Wednesday 20 September 2023

September 21st 2023

St Ali Italian Film Festival - four reviews
A Day and a Half (streaming on Netflix)
To End All War: Oppenheimer and the Atomic Bomb (streaming on Foxtel) 

It's a light-on week for cinema releases for me, but the Italian Film Festival makes up for that with some excellent offerings. Plus I review a couple of fine "streamers" for the stay-at-home viewers. 
 
St Ali Italian Film Festival
Melbourne: now until 18th October
Palace cinemas
For other states and cities, plus everything you need to know: www.italianfilmfestival.com.au

© - exquisitely lovely tale of a 
lifelong friendship

One of Australia's most popular film festivals is back with the usual outstanding collection of latest releases, award-winning films, special events, and a retrospective on legendary actor Massimo Troisi. 
As always, I've previewed a small selection, and they come highly recommended. 
The Eight Mountains: Winner of the Cannes Jury Prize (2022) and Italian awards for Best Actor, Best Film and more, this beautiful film is a story of friendship over many years. Bruno lives in the remote mountan village of Grana in northwest Italy, while Pietro visits from the city of Turin for a holiday. After establishing a firm childhood friendship, their paths diverge but they reconnect over many years. The film has a long runtime (147 minutes), so this is the sort of movie one needs to surrender oneself to - its glorious landscapes, the gentle enduring quality of the friendship, and the heartaches, happiness and loss that the vicissitudes of life deliver. There is an underlying deep philosophy about one's place in life, and what is most important. With glorious music and cinematography, it is a most worthy journey to share with the two friends.

The Circle
: Winner of the Donatello award 2023 for Best Documentary, this is a unique look at a group of kids in a primary school in a multi-ethnic neighborhood. The director follows the kids for about five years; she and their teacher interview the youngsters, starting at age six, about how they perceive their lives and the adult world around them. The kids are encouraged to sit in a circle and speak openly, with no judgment, about their feelings and thoughts. There is something so fresh, authentic and delightful hearing them talk, and watching them play, interact, give each other advice, and occasionally stare disarmingly into the camera lens. This is probably a film any adults raising kids should see, as an inspiration for how to 
handle children in a way that should encourage rich, self-confident adult lives.

Burning Hearts
:  Romeo and Juliet have got nothing on these guys! Andrea is heir to the Malatesta family, but he makes the big mistake of falling for Marilena, the sultry wife of the boss of the Camporeale clan. 
 These warring clans have had a period of peace, but this affair, plus a murder, reignites the war. According to the Mafia code, only blood can wipe out another blood debt. Italian singer and model Elodie makes her impressive acting debut as the object of the young man's love and lust. The film is shot in Puglia, and the spectacular, stark choice of black and white seems to add to the drama. It's a tense and seething story, as old as time, which continues to prove that ongoing hatred serves no purpose but to create more grief and loss.

Like Sheep Among Wolves: Vera is an undercover police agent. She infiltrates a Serbian crime syndicate in Rome, only to find, to her horror, that her younger brother Bruno is mixed up with the group, who are planning a heist. Family dynamics take a central role in this tense police thriller. Bruno has an angelic little daughter, Martha, while Vera and Bruno have a horrid father. In fact most of the men in this film are brutes, so Vera survives by being tough and inured to violence (an excellent lead performance from Isabella Ragonese). Here, the Rome that tourists love is overshadowed by a dark and dangerous underbelly. 
 
A Day and a Half
Dir: Fares Fares
Length: 94 mins
Streaming on Netflix 
© Netflix - tense and tragic family drama
Albanian immigrant Artan (Alexej Manvelov) is separated from his wife Louise (Alma Poysti). He's distraught at not being able to see his daughter, so he turns up at the clinic where Louise works and kidnaps her. Artan then demands a car to take him and Louise to where his inlaws are minding his daughter. Police officer Lukas (Fares Fares, so excellent in Cairo Conspiracy) is engaged as a driver and negotiator to try to defuse the sitation. Claiming to be inspired by true events, this film is at once a very taut action/thriller, and also a rather tragic look at what happens when post-natal depression, marginalised immigrants and racist parents intersect. It is powerfully acted and the tension stays strong for its short runtime. 
3.5 - well recommended

To End All War: Oppenheimer and 
the Atomic Bomb
Dir: Christopher Cassell
Length: 97 mins
© Foxdocs - 
While I loved the recent film Oppenheimer, I actually wish I'd seen this documentary in advance, as it very clearly explains the trajectory of the life, work and subsequent fall from grace of this complex and brilliant man. Here we get Oppie's life from a young child, through college, his years studying in Germany, and on to the Manhattan Project - that history-changing work that saw him dubbed "the father of the atomic bomb". Fantastic archival footage, interviews with people who knew him, including his grandchildren, and the man himself captured on film from the pre-war to post-war years make for engaging viewing. A fine companion piece to the feature film.
3.5 - well recommended 

Thursday 14 September 2023

September 14th 2023

Last Film Show
A Haunting in Venice
Scrapper
Climate Changers (Q&A Sept 17th) 
And . . . Don't miss your last chance to catch Goddess at ACMI! 

Another great week for new releases. I review three excellent narrative films. Plus there's an important Q&A (with screening) on Prof Flannery's attempts to find leadership in the battle against climate change, and don't miss the last weeks of the Goddess exhibition. 
 
The Last Film Show
Dir: Pan Nalin
Length: 110 mins
© - Rialto - a homage to film and childhood dreams
Samay (Bhavin Rabari) is a young Indian village boy. When his father Bapuji (Dipen Raval) takes him to a movie at the Galaxy cinema in the local town, he falls headlong in love with film. He becomes fascinated by light, how it reflects, radiates, and transforms. Together with the young friends in his gang, Samay starts creating imaginary films. He skips school and befriends the Galaxy projectionist Fazal (Bhavesh Shrimali) who allows him to stay in the booth in exchange for the wonderful lunches Samay's mother (Richa Meena) has cooked. Samay's obsession with film grows, but eventually progress catches up with the old fashioned cinema and its film projection. This charming film has a lot of wins and nominations to its name, and justifiably so. It celebrates a simpler time, when children, like Samay, who had nothing, were able to create magic out of old junk. How Samay creates his own amateur projection is nothing short of wizardry. But mostly the film celebrates film itself ; a bit like Cinema Paradiso or A Projected Odyssey, it extols the joy of 35 mm film, while revelling in film history with plenty of scenes paying homage to the art. Rabari carries much of the film on his young shoulders and he is an actor to be watched, while the representation of an Indian village childhood is a reminder of what has been lost in the Western world.
4 - highly recommended

A Haunting in Venice
Dir: Kenneth Branagh
© Fox Searchlight - Branagh and Fey make a 
good lead pair in this entertaining film
Moustachioed detective Hercule Poirot (Kenneth Branagh) has retired to Venice. Then an old friend, novelist Ariadne Oliver (Tina Fey) turns up and invites him to come to a Hallowe'en night seance in an old palazzo. A grieving mother is hoping to get in touch with her dead daughter. Expecting to debunk the whole thing, Poirot brings his usual cynicism, only to find goings-on in the creepy old house are a bit more than he can initially logically explain away. As the body count mounts, Poirot battles to find a rational explanation. I'm not usually a fan of this genre of film, but this one has really entertained me. Firstly the cinematography is stunning - not only the magnificent Venetian settings, but the unusual camera angles chosen, and the eerie lighting all help to create quite a sense of fear and palpable supernatural happenings. And then there's the cast; backing up the excellent lead pair are Jamie Dornan as the war-affected doctor, and Jude Hill as his little son (both were also father and son in Belfast). Michelle Yeoh plays the medium Mrs Reynolds, Kelly Reilly the mother of the dead girl, and Camille Cotin her housekeeper. Add in a genuine Italian, Ricardo Scamarcio as Poirot's minder, plenty of gondolas, Venetian masks, stormy weather, and the entire gathering locked up in the palazzo as potential suspects , and you have a recipe for some good old-fashioned entertainment.
3.5 - well recommended

Scrapper
Dir: Charlotte Regan
Length: 84 mins
© Madman - a father/daughter film with a 
difference 
12-year-old Georgie (Lola Campbell) is all alone after her beloved mother dies. She lives by herself in a London apartment, apparently resourceful and self-sufficient. She is supported in friendship by schoolmate Ali (Alin Uzun). She pretends to the world that her Uncle is caring for her, and makes money by stealing bicycles and onselling them. Unexpectedly her father Jason (Harris Dickinson) turns up explaining he had a letter from Georgie's mother before her death asking him to care for the girl. Georgie is naturally hostile to this interloper, but gradually the two get to know each other. A story like this could run the risk of becoming schmaltzy, but the characters all have a quirkiness and a groundedness that makes them not only highly appealing but also very real.  Young Campbell is the beating heart of the film; she is a total delight, while Dickinson as the young man out of his depth, who is forced to grow into a father role, is endearing. Aside from some difficulty in understanding regional accents, and a couple of perplexing semi-cartoon scenes which I found superfluous, this film is a total charmer.
4 - highly recommended

Climate Changers
Dir: Johann Gabrielsson
Length: 61 mins

National screening event: Sunday 17th September 5.30. After the film, a live Q&A will be streamed throughout the country, giving viewers a chance to ask in real time their own burning questions.   
For further information and location of which cinemas Australia-wide will stream the Q&A, and show subsequent screenings visit: https://climatechangersmovie.com/screenings/
© Antidote Films - a man on a mission
Short and sweet and oh so important, this documentary focuses upon environmental activist Professor Tim Flannery and his search for what he sees as the missing ingredient in the war against climate change - leadership. Flannery himself is an  inspiring man, and he goes in search of, and interviews, other inspiring people such as Al Gore, Saul Griffith and a variety of commmunity leaders in Australia and other countries. The quality he feels they all exemplify is leadership and the capacity to change the hearts and minds of others. Given the parlous state of our planet it is critical that as many people as possible see films like this, to reinforce the message that without much-needed leadership we are possibly all doomed! (This week's disasters in Morocco and Libya make films like this all the more compelling.)

And another thing . . . 
Goddess: Power, Glamour, Rebellion
On at ACMI until the end of September. 
Special $10 tickets now available. 
For more information visit: https://www.acmi.net.au/whats-on/goddess/

I caught up with this stunning exhibition (part of Melbourne's Winter Masterpieces) in the nick of time, and advise anyone interested in film history, and the role of women, not to miss it. Fabulous costumes, film clips, stories, photographs and more celebrate 120 years of women in film - but not just any women: the kick-ass women who refused to be confined and bound by stereotypes and gender roles. 


 

Friday 8 September 2023

September 8th 2023

Biosphere
Everybody Loves Jeanne
Korean Film Festival

Another festival hits our screens for a few days, plus two new, definitely non-mainstream films that should prove to be good entertainment. 
 
Biosphere
Dir: Mel Eslyn
Length: 106 mins
© Reset Collective - two pals end up 
in a most unusual situation. 
Billy (Mark Duplass) and Ray (Sterling K Brown) are best buddies with an intriguing past together. We meet them as they jog amiably together in an indoor setting. Gradually we become aware this is no ordinary setting; they dwell in a biodome, a carefully constructed dwelling that enables them to stay alive, since the rest of humankind has been obliterated by some unspecified cataclysm. Scientific genius Ray has designed a self- sustaining environment in which fish provide the main renewable protein. When the last female fish dies and only two males are left, a strange phenomenon occurs - one of the males starts to mutate into a female, allowing for continuation of the species. What must these last two men on earth do to be in with a chance that humans will not become extinct? This highly creative sci-fi/comedy punches way above its weight. Shot in a confined setting, and having only two characters, it manages to explore many important and thought-provoking themes: the nature of males as destructive beings, how to redefine masculinity as something gentler, as well as themes of friendship, love, gender, change, hope . . . so much food for thought. The two men give wonderfully empathetic performances and there are plenty of amusing and mind-expanding moments amongst the doomsday scenario. I had a really good time with this one!
4 - highly recommended

Everybody Loves Jeanne
Dir: Celine Devaux
Length: 95 mins
©  - can Jean help Jeanne get out of
her impending mid-life crisis? 
Jeanne Mayer (Blanche Gardin) is seemingly self-assured and successful. She works as an eco-scientist, but when her latest project spectacularly fails and she becomes a social media laughing stock, she ends up being on the verge of bankruptcy. So she heads to Lisbon to sell her late mother's apartment. At the airport she meets old school colleague Jean (Laurent Lafitte)  who reminds her that everyone once thought she was the person most likely to be a raging success in life. This only fuels Jeanne's self-doubts, as she lurches towards a full-blown meltdown. But Jean, who himself has been institutionalised in the past for mental issues, seems to understand Jeanne's problems, and the two gradually open up to each other. This delightfully offbeat  film is never predictable, often funny, and decidedly quirky. Especially unusual and fun is a weird mop-like creature (black and white animated sketches) that represents Jeanne's inner monologue and her deep 
insecurities. On one level this is a fun non-stereotypical rom-com, and on another a look at mental problems and how our outer presentation is often at odds with our inner turmoil.
3.5 - well recommended

Korean Film Festival
ACMI Melbourne, Until 11 September 
For other states, times, session details and film synopses visit www.koffia.com.au
Modern Korean cinema has certainly been in the spotlight in recent years, what with Academy Awards, and the current screening of Past Lives (reviewed last week) making waves. This excellent festival showcases the diversity of Korean filmmaking with dramas, action films, comedies, romances and more. 
I've previewed an excellent drama.
The Point Men: In 2007 a group of Korean missionaries was abducted and held hostage by the Taliban. This gripping feature film is based upon that true story. National Security Agent Park Dae-sik, along with diplomat Jung Jae-ho are sent to Afghanistan to attempt to negotiate with the government there and with the Taliban. With exciting action sequences, and strong performances, this is a film to appeal to fans of a good thriller. 

Friday 1 September 2023

September 1st 2023

Past Lives
Ego: The Michael Gudinski Story
My Sailor My Love

It's another week for highly recommended films. The gorgeous Past Lives will have me pondering for days, while the story of iconic entrepreneur Michael Gudinski captures an Aussie musical legend. And with Seniors Week upon us, my third film is a poignant story of love in the twilight of life. 
 
Past Lives
Dir: Celine Song
Length: 105 mins
© Studio Canal / A24 - Can't help but reflect
upon the poem The Road Not Taken
Three people sit side by side in a New York bar. Nora (Greta Lee) is flanked by two men - Arthur (John Magaro) and Hae Sung (Teo Yoo). An anonymous voice-over speculates on the relationship of these three to each other. Maybe a love triangle or . . . ? Suddenly we are thrust back 23 years earlier. 12-year old Na Young (Seung Ah Moon) is with her childhood friend, young Hae Sung (Leem Seung-Min), and it's obvious there is a deep bond between them. But Na Young's family are emigrating to America, and it is 12 years later when she (now renamed Nora) reconnects over social media with her childhood friend. Finally, another 12 years on, Nora, now a writer, is married to fellow writer Arthur. Hae Sung decides finally to make a visit to New York. This delicate, sublime (and much awarded) film is nothing like you would expect from its trailer. It goes nowhere predictable. Rather is a deeply profound look at life, one's choices, the people one ends up with, and the people we once were and become as a result of those choices. It is exquisitely shot, with scenes, for example, of water and  reflections, somehow representing the ebb and flow of life. The haunting musical score captures the existential sadness of the irreversibility of life, and those roads taken that perhaps were not the optimum (but maybe they were?) It's the three leads who capture the depths of emotion of their utterly relateable characters: essentially kind and good people who are simply there, in the moment; no histrionics or melodrama, with all the frailties and strengths needed to accept that they both love the same woman. One loved the girl she was and he is part of her Korean identity and childhood story; the other loves her now and knows there are parts of her he will never know. I'm sure many of us have defining life moments that will be reflected in this infinitely poignant and beautiful film which takes acceptance and love to another level, and with a director who knows the meaning of subtlety. 
4.5 - wholeheartedly recommended

Ego: The Michael Gudinski Story
Dir: Paul Goldman
Length: 111 mins
© Mushroom Studios - Gudinski: a legend of the 
Aussie music industry
I love a good music film - performers, producers, composers - they are all infinitely entertaining and fascinating to me. Now here's a uniquely Aussie film about a man who made the biggest impact not only upon the Australian music scene, but worldwide. "Good Jewish boy" Gudinski was kicked out of home at a young age, and from there he didn't look back, heading into dance promotions, and then founding Mushroom Records in 1972. As they say, the rest is history, and this film dishes up that history in a lively fashion, with rarely seen archival footage, and interviews galore, not only with Gudinski but also the plethora of artists he promoted, who still love him and are eternally grateful to him. People like Elton John, Sting, Jimmy Barnes, Kylie Minogue, Bruce Springsteen and more all come out to reminisce and pay tribute to the man who was so instrumental in putting them on the Aussie stage. 
Many of the old clips are scarily nostalgia-inducing, as the film spans the entire 50 years of Gudinski's career. We also get a strong sense of Michael the man - his pushiness, his energy, his eccentricity, and his appeal. Work and family seem to have been his two biggest drivers, and everyone attests to the way he made them feel included. Director Goldman is a music video maker, so the film powers along, employing a brisk editing style, along with a few wham-bam effects. Content and style combine to make a great viewing experience about a unique man. 
4 - highly recommended

My Sailor My Love
Dir: Klaus Haro
Length: 130 mins
© Kismet - love later in life is not
always straightforward
Howard (James Cosmo) is a retired sea captain living alone. His daughter Grace (Catherine Walker) visits and tends to him, but there is obviously a lot of baggage between them. Grace decides her father needs a dedicated housekeeper and hires local woman Annie (Brid Brennan). At first Howard resents Annie's presence but he gradually thaws and a romance springs up between them. How will Grace handle her father's new relationship and how will Annie cope with the obvious tensions between father and daughter? This gentle film has won several audience awards at various festivals and I see why. It handles the subject of older love beautifully, eschewing sentimentality and feeling always real, even though at first we have a fair idea where it is heading. But then the film gradually exposes issues from the past and just why Howard and Grace are at odds with each other.The underlying complexities of Grace's damaged psyche, her feelings of rejection and her marital difficulties are beautifully captured in Walker's performance. Cosmo and Brennan have a sympatico together in a film that will move you and take you in unexpected directions to areas so many of us can relate to.
4 - highly recommended