Wednesday 31 August 2022

September 1st

Both Sides of the Blade
Three Thousand Years of Longing
True Things
Franklin
Korean Film Festival
Irish Film Festival 

It's another humungous week for fine films and festivals. The diversity and range of themes and topics in all these films means you should be able to find something to put on your must-see list. 

Both Sides of the Blade
Dir: Claire Denis
Length: 116 mins
© Palace - love and double-dealings in
a taut psychological drama
Sara (Juliette Binoche) is an outspoken and highly competent radio talk show host. She lives blissfully happily with ex-rugby player and recruiter Jean (Vincent Lindon), and has done so since she broke up with Francois (Gregoire Colin) nine years prior. Francois and Jean used to be best friends and business partners, and Jean has done jail time (implied due to dealings with Francois, who escaped scot-free). Trouble looms when Francois re-emerges in their lives, approaching Jean for renewed business involvement, and reigniting in Sara feelings from the past. Winner of the Silver Bear and nominated for the Golden Bear at Berlin this year, here is an incredibly stirring film about the complexity of emotions in a love triangle. The pain and anguish of Jean, the manipulativeness and selfishness of Francois, and the two-faced lying behaviour of Sara, who doesn't seem to know what she wants, are all rawly depicted in a trio of stunning performances. The use of settings that are relatively confined, makes the pressure cooker situation all the more tense. And of course it's a showcase for the seemingly endless talent of Binoche. This is first-class film making highlighting a personal drama that never gets melodramatic and always feels compellingly real. 
4 - highly recommended 

Three Thousand Years of Longing
Dir: George Miller
Length: 116 mins
© Roadshow - do you believe in genies,
three wishes, and love? 
Dr Alithea Binnie (Tilda Swinton) is a solitary character, immersed in her field of "narratology" - the study of stories and how they fit into our lives. On a trip to give a lecture in Instanbul she starts to see mysterious beings, and when she buys an old bottle from the famous Istanbul bazaar, as she scrubs it clean, a djinn, or genie, (Idris Elba) is released. So begins the negotiation between them: he tells her he has been imprisoned all up for 3000 years, emerging only a couple of times to have intense love affairs with women who have treated him badly. He narrates stories of times past - the era of the Queen of Sheba; the Turkish empire centuries before. Alithea is fascinated, but unemotional, sceptical, and doesn't want to make any wishes, but it is only by her doing so, that he can attain his freedom. Who'd have thought the director of Mad Max: Fury Road could come up with such an intensely philosophical film? The film moves between fabulously exotic stories from the past and deep discussions that reflect upon 
the nature of love, loss and life itself. From a hotel room setting with a theatrical feel, to a big screen epic - it's all there, and the interaction between Swinton and Elba is brilliant. Special effects, as expected, are superb, costumes vibrant, and the musical score beautiful, but it is the deeper meaning that ultimately becomes profoundly moving.
4 - highly recommended 


True Things
Dir: Harry Wootliff
Length: 102 mins
© Kismet - the sort of bastard every woman
hopes (not?) to meet
Kate (Ruth Wilson) is a late-thirties office worker, desperate for a bit of excitement in her life. When she interviews ex-con Blond (Tom Burke), who is applying for government benefits, she falls for his overtures, and ends up in an instant, erotically charged sexual encounter with him in the carpark. And so it begins . . . he wanders in and out of her life at random, seeming keen, then pulling away emotionally as soon as she gets close. Women who have been obsessed with men of this nature (often good lovers but emotionally stunted) will instantly relate to what Kate is going through. This is an odd, deeply troubling but compelling movie about the male/female dynamic, sexual balance of power, and the self-destructive force of neediness and obsessive love (or is it lust?)
3.5 - well recommended 

Franklin
Dir: Kasimir Burgess
Length: 90 mins
Special screenings on Sunday 4th September at various cinemas around the country, then heading for broader cinematic release. Sunday 4th screening features Q&A with Oliver Cassidy and Bob Brown  
© - inspiring beauty, inspiring strength of
conviction from those who want to preserve it
Remember the protests over the damming of the Franklin River 40 years ago? After a seven-year campaign, ultimately one of the world's most beautiful wilderness sites was saved and the campaign proved that peaceful protest could effect change. With recent laws criminalising some protests in Australia, this film is all the more relevant. It is also a very personal film about the journey of Oliver Cassidy, who retraces his father's journey, rafting down the Franklin to join the blockade 40 years prior. To add to the complexity, Oliver is also coming to terms with his gender reassignment, and the death of his father. 
The cinematography showcases the rugged magnificence of the area and the soundtrack is hauntingly beautiful. The film moves constantly between Oliver's journey, and the history of what was the biggest protest ever in Australia. With excellent archival footage, some never before seen, and interviews with Aboriginal elders and such iconic activists as Bob Brown, there is much to get passionate about here. This beautiful film reminds us of the ever-present need for vigilance to ensure the beauty of our planet is preserved.
4 - highly recommended 

Korean Film Festival
Melbourne 1-5 September
For other states, times, film information, visit: https://koffia.com.au/2022/
As we know, Korea has come up with some excellent award-wining films in recent years. (Think Burning, Parasite). Their film industry has taken a hit with covid, so it's great to see the festival back this year. Thirteen new films are showcased and I have been lucky to preview a couple. 

Escape from Mogadishu: Based upon real events, the film is set in 1991, when both Nth Korea and Sth Korea were attempting to gain entry to the UN. Diplomats from both countries are in the Somalian capital, courting favour from the African nation to get its vote. But all hell breaks loose as civil war erupts, and the officials and their families find themselves desperately trying to escape the chaos. This is really exciting and worthwhile film-making, with a third act that is as tense and nail-biting as any blockbuster. Beneath all the action, however, is an important plot thread of what it means to come from a position of being supposed enemies, but both now in desperate need of co-operation and basic human understanding to save themselves.
Special Delivery
: Eun-ha (Park So-dam from Parasite) works as a driver for a company that does deliveries - usually involving ferrying people or things from the criminal underworld. When she is tasked with taking a crooked gambler to the docks to escape abroad, she finds that the crim has been killed and now she has charge of his little son, Seo-Won. Eun-ha is such a cool, kick-arse character, and the driving scenes are as good as any I've seen. But it's the mega-cute little kid who steals the show, as the (vaguely predictable) warming relationship between Eun-ha and her little charge becomes quite touching. There are plenty of crooked cops, and a lot of violence, but f
ans of high adrenalin driving and wham, bam, pow style films should love it.

Irish Film Festival
Melbourne 1-4 September
Kino Cinema 
Online 30th Sept - 15th October (more in that later) 
For other states, times, film information, visit: irishfilmfestival.com.au
If you want to see it on the big screen, Melburnians, this weekend is your chance to jump in and catch the best in cinema that Ireland has to offer. The national season will see ten films screened in each of Melbourne, Sydney, Brisbane, Perth and Canberra. Then when the festival goes online, six more films will be added, so there's much to look forward to. 

Wednesday 24 August 2022

August 25th

Blaze
Crimes of the Future
Fire of Love
Hit the Road

I've gone nuts today - across the board 4 stars for all the movies reviewed. This is truly an eclectic mix of excellent film-making. From violence against women, to vulcanologists in love, futuristic human evolution, and an Iranian road trip, every film is utterly thought-provoking, and of course, entertaining in its own way.  

Blaze
Dir: Del Kathryn Barton
Length: 101 mins
© Bonsai - a new creative film-making
voice in Aussie cinema
Blaze (Julia Savage) is twelve years old, when, returning from school, she witnesses a violent and horrific assault upon a woman, Hannah (Yael Stone), who is then left for dead in a laneway. Unable to make sense of what she has seen, Blaze retreats into her imaginary world, in which her childhood friend, a dragon called Zephyr, comforts and protects her. 
Blaze's mental state is exacerbated when she appears in court and is destroyed by the defense attorney for the accused. Single father Luke (Simon Baker) is at a loss how to help his child, who is descending into withdrawal and severe psychological disturbance. Director Barton comes from a background as an artist, and it shows in her creation of this film which cleverly blends live action with animation and puppetry. The dragon itself is a major artistic creation, colorful, sequinned and enormous. The magical realism combined with the serious issues being addressed (rape, the shocking statistics of women killed by their partners) make for an interesting counterpoint. My main beef is that at times the courtroom scenes felt clunky and inauthentic. However, young Savage's performance is a revelation - she is a powerhouse of anger, confusion and sorrow, and completely captures the journey that goes from loss of innocence to incipient womanhood. That, combined with the director's visionary style and ingenuity make it something that really stands out in contemporary Aussie film-making. 
4 - highly recommended

Fire of Love
Dir: Sara Dosa
Length: 99 mins
© Madman - lunatics, lovers - 
a bit of both. Vulcanologists extraordinare. 
Katia and Maurice Krafft died in 1991 doing what they loved - documenting volcanoes. The French vulcanologists were at the forefront of their field  - getting up close and personal with the fire-breathing mountains all around the world. This amazing doco records their lives, and captures their unquenchable passion for their subject matter. There is remarkable and terrifying footage of lava flows, molten and red, and pyroclastic eruptions of grey belching smoke (the gray ones are the killer volcanoes, according to Maurice), with the couple walking close to it all. Maurice is so obsessed he reflects that he'd like to ride a heat-resistant boat down a lava flow. Nuts, or just devoted to their science? The couple's research in predicting volcanic behaviour in fact helped save thousands of lives in parts of the world prone to eruptions. Love and togetherness in the face of ever-present danger and risk of death - that's really living on the edge, and the film captures the sense of it all perfectly.
4 - highly recommended

Crimes of the Future
Dir: David Cronenberg
Length: 107 mins
Exclusive to Cinema Nova
© Madman - watch it and blow your mind.
The evolutionary future is upon us!
A nominee for the Palme D'Or at this years Cannes, Crimes of the Future sees director Cronenburg back in form with his most bizarre and perhaps stomach-churning film yet. It is set in a future world where humans are evolving by changing their internal organs to adjust to the industrialised and synthetic world we live in. Saul Tenser (Viggo Mortenson) is growing copious new organs inside his body. His partner Caprice (Lea Seydoux), an ex-surgeon, joins him in making performance out out of removing said organs. Timlin (Kristen Stewart) and Whippet (Don McKellar) head up an organ registry which keeps track of all the new developments. To add to the complexity, government undercover agent Cope (Welket Bungue) lurks around, and bereaved father Lang Dotrice (Scott Speedman) organises for Caprice to perform an autopsy on his child, who has been killed by his mother, unable to cope with the child endlessly eating plastic. Intrigued yet? In this future world many people no longer feel much pain, and use surgery as "the new sex", making some of the surgical scenes mesmerisingly ghastly. The machinery and contraptions are deeply disturbing, just as you would expect from a Cronenberg film. Mortensen and Seydoux create amazing chemistry together. At times the film makes profound and insightful comment upon the world of obsessive art; at other times it is nearly incomprehensible. 
This is a film to be experienced on a gut level (literally!!) Lovers of Cronenberg should not miss it; squeamish folk should perhaps avoid it. Regardless, I find it an incredible and confronting piece of film-making, now indelibly etched in my brain. 
2 - forget it or 4 - highly recommended (listen to your stomach)

Hit the Road
Dir: Panah Panahi
Length: 93 mins
© Rialto - a family road trip
is not what it seems
A family of four, a dog and a road trip: but to where and why? Mother (Pantea Panahiha), Father (Hassan Madjooni), Big Brother (Amin Simiar) and Little Brother (Rayan Sarlak), plus the very ill family dog, Jesse, are heading towards the Iranian-Turkish border. Supposedly Big Brother is getting married. Only gradually will the purpose of the trip be revealed. This is extraordinary film-making, that delicately balances humour, absurdity, pathos, and an underlying agenda of social commentary and the sort of fear that is ever-present in oppressive countries like Iran. Slowly intimations of what is happening are revealed, but the overall sense is of a family trying hard to keep a sense of normality for the sake of their overactive youngest son, who obviously adores his older brother. Young actor Simiar was only six when shooting began, and he is truly a force to be reckoned with - precocious, hyperactive, hilarious, infuriating. Mother is trying to cover a deep sadness while Father, nursing a broken leg, toggles between humour and philosophy. Stressed-out Big Brother is obviously on the cusp of something life-changing. All the performances are pitch perfect. As the car wends its way from barren desert landscapes towards a more verdant area, we ponder the symbolic significance of choice of settings. When another (benign) car tries to pull them over to report upon a possible problem, it evokes all the constant fear Iranians live with. And why wouldn't this serious sub-text be reflected in a film directed by the son of one of Iran's greatest film-makers - Jafar Panahi, currently serving time in jail for his political views against the system. This type of slow and deliberate film-making is not for everyone, but is so rewarding when given the attention it deserves. (PS: 8 wins and 11 nominations for this film at various festivals!)
4 - highly recommended

Thursday 18 August 2022

August 19th

Good Luck to You Leo Grande
Girl at the Window
Bosch and Rockit
Never Stop Dreaming: The Life and Legacy of Shimon Peres (streaming on Netflix) 


My numero uno pick this week is the latest fabulous feature staring Emma Thompson. The other three range from watchable to medium strong. So, now that MIFF is in full flight online, check out my last three weeks' reviews and get yourself some festival action from the comfort of home. 

Good Luck to You Leo Grande
Dir: Sophie Hyde
Length: 97  mins
© Searchlight/Roadshow - simply
delightul!
Nancy (Emma Thompson) is a fifty-something, conservative, widowed ex-teacher of religious studies. Having never had more than a mundane sex life, nor ever an orgasm, she hires young, handsome sex worker Leo Grande (Daryl McCormack) for what she intends to be a one-off afternoon of activities to tick off her list. Set almost entirely in a hotel room, and featuring almost exclusively only the two leads, this is a delightful film. It's beautifully scripted, doesn't exploit the sex side, and manages to blend compassion, sexiness, and awkwardness with a few more serious issues on the side. Thompson makes a bold choice of roles here, and as always her comic sensibility shines. It's splendid to see the tables turned on the young girl/older man scenario, and emphasis put upon people loving their bodies no matter their age. Leo's philosophies of life and pleasure are definitely worth taking note of, and the chemistry generated between the two characters is a treat to watch.
4 - highly recommended

Girl at the Window
Dir: Mark Hartley
Length: 84 mins
© Kismet - a few chills,
but underwhelming
After the death of her father, Amy (Ella Newton) and her mother Barbara (Radha Mitchell) are struggling to cope. Meantime Amy and her friend Lian are reflecting on the local serial abductor who has recently re-emerged with the disappearance of a girl. Barbara becomes romantically involved with her new neighbor Chris (Vince Colosimo) and Amy is convinced Chris is the culprit. Of course no-one believes her, not her mother nor detective Nordhoff (Andrew S Gilbert), so Amy's mental state heads into a downward spiral. So much of this film is clunky and unbelievable. Not that there aren't a few deliciously tense and scary moments, but it comes across more as an aspiring slasher/horror/psychological thriller that somehow veered off into vaguely ludicrous territory. I can't totally figure if it's the scripting letting it down; with such a short runtime, there is not enough plot development. And while Colosimo, Newton and Mitchell are fine in their roles, James Mackay playing Mr Coleman, the teacher, really brings the credibility down. Director Hartley made a great doco about Ozploitation films (Not Quite Hollywood) - perhaps he should have taken some lessons from himself. 
2.5 - maybe

Bosch and Rockit
Dir: Tyler Atkins
Length: 106 mins
© Madman - pleasant father/son, coming
of age tale
Bosch (Luke Hemsworth) is bringing up his young son alone, and making a living from his involvement with a dope-growing gang. Young Rockit (Rasmus King), who loves to surf, is over the moon when his Dad says they are going on a holiday. He doesn't know his Dad is actually running from a bunch of crims who are trying to now embroil him in cocaine dealings. The film's major strength is its beautiful setting, which is Byron Bay. Hemsworth injects some strong emotion into Bosch, who has deep instinctual love for his son (more based on feeling, than any sensible parenting style). Young new actors feature: King brings an interesting slant to the isolated young boy, who must learn the harsh truth about his Dad. Savannah la Rain is a strong screen presence as Ash-Ash, Rockit's love interest, though their seeming age and height disparity doesn't quite ring true to me. Ultimately the film is another coming of age story, with a nice first love/father-son/surfing bent, that, while sweet enough, doesn't break any new ground. 
3 - recommended (though I veer more to maybe)

Never Stop Dreaming: 
The Life and Legacy of Shimon Peres
Dir: Richard Trank
Length: 129 mins
Streaming on Netflix
© Netflix - a mighty man in history
Shimon Peres (1923-2016) was an extremely significant figure in world politics. Serving several stints as prime minister and president of Israel, he received a Nobel Prize for Peace in 1994. And although much of the content of this doco can no doubt be easily found online, it is an extremely well-constructed and concise doco, encapsulating the history of a man, and of a country at the heart of one of the world's trouble spots. 
You don't need to be a history aficionado to enjoy this excellent film. With terrific archival footage and insightful interviews with Peres, there is much to be inspired by, and much to be learned about the background and course of the Palestinian/Israeli conflict.  
3.5 - well recommended




Wednesday 10 August 2022

 August 11th

The Princess
The Conference
Finding Graceland (streaming on SBS On Demand - 3 weeks left)
More MIFF: Il Buco; The Real Charlie Chaplin; Mass


Oh yeah!! More fantastic films this week, in cinemas, at MIFF and in your lounge room. When I ponder this week's offerings, there really is such a lot to be gleaned about life, from the best of it to the depths of it. 

The Princess
Dir: Ed Perkins
Length: 109  mins
© Madman - interesting footage gives
a new perspective on Diana
While I hear some people sigh, "Oh no, not another film on Princess Diana", this one is surprisingly engaging. It draws on footage taken at the time, and so makes for a narrative mood almost like an immersive and immediate thriller. With interviews, news footage, and constant shots from the viewpoint of the paparazzi, it brings home to the viewer what it's like to be constantly in the spotlight, and hounded so much that one never has a private life. Whether you are a royalist, a royal hater or a republican, there is always something new to be gleaned from a smartly assembled doco of this nature. If only as a chronicle of how a legend is made, and a further insight into that monolith that is the royal family, there's plenty to be entertained by. 
3.5 - well recommended

The Conference
Dir: Matti Geschonnek
Length: 108  mins
© Pivot Pictures - chilling view of a seminal
and evil moment in history
Some people say the second world war is ancient history and it's time to move on. Some say the world has learned its lesson and such horrific events could never happen again. Yet recent history shows anti-Semitism is on the rise again, while deeds of horrific brutality are regularly in our news headlines, with wars and detention camps chillingly reminiscent of the Nazi era. This film is all the more horrific because of its matter-of-fact, almost calm demeanour, as we, the audience, are privy to the machinations around a conference table in Wannsee, Germany, 1942. There, officers and functionaries of the Nazi machine, nutted out what came to be known as The Final Solution, the plans for the systematic destruction of all of Europe's Jewish population. While it's hard to recommend folks revisit such horrors, the film is brilliantly executed, superbly acted, and is a vital reminder of just how easily human beings can descend into the role of cold-hearted bureaucratic beasts, when it serves their ambitions and hatreds.
4 - highly recommended 

Finding Graceland (1998)
Dir: David Winkler
Length: 106 mins
Streaming on SBS On Demand
© - a heartbreakingly beautiful film
A drifter claiming to be Elvis  (Harvey Keitel) bums a ride towards Memphis with Byron Gruman (Johnathon Schaech). Byron's badly damaged Cadillac is a result of an accident that killed his wife. Byron doubts Elvis's claims, but as the journey progresses he is in awe of the effect the man has on everyone he meets. In Vegas they meet a Marilyn Monroe impersonator, 
Ashley (Bridget Fonda), who helps lift Byron's mood. I'm totally at odds with the Tomato-meter on this one - most dislike it, but I love it. Keitel gives an inspired performance, and while the film's title is on one level about Elvis's Graceland (in fact it's the only movie ever to be allowed to shoot at the property), it is, in a broader sense about the concept of grace, friendship, compassion and turning lives around. Entertaining and deeply moving.
4 - highly recommended

more . . . MIFF
Melbourne International Film Festival 
Until 21 August in cinemas
11-28 August, a selection of films streaming online
Venues:  ACMI, Astor, Capitol, Nova, Forum, Hoyts Melbourne Central, IMAX, Kino, Lido, Pentridge, Sun
For everything you need to know visit: www.miff.com.au

Third week of my reviews from MIFF. These three are real winners and come wholeheartedly recomended. Remember, as of today, there are many films from the festival online. So if you're still antsy about sitting up close and personal in the cinema, here's your chance to get into MIFF from the safety of your living room! 

© - mysterious and beautiful in every way 
Il Buco (The Hole):
Spelunkers love going into caves. In 1961 a group of them headed into a near-vertical cave called the Bifurto Abyss, 687 ft deep, in Calabria in southern Italy. Film-maker Michelangelo Frammartino restages this remarkable descent. But while the daring explorers are descending, we also experience life above ground, where an old, grizzled shepherd tends his flock, and life goes on as it has for centuries. The film is virtually wordless (but not soundless), and something about it is ineffably mysterious, poetic, and almost spiritual, as we get a sense of timelessness within the cave and in the lifestyles of those above. The cinematography is jaw-dropping, both for the beauty of the landscape, and for the capturing of light, dark, and shadow within the cave. This is not a film to explain, rather, for the patient observer, it is a meditation upon life, death and the passing of time - something exquisite, stunning and to relish. 
(No streaming - catch it on 20th August)

© - recognise him without the moustache,
cane and tramp's clothes?
The Real Charlie Chaplin:
Fans of "the little tramp' had better not miss this wonderful doco looking at the life of Charles Chaplin, one of the world's most loved and enduring comedians. No stone in the man's life is left unturned, from his early days with a performing vaudeville troupe, through his many films loved the world over, along with his directorial career.  The man the world saw on screen was quite different in his personal life, and the many marriages and scandals are not left out, along with plenty of reminiscences from children, wives and those who even remember him as a child. All is peppered with terrific clips from his films, and makes for revelatory and entertaining viewing.
(Catch it 14th August only - no streaming)

© - never was a talk-fest so compassionate and
thought-provoking
Mass: 
In Australia it's hard to imagine living in the USA, where the statistics of mass shootings just seem to be going gang-busters. Can you imagine further how it would be to have your child killed, and then meet up with the parents of the shooter, in an effort to understand and maybe find some resolution and closure?  That's the premise of this superbly acted film, set in one room, with four grieving characters baring their souls. The stand out for me is probably Ann Dowd (Aunt Lydia in The Handmaid's Tale), but all four leads are gripping. The scripting is intelligent, thought-provoking and 
gut-wrenching. The fact that the setting for the meeting is a room in an Episcopalian church, reminds us of  the underlying religious theme of forgiveness and redemption.
(Streaming from the 11th August on MIFF Play)      

Friday 5 August 2022

August 4th

Juniper
Kajillionaire (Streaming on Netflix)
More MIFF : Clara Solo; When Pomegranates Howl


MIFF is now officially here, so movie aficionados are in their element. Last week I reviewed four MIFF premiere films, and another two recommendations are here this week. Plus a couple of other recommendable films - one in cinema, and one for those who want to stay at home and stream. Enjoy!

Juniper
Dir: Matthew J Saville
Length: 94 mins
© Transmission - Charlotte Rampling is 
always great to see on screen
Teenager Sam (George Ferrier) is grieving the death of his mother a few months earlier and is now 
giving trouble at his boarding school. His father Robert (Martin Csokas) brings his mother Ruth (Charlotte Rampling) out from England to New Zealand so she can meet her grandson and recover from a broken leg. A resentful Sam is tasked with looking after the gran he has never met. Ruth is cantankerous, demanding, and drinks gin like a fish. Initially the pair clash and seem to loathe each other, but . . . Well, it's fairly predictable how Sam and Ruth's relationship will go, but plenty of things happen that are not predictable in this fun, and ultimately quite moving story of family, bonding and loss. Veteran actor Rampling is of course the big drawcard in this film. She is always a screen presence to delight, infuriate and admire, and she does just that here. The tension, aggro and ultimately affection created by her and Ferrier's Sam make for a warm and uplifting film.
3.5 - well recommended 

Kajillionaire
Dir: Miranda July
Length: 104 mins
Streaming on Netflix
© Netflix - the main four actors in this
quirky film take it to another level
Robert (Richard Jenkins) and Theresa (Debra Winger) are scammers, who have brought up their 26-year-old daughter Old Dolio (Rachel 
Evan Wood) to be just like them. The trio hustle and steal at every opportunity, and live rough beneath a carwash. When outsider Melanie (Gina Rodriguez) enters their lives, the trio's  carefully rehearsed routines are set for a shake-up. Despite the film being a very quirky comedy on one level, there is a lot of pathos and poignancy on another. Wood plays Old Dolio (what a crazy name), almost deadpan, but gradually the character's vulnerable underbelly is revealed, with a level of neediness, neglect, and ultimately child abuse that we don't initially see. Winger and Jenkins have a fabulous rapport as the reprehensible parents, while the sizzle between spunky Melanie and stand-offish Old Dolio is just waiting to break loose. If you're in the mood for something very offbeat, this could be for you. 
3.5 - well recommended

MIFF
Melbourne International Film Festival 
Until 21 August in cinemas
11-28 August, a selection of films streaming online
Venues:  ACMI, Astor, Capitol, Nova, Forum, Hoyts Melbourne Central, IMAX, Kino, Lido, Pentridge, Sun
For everything you need to know visit: www.miff.com.au

After my advance reviews last week MIFF is with us in cinema, and online as of next week. Here's a couple more worthy films to put into the mix for your consideration.

Clara Solo:
Costa Rica's official Oscar submission, Clara Solo is the story of a reclusive 40-year-old woman, with a damaged spine and over-protected by her religious mother. Clara is known for her gift for healing, based upon her supposed ability to commune with the Virgin Mary. The only time Clara is really herself is when she is with the white horse Yuca, with whom she has a deep bond. When worker Santiago comes to their farm, and is keen on Clara's young niece, a sensual awakening happens within Clara who becomes aware of her own needs. The film has won countless awards  in many fields and varied festivals.  It has an earthiness, a strong connection to the natural world, wonderful acting and cinematography, along with a disturbing thematic thread of how ignorance fosters oppression. This is a powerful film from a world we know little of.  
When Pomegranates Howl: 
 An Aussie, Iranian, Netherlands and Afghani co-production, this is the story of confident, charming nine-year-old Hewad, a born entrepreneur who sells wares, including pomegranate juice, from a rented cart in the streets of Kabul. He meets a photo journalist from Australia who encourages his dream of wanting to become a movie star. In the tradition of many Iranian films featuring children, this one paints a picture at once uplifting and heart-breaking, as kids with so little in their lives still manage to retain a sense of youthful optimism and play. But ultimately this is Afghanistan, and tragedy can be lurking around any corner at any moment. With striking depiction of street life in  war ravaged country this is powerful and moving film-making.