
Length: 101 mins
© Kismet - 

Cameron (Jim Gaffigan) always wanted to be an astronaut but the nearest he gets is to host a failing science show for kids. His marriage to Erin (Rhea Seehorn) is on the rocks, and he has issues with his daughter, Nora (Katelyn Nacon). Then one day a red convertible falls from the sky and almost lands on top of him. The remarkably unharmed occupant, Kent, is his doppelganger (also played by Gaffigan). Shortly thereafter, part of an Apollo rocket ship lands in his backyard. Meantime Nora becomes friends at school with Kent's son Marc (Gabriel Rush); both are outsiders. If you think this sounds weird it is! This odd but creative story straddles comedy, drama and sci fi. I believe my brain is not designed to grasp such "out-there" conceptual films, yet on an intuitive level I sense something much geater than the sum of its parts -  something I can't quite put my finger on - like the meaning of life, of dreams, and of ageing. Strange time shifts seem to happen; possibly subject to varying interpretations. When the final minutes of the film come, it actually gets very moving, inviting us to contemplate the deeper things that help us make sense of the chaos of life.
3.5 - well recommended

Mudbound
Dir: Dee Rees
Length: 134 mins
Streaming on Netflix (2017 film)

© Netflix - a sotry of extreme tracial injustice -
beautifully acted and executed
The story begins with two brothers burying their father in a muddy field. We then flash back to just before the outbreak of World War 2, when Henry McAllan (Jason Clark) moves his family down to rural Mississippi to pursue his dream of being a farmer.  Henry's brother, suave ladies man Jamie (Garrett Hedlund), comes along. 
Life is challenging for Henry's refined wife Laura (Carey Mulligan), and made worse by the presence of Henry's vile racist father Pappy (Johnathan Banks). After being conned out of a fancy house he hoped to live in, the family end up living near a colored share-cropping family, Hap (Rob Morgan), his wife Florence (Mary J Blige) and their children. In 1941, Jamie and Hap's son Ronsel (Jason Mitchell) are drafted into the army. Upon their return, both must try to come to terms with not only their war experiences, but also to re-adapt to the horrific realities of life in the Jim Crow south. Their friendship defies all social norms of the day and attracts deep disapproval. Nominated for four Oscars back in 2018, this film impressed me on so many levels. Staying true to its literary origins, the director keeps the various narrative voices of multiple characters, giving them all greater depth. Cinematography is vivid and evocative, while the cast is uniformly brilliant. But it's the handling of the ever-disturbing racial issues, along with each character's personal baggage, that is so powerful; emotion without melodrama; historical atrocities presented with honesty. It may be history, but the issues are alive today.
4.5 - wholeheartedly recommended


Sunday 26 March 2023

 March 23rd 2023

Of an Age
Breaking
Bird Box (streaming on Netflix)
Elvis and Moonage Daydream are now streaming on Netflix - reviewed in past

My lead review this week is the cinematic release of the new Aussie film Of An Age. Then for those wedded to their sofas there is a handful of "streamers" you can avail yourself of. 

Of an Age
Dir: Goran Stolevski
Length: 100 mins
© Roadshow - delicate and touching, this
is such a sad story of first love never forgotten 
Seventeen-year-old, Macedonian-born Nikola (Elias Anton) gets a frantic phone call from his dance partner Ebony (Hattie Hook) who has woken up on a beach after a wild party the night before. The two are supposed to be performing together at dance finals in two hours. The only solution is to find someone with a car and that one person is Adam (Thom Green), Ebony's older brother. As Nikola (Kol) and Adam make the long drive to Altona, something clicks between them; neither is your average bogany Aussie bloke. As Adam lets slip that his ex-partner was a man, something is awakened in Kol, but Adam is leaving the next day to go abroad to study. Set in suburban Melbourne, the film has an unexpected romantic sensibility, and a European arthouse feel. The impressive camera work, which concentrates intensely upon the faces of the two men, invites us inside their heads and emotions. The beautiful, 
almost dreamy, views of parts of Melbourne we might consider dull enhance the poignancy of the youthful love that Kol experiences for the first time. The film opens in 1999, a time when being gay was not so acceptable, yet Adam is so comfortable in his identity. When the pair meet ten years later, the deep sadness that Kol has felt all the intervening years washes over everything. The three leads, especially the men, generate a wonderful rapport. This is a tenser, and probably deeply personal, film from Stolevski, a director to keep an eye on. 
4 - highly recommended

Breaking
Dir: Abi Damaris Corbin
Length: 103 mins
Available to rent and own from 27th March
© Universal - tense, and tragically
based upon a true story
Brian Brown Easley (John Boyega) is an ex-Marine war veteran, keeping himself afloat via a small monthly check from Veteran Affairs. But one fateful month, the cheque fails to arrive, so he walks into a bank and slips a note to a teller, claiming he has a bomb. Police, FBI, and other assorted trouble shooters and negotiators descend upon the scene, but Easley reveals he doesn't want to rob the bank, he just wants the money the VA owe him. He keeps two employees in the bank and lets the other customers go. This is based upon a true story, and, after reading a fascinating site that deals with Hollywood plots versus history (https://www.historyvshollywood.com), it looks to be keeping pretty true to the facts. This is  quite a tense and disturbing film, anchored by a solid performance from Boyega who reflects the distress and sense of injustice that many returned military people in the USA feel, as their government turns its back on them. The balance between thriller and social justice film is well maintained, and we definitely sense that not only is this man breaking, but society as a whole has way too many cracks.
3.5 - well recommended

Bird Box
Dir: Susanne Bier
Length: 124 mins
Streaming on Netflix - 2018 film
© Netflix - Bullock is front and centre in a 
film with plenty of post-apocalyptic  tension
Bier is a Danish film-maker who has won many impressive awards, (among them a 2011 Oscar for In a Better World). I was surprised to find she had helmed this tense film that crosses boundaries of sci-fi, horror and of course, her signature theme of interpersonal relationships. Malorie (Sandra Bullock) is about to become a reluctant single mother when the world heads into apocalyptic territory. A mysterious invisible force has made itself known. Of those who see it, most are driven to suicide, while a few end up still alive but psychotic and crazy. A rag tag bunch of survivors (non-crazies) band together, constantly forced to wear blindfolds if they step outside. But as their numbers diminish, it is 
finally Malorie and two small kids who must make a treacherous journey downriver to try to find safety. I didn't expect this film to stay on my mind as long as it did. Something about the timeliness of apocalyptic days? That, and the strong direction which keeps the tension up from the outset, as the action toggles between the canoe journey, and then goes back five years to show us the timeline of unfolding events. Bullock is surprisingly memorable as the dominant capable Malorie, while Trevante Rhodes, John Malkovitch, and Tom Hollander give strong support. The intelligent directorial choice to never actually show the malevolent force only adds to the fear and suspense. 
3.5 - well recommended

And another thing . . . 
Two winners streaming on Netflix
How can I resist beating the drum for these films again? The two I gave my top ratings to last year are now streaming on Netflix! So here's your chance if you haven't yet seen them. 

Baz Luhrmann's Elvis delighted me, and had me dancing in my seat. I was so disappointed it missed out at this year's Academy Awards. Read my review: http://hurstosfiveminutefilms.blogspot.com/2022/06/june-24th-elvis-lost-illusions-after.html

The magnificently creative and visually stunning biopic Moonage Daydream  was my top documentary for 2022. 
Read my review: http://hurstosfiveminutefilms.blogspot.com/2022/09/september-16th-moonage-dreaming.html



Wednesday 15 March 2023

March 16th 2023

Living
Portrait of the Queen
The Elephant Whisperers (streaming on Netflix) 
More from Alliance Francaise French Film Festival

This week is very British, plus a bit French and a little Indian. From the Queen, to bowler hats, to elephants to cathedrals on fire - there are some super films to be had. 

Living
Dir: Oliver Hermanus
Length: 102 mins
© Transmission - Nighy brings a career-best
perf to Mr Williams
London 1953: Mr Williams (Bill Nighy) is doing a bureaucratic desk job at the Public Works Department. He's a pretty dull guy - reserved, unsmiling, efficient, chained to his dull life and dull routine. But then the doctor diagnoses terminal cancer and gives him six months to live. He plans to take his life, but instead decides to live little. He meets a writer Mr Sutherland (Tom Burke) who takes him for a night on the town. Returning to London he runs into co-worker Miss Harris (Aimee Lou Wood), and begins to spend time with her, delighting in her youth and cheery disposition. Meanwhile at the Public Works department, a petition by local women for a playground has been shelved for months, and Williams decides to make it his mission to push for it to go through. If this sounds too low-key for you, think again. It is dealing with life's most vital issues, life and death, how to leave a mark on the world and how to spend your remaining days. And it is all done is such a quiet unostentatious way. What a shame Nighy didn't win best actor for his sublimely delicate and understated performance. Based upon the Japanese film Ikuru (directed by Kurosawa), this British version of the story with its bowler-hatted public servants and beautiful soundtrack will haunt you long after it is over. (Take plenty of tissues!) 
4 - highly recommended

Portrait of the Queen
Dir: Fabrizio Ferri
Length: 95 mins
© Transmission - not your average Royal film -
a great window into the world of photography and 
how it portrayed Queen Elizabeth
Charles Dance narrates this wonderful documentary, in which renowned photographers who have been tasked with shooting the Royal Family, especially Queen Elizabeth II, discuss what it meant to them, how they did it, and what is takes to get a great image. On one level this is an outline of the Queen's life as seen through decades of world famous, iconic and well recognised photographs, but it is something deeper - those candid and intimate moments that the world's best photographers managed to capture show another side of a woman much loved, but often at a distance. Technical revelations are important too; discussions of lighting and anecdotes of how certain shots were got. And then there are the many people, from famous faces to folks in the street, who also talk about how they perceive (and love) Her Majesty. Royal buffs and photography buffs should definitely catch this one.
4 - highly recommended

Alliance Francaise French Film Festival ...more
Continuing until April 5
Melbourne Palace cinemas
For all information on films, times, tickets, visit affrenchfilmfestival.org

Notre Dame on Fire (Notre Dame Brule)
Much-awarded director Jean Jacques Annaud (Name of the Rose, Seven Years in Tibet, The Bear to name a few) helms this thrilling retelling of the blaze that we all watched in shock on TV in 2019, when the iconic cathedral of Notre Dame in Paris caught fire. Testament to how well this film is done is that, even though we know the outcome, Annaud makes it gripping from go to whoa. Cleverly he opens with a standard day: the tourists are there en masse, folks from all around the world. After what is interpreted as a false alarm for fire, suddenly it is tourists who spot smoke and alert the world via social media, then it is panic stations and a race against time.Trying to get fire trucks and teams through the gridlocked streets, then having water pressure problems, makes it hell for the fire department. The bravery of the fire-fighting personnel is front and centre. The race to save the cathedral's art  treasures is heart-stopping. The clever intercutting of real footage with the reenactments of nightmarish conditions up in the heights of the cathedral is breathtakingly tense. There is a surprising hit of emotion too, as Parisians gather in the streets to sing hymns and support the fire-fighting effort. Real life turned into a gripping thriller. 
Another of my faves so far in the Festival

The Elephant Whisperers
Dir: Kartiki Gonsalves
Length: 41 mins
Streaming on Netflix
© Netflix - a story to melt your heart
This small gem has just won the Academy Award for Short 
Documentary. It is sweet and cute - so sweet and cute it makes you cry. Filmed in the south of India it deals with Bomman and his wife Bellie who are tasked with caring for an orphaned sick elephant, Raghu. They nurse the calf back to health and raise it almost as their child. Then baby elephant Ammu joins the family. As an insight into the nature of elephants this is eye-opening, and as a homage to people's love and care for animals it is inspirational. Cinematographically speaking, it is beautifully shot, with a lovely window into that part of India.
4 - wholeheartedly recommended


Saturday 11 March 2023

 March 11th 2023

Till
To Leslie
All the Beauty and the Bloodshed
Alliance Francaise French Film Festival - two more reviews 

More excellent films are released this week, with another two recommendations from the ongoing French Film Festival. 

Till 
Dir: Chinonye Chukwu
© Universal - hatred and racism in America's south
in the 1950s
Fiercely loving mother Mamie (Danielle Deadwyler) reluctantly sees off her only child Emmett (Jalyn Hall) to have a holiday with his cousins in Mississippi in 1955. Trouble is, Emmett has grown up in Chicago and knows nothing of how colored people are expected to behave in the deep south. The fourteen-year-old boy behaves inappropriately towards a white woman, and is brutally beaten and lynched by hate-filled racist locals. The true story of Till focuses not only upon the murder, but also Mamie's bravery in going to court to testify,  hoping to get a conviction for the white murderers. (Mamie later became heavily involved in the Civil Rights movement in America.) This film concentrates, however, upon loss, grief and courage, seeing the story through the powerful lens of a mother's love and what she is prepared to do to fight for justice for her child. Deadwyler's performance is so impressive it almost steals the entire film, while her many awards prove it's a travesty that she's not up for an Oscar nomination this year. There is so much grief and emotion in this film, that too is overwhelming. Period recreation is excellent, accompanying sountrack evocative, the cast universally strong, but at times the style seems a little self-conscious and laboured with the extreme close-ups, especially of the murdered child. However, the subject matter remains ever relevant, and the film is yet another fine addition to the history of the fight for racial equality.   
3.5 - well recommended

To Leslie
Dir: Michael Morris
Length: 119 mins
© Kismet - how to squander a large sum - addiction 
and the possiblity of redemption
Based on a true story, the film follows Leslie (Andrea Riseborough), a West Texas single mum, who wins the lottery. But within six years she has squandered it all on booze and drugs, and is now virtually homeless. Reconnecting with her estranged, now adult son James (Owen Teague), she is offered a place to live on the condition she doesn't drink, but she both drinks and steals. So she is shunted along to an old friend Nancy (Alison Janney) who also gets fed up with her. Sleeping on the street, she is found by motel owner Sweeney (Marc Marron) who impulsively offers her a job in exchange for board. Can this hopelessly addicted woman turn her life around? Riseborough is up for an Oscar, and deservedly so. She took me on an arc of loathing of the manipulative, lying Leslie through to actually having compassion for her as the story moves on. Marron is memorable  for the kindness he brings to the character of Sweeney while Janney's Nancy brings some unexpected contrition to the later scenes. Pretty much most of the film feels gritty and authentic, with a real country and western feel to it, despite the ending feeling a bit too pat. 
4 - highly recommended

All the Beauty and the Bloodshed
Dir: Laura Poitras
Length: 122 mins
© Madman - talent, activism, drug addiction - 
a potent combination 
Nan Goldin is a renowned photographer and activist. She lived a fairly Bohemian and wild life during the 70s and 80s, then years later, after an injury was prescribed Oxycontin for pain. She became addicted to opioids, nearly died from an overdose and founded the group PAIN (Prescription Addiction Intervention Now). This doco chronicles her work with the group, using activism to bring to account the wealthy pharmaceutical family Sackler, who were responsible for creating and promoting Oxycontin, despite knowng its potential for addiction. Constructed in chapters, the film juxtaposes periods of Nan's life plus her photography, with current work by the group and the progress of their protest efforts, with a major focus upon having famous museums remove the name Sackler from many of their collections. There is so much content in this film it's almost too much. Both themes are so worthy, there could well have been two films, one focusing upon the artistic life of Nan Goldin, the other upon the opioid crisis. For me it became too jumbled in together. But that's only me because it was awarded a Golden Lion at Venice 2022 and is up for a Best Documentary in the forthcoming Oscars.  
3.5 - well recommended

Alliance Francaise French Film Festival
March 8 - April 5
Melbourne Palace cinemas
For all information on films, times, tickets, visit affrenchfilmfestival.org
Yes, it really starts this week! You've had the chance to take up some of my advance recommendations from last week, and here are another two, with more to come! (For lovers of intimate personal drama, One Fine Morning borders on unmissable.)
November: Another film dealing with the horrific terrorist attacks in Paris in 2015. This time it's not from the perspective of victims (as in Paris Memories), but from that of the investigators in the anti-terrorist squad. Jean Dujardin plays lead investigator Fred, who, along with Heloise (Sandrine Kiberlain) are up against the clock to find the perpetrators and prevent another attack. This is pulsating and suspenseful film making, setting a cracking pace, and though at times we don't quite know who is who (so many undercover operatives), there's barely a moment to catch one's breath.
One Fine Morning
(Un Beau Matin): Lea Seydoux plays Sandra, a single mother juggling her life between her child, her work, her aging father Georg (Pascal Gregory) and finally a passionate love affair with a married man, Clement (Melvil Poupard). Without a doubt this is one of the most sensitive and moving films I've seen in a long, long while. Seydoux is poignantly heart-breaking as a woman who exudes love, compassion, sadness and resilience. Everything here feels 100% authentic, and horrifically close to home for those who have known the pain of loving an unavailable partner, or of trying to decide what's best for an ailing parent. 

Wednesday 1 March 2023

March 2nd 2023

Empire of Light
Close
Creed III
Weird: The Al Yankovic story - streaming on Paramount+
Alliance Francaise French Film Festival - five reviewed in advance
Oscar nominated Animated Short Films and Live Action Short Films


It's a bumper week. I'm breaking with tradition: the French Film Festival starts next week on March 8th. Instead of reviewing the offerings then, I'll review a few a week early to give you a chance to mull over which films you may like to book advance tickets for. Plus of course the regular new releases and a fun streaming film.    

Empire of Light
Dir: Sam Mendes
Length: 115 mins
© Searchlight - Colman is impressive, as always

Hilary (Olivia Colman) is working at a magnificent but fading art deco cinema in the south of England. When Steven (Micheal Ward) joins the  staff, the two form a most unexpected bond. He is black, hoping to get into architecture studies, and feels always judged by his skin color. She
has recently come out of a stint in a psychiatric institution and her mental health is fragile. Furthermore, her boss (Colin Firth) is always making harassing sexual moves on her.  Here is yet another film that has divided the critics big-time. I believe the nay-sayers have certain valid points. Yes, the discrepancy in age between Hilary and Steven is possibly not totally credible and yes, there are important under-explored themes intertwined with the spring/autumn love affair (rising racial tension in 80s England, and the meaning of film in people's lives). But there is something so essentially engaging and human about the characters in this film, and the way they interact. Especially Steven who is multi-faceted and kind, wise beyond his years. Hilary, despite her mental illness and prickliness is given a truth by Colman; her command of the arc of emotions is breath-taking. Toby Jones is also notable as the passionate projectionist, Norman. And the look of the film! Acclaimed cinematographer Roger Deakins is deservedly nominated for an Academy Award this year. It is a film that works really well as a homage to the cinematic experience and to the importance of human connection in all our lives.
4 - highly recommended

Close
Dir: Lukas Dhont
Length: 104 mins
© Madman - beautiful boys and a beautiful 
friendship in this heart-wrenching story
Leo (Eden Dambrine) and Remi (Gustave de Waele) are thirteen-year-old best friends, devoted, inseparable and close with each other's families. They are caught somewhere between childhood and growing up. But when they start life at a new school, other children cast aspersions, and Leo finds himself uncomfortable with being seen in this light. His relationship with Remi starts to fracture. I don't want to say more about the plot, except that it involves tragedy, loss of innocence, forgiveness and the meaning of love in its purest form. This Belgian film is remarkable in many ways. For a director to elicit such sublime performances from two young actors is awe-inspiring. The intensely close-up shots of characters' faces keeps the emotion at a heightened level, with the audience able to imagine every nuance of thought. The lead boys are admirably supported by the many other naturalistic performances from all the kids, and standout turns from Lea Drucker as Nathalie, Leo's mother, and Emelie Dequenne as Sophie, Remi's mother. Dhont is a truly talented film-maker who has made an exquisitely beautiful film worthy of its Best International Feature Film nomination at this year's Oscars. 
4.5 - wholeheartedly recommended

Creed III
Dir: Michael B Jordan
Length: 116 mins
© Universal - the boxing champ is facing some
serious challenges out of the ring
Adonis Creed (Michael B Jordan) is some three years out of the boxing ring. He runs a successful training gym, organises top level prize fights and 
has a happy family life. Then someone from his past, Damian (Jonathan Majors), resurfaces after 18 years in prison. This hulking, one-time boxing hopeful wants a shot at a title fight, but his real agenda is to settle a score with Creed. I'm not the ideal person to review boxing films, having a visceral dislike of the sport. That said, there is some good interpersonal drama here, with especially strong tension created between Creed and Damian. Creed's family life is appealing, especially with his feisty little hearing-impaired daughter. The fight scenes are well shot and choreographed with some interesting visual metaphors used in the final big scene. But the logic in me really feels critical of many finer points - how could boxers emerge from such gruelling bouts with so little facial damage, so little blood on their clothes, and still able to walk easily? And why does the plot feel so predictable with so many well-used tropes? That said, I was reasonably entertained, and Jordan is easy on the eye. I have to 'fess up that many other critics are very positive towards this film and concede it will no doubt be a major crowd pleaser for a particular demographic.     
3 - recommended for the fans, a maybe for all others

Weird: The Al Yankovic Story
Dir: Eric Appel
Length: 108 mins
Streaming on Paramount+
© Roku/Paramount + - Radcliffe is almost
unrecognisable in this wildly crazy movie
Weird is definitely the word here! So is FUN! This zany film is at once a semi-truthful biopic of the singer Weird Al Yankovic, but  it's also a spoof on his life and work. For those who don't know, Weird Al used to write parodies of well-known songs back in the 80s; his lyrics were both clever and hilarious. Daniel Radcliffe has come a long way from Harry Potter, and he is simply perfect as Weird Al, combining a boyish seriousness with a quasi-lunacy, that just gets wilder as the movie progresses. The plot thread that has Evan Rachel Wood playing Madonna, Weird Al's supposed girlfriend, is a total hoot, while the lampooning of the recording industry also provides some winning scenes. Possibly the less said the better, except to add that some very famous people get their faces into this film. 
4 - highly recommended

Alliance Francaise French Film Festival
Opening next week in Melbourne and running March 8 - April 5
Melbourne Palace cinemas
For all information on other states, films, times, tickets, visit affrenchfilmfestival.org
As always, France's top films come to the festival, with something to please every taste in film. And for fans of The Big Blue, the 1988 classic, there is a beautifully restored version to be enjoyed. As usual, I'm lucky to preview a selection to help you in making some choices, and hope to bring you more as the festival progresses. 
 
Paris Memories (Revoir Paris)
: In November 2015 a series of coordinated terrorist attacks took place in Paris. We heard a lot in Australia about the stand-off in the Bataclan theatre, but several other attacks took place in restaurants and cafes. This film deals with two fictional victims, Mia (Virginie Efira) and Thomas (Benoit Magimel), who lock eyes across a crowded cafe just before a shooter comes in. Mia manages to hide in a closet with a cafe staff member, while Thomas is severely injured in his leg. The pair later meet and try to come to terms with what happened and the drastic ramifications for their lives. Efira's moving performance is the centrepiece of this exceptionally powerful story, which toggles across timelines, between the actual events and Mia's struggles to even regain memory of what happened, and to track down the man with whom she hid in the closet. The film moves in a beautiful arc from sadness and despair, to hope and renewal. This is my top pick so far.

The Colors of Fire (Coleurs de L'incendie)
: Set in 1927 this historical drama follows Madeleine Pericourt (Lea Drucker), who inherits everything from her financier father, only to lose it to a selection of scheming friends and relatives. The film is certainly a most handsome period piece, with well-earned Cesar nominations for production design and costuming. The story is definitely one for lovers of traditional narrative arcs - it weaves a terrific plot, in which Madeleine, with the help of her one-time chauffeur Mnsr Dupre (Clovis Cornillac), devises a cunning scheme that she hopes will get her revenge. A welcome appearance by veteran actor Fanny Ardant as an opera singer adds an intriguing layer, involving Madeleine's crippled son Paul and his relationship to said singer. Fine, solid, almost old-fashioned story telling with plenty to entertain viewers. 

Final Cut
 (Coupez!) From the director of the award winning The Artist comes this insane comedy/horror which is actually a remake of the 2017 Japanese cult film One Cut of the Dead. The first half hour is nothing short of a gore fest, which features buckets of blood, severed heads, axe-wielding crew members and a lot of screaming.  But we then discover this is actually a film about shooting a film, in which 
down-on-his-luck Remi (the wonderful Romain Duris) plays the hapless director. It seems by shooting this story, an ancient curse has been reawakened, bringing zombies to life. (Sounds convoluted? Sure is!) Whether you see it as very funny or very silly will depend upon your sense of humour, but Duris and the rest of the cast give it all they've got. 

Ride Above
(Tempete) Zoe has grown up with horses - her dad trains trotters. But when she is seriously injured by one of the animals she withdraws from life and her family. To add to the woes, the business is going downhill fast. Seb, one of the horse trainers, devises a plan that hopefully will bring Zoe back to them all. Melanie Laurent plays Zoe's mum, in one of her best performances yet, while Danny Glover stars as an American with vested interests in the French stud farm. Carmen Kassovitz plays the teenage Zoe with spirit, Pio Marmai captures the paternal bond with his daughter beautifully, and Kacey Mottet Klein is a stand-out as Seb. The whole family can go to this film, but be warned - get the tissues out! 

Sugar and Stars (A la Belle Etoile): What's a film festival without a foodie film? This one is based upon the true story of a young man Yazid, born in Epernay France, of Arab/ Muslim parentage. Due to his mother's problems, h
e was brought up with a foster family, and always wanted to be a pastry chef. This feel-good film traces his journey, from apprentice in a fancy hotel through to aiming for the French team in the World Pastry Championships. (who knew there was one!) The film follows a very traditional narrative arc, but Algerian influencer Riadh Belaiche plays Yazid so well, he breathes a lot of life and passion into a story of downtrodden kid makes good. 
The festival is, as always, highly recommended. 

Oscar nominated short films and
short documentaries
In cinemas nationally first two weekends in March. 
March 3,4,5 and 10, 11,12
Venues: Cameo, Classic, Lido, Village (Rivoli, Jam Factory, Knox, Southland) Nova, Thornbury
Here's a chance we rarely get: to preview the films nominated for an Academy Award in the categories Short Films (Animated) and Short Films (Live Action). What I love about short film is the ability of the film-makers to cram so much plot and so many themes into such a short run-time. Catching them is an opportunity not to be missed. 
Live Action Shorts:
An Irish GoodbyeTwo brothers try to fulfil their dead mother's list of 100 things she wanted to do before she died. 
Night Ride - a short-statured woman takes a tram for a joyride, but when louts start a brawl with a trans woman they get more than they bargained for from the "driver".
Ivalu - a young Inuit girl finds her big sister missing one morning, and reflects upon abuse within the family
The Red Suitcase: A 16-year-old girl is sent from an Arab country to France to be married off to an older man. Poignant and disturbing
Le Pupille: Slick, vaguely amusing tale set at Christmas time in a Catholic orphanage during WW2. 
Animated Shorts
The Boy, the Mole, the Fox and the Horse: Based upon a children's book, the eponymous characters cover everything important about life, love, friendship and more in this exquisite and moving animation. Going to the program is worth it for this one alone.
An Ostrich Told Me the World is Fake and I Think I Believe it: A Trumanesque animation about life being a digital construct. 
My Year of DicksA teen is on a quest to lose her virginity. Creative use of differing animation styles. 
Ice Merchants: a minimalist sketch animation that manages to encapsulate big issues like global warming, parental love, and death
The Flying Sailor: Based upon true story of a dockside explosion and a sailor who flew through the air, and landed unharmed. 
4 - highly recommended