Wednesday, 12 May 2021

 May13th

Those Who Wish Me Dead
Finding You
Carmilla
South African Film Festival

It's full steam ahead with new film releases and festivals. A real grab bag of offerings this week, from teen romance, to high-tension thriller, Gothic coming of age, and an excellent new online film festival.  

Those Who Wish Me Dead
Dir: Taylor Sheridan
Length: 100 mins
© Universal - a tense and thrilling
ride, with a surprisingly human element
Hannah (Angelina Jolie) is a Montana firefighter, suffering PTSD after misreading the wind in a ghastly fire event in which three young kids are killed. She is now stationed in a high lookout tower, rather than be part of on-the-ground action. Connor (Finn Little) is a young teen whose dad, a forensic accountant, is murdered by some particularly nasty guys, trying to cover up a financial scandal that will bring down some very high-up people. Ethan (
Jon Bernthal) is the local sheriff whose feisty wife Allison (Medina Senghore) is six months pregnant. Now the hit-men Jack (Aidan Gillen) and Patrick (Nicholas Hoult) are on the trail of Connor, trying to tie up all loose ends. As the lives of these people intersect, and a fierce wildfire breaks out, everyone's survival skills will be pushed to the limit. I sat in the front row for this nail-biting story, and believe me, it is an experience. The scenes of fire are totally spine-chilling, and the way the various plot threads gradually merge and start to make sense is gripping. What impresses is the unexpectedly compassionate element of a woman trying to seek redemption. Jolie is excellent, and young Little (you may recognise him from Storm Boy) is a revelation. Certain moments totally stretch the limits of credibility, but who cares in such an engrossing film that will really have you on the edge of your seat.
PS: How could I not have recognised Gillen as Littlefinger from Game of Thrones!?
4 - highly recommended

Finding You
Dir: Brian Baugh
Length: 115 mins
© Rialto - could be every young girl's
dream romance
Aspiring violinist Finley (Rose Reid) flunks entry to a prestigious music school in New York. Instead she heads off to Ireland for a few months' overseas study. En route she meets 
Beckett Rush (Jedidiah Goodacre), a handsome, cheeky young actor starring in a dragon fantasy romance, and the swoon-worthy idol of teenage girls. The pair find themselves staying at the same guesthouse, and of course the question looms: will a romance develop? I really thought I'd hate this film; so many predictable plot points and outcomes, obstacles for characters to overcome and lashings of sweetness and sentimentality. But . . . I found myself gradually charmed by the yougsters' journeys of self-awareness, captivated by the bucolic Irish landscape, and delighted by the character of drunken Seamus (Patrick Bergin), a fiddler who helps Finley discover her inner spirit. Add the star-power of Vanessa Redgrave as town grump Mrs Sweeney, a mysterious Celtic cross in a cemetery, and a controlling manager/father and you have more than enough plot to keep you engaged. Ultimately, it is the deeper theme of being true to oneself, and finding your inner passion at the film's heart that helps it shine (along with delightful perfs from the two leads). Teenage girls should especially love it.
3 - recommended

Carmilla
Dir: Emily Harris
Length: 94 mins
© Icon - a handsome Gothic spin on
forbidden love
Lonely Lara (Hannah Rae) longs for a friend - her mother is dead, her father often absent and her strict governess Miss Fontaine (Jessica Raine) runs a tight ship. When a carriage crashes and the driver is killed, the miraculously unhurt survivor (Devrim Lingnau) is brought to Lara's house. Lara finds herself bewitched by the stranger, but the adults fear there is something sinister about the girl Lara names Carmilla. Originally a novel written in 1872, the story inspired other films and series with an overtly vampirish bent, but this film is more of a gothic/psychological thriller about burgeoning teenage sexuality and the repression that abounded in those days, especially fear of lesbian love seen as a sign of the devil. This is an immensely handsome film, replete with broody lighting and soundtrack, and many gore-soaked images that appear in Lara's dreams, as well as some inspired close-ups of insects and decay to add to the creepiness. 
Tobias Menzies adds his usual gravitas to the role of Dr Renquist in what is a strong, well-executed tale of forbidden love.
3.5- well recommended

South African Film Festival 2021
ONLINE: 12- 24 May 2021 
For films and session times,  visit: www.saff.com.au/
Featuring nine documentaries, five feature films, and two short films, this festival provides keen insight into a country many of us know so little about. Several of the docos look at apartheid and its enduring effect upon the country, while on a cheerier note, the excellent 2011 film Mama Africa brings the wonderful singer Miriam Makeba onto our screens. The cost of online tickets ($8 single film, and $60 for the full program) goes to a most worthy cause - supporting young South Africans from disadvantaged communities.

Toorbos
© SAFF
Karoliena is part of a community of white forest dwellers in South Africa, many of them manual workers, whose lives are impoverished but imbued with support for one another. When Johannes (once a forest dweller, now a town businessman) takes her as his wife, she finds it just too hard to live away from her beloved trees. Inspired by the real lives of the last of these forest dwellers, this is at once a poignant romance, and a meditation upon the meaning of one's roots and identity. 
Gloriously shot, sensitively acted, understated, and suffused with an almost mystical sense of Karoliena's relationship with the forest, this is the sort of arthouse film I relish. Toorbos was Sth Africa's Oscar submission. Wholeheartedly recommended.

Mama Africa
© SAFF
This 2011 film features the first singer from Sth Africa to gain international acclaim: Miriam Makeba. If you remember the song Pata Pata, which was a worldwide hit back in 1967, you'll know the vitality of this woman, and recognise her magnificent voice. Her career and life were marked by fame and tragedy: ostracism from her homeland when she campaigned against apartheid, and rejection from her white American fans when she married black panther Stokely Carmichael, not to mention death of her beloved daughter. There is so much information cram-packed into this film at times it becomes jumbled and hard to follow, as the director chooses to be non-linear in the way she handles the narrative. Regardless, it is a film music lovers will not want to miss, rich with rhythms, brilliant songs, and the story of an amazing woman who made a difference musically and politically. Highly recommended.

A New Country
© SAFF
This disturbing doco traces the post-apartheid decline from euphoria to disillusionment. According to the many impassioned speakers in this film, the elation that accompanied the end of apartheid and the election of Nelson Mandela, gave way to a sense of despair, and the feeling that little has really changed. According to the many commentators, the white patriarchy is alive and well, only now they are not sanctioned for their behaviour. Even if you know little about the country's history, this film will resonate strongly, as yet another reflection of a world in which the riches belong to so few, and the poor (invariably colored) are always disenfranchised.
  
Jozi Gold
© SAFF
Yet another doco to make you angry: this one looks at the aftermath of the gold-mining industry in Johannesburg, which has produced one-third of the world's gold. Now there are almost 400 radioactive dumps, and outfalls of toxic water with heavy metal contaminants which threaten the poor locals (It's always the poor who cop it.) Children are getting ill, cancer rates are up, and toxic dust covers everything.  Featured in the film is activist Mariette Lieferink who takes "toxic tours" to educate people to the severity of the threat, and hounds corporations 
to start taking responsibility.


Thursday, 6 May 2021

May 7th

De Gaulle
June Again
Greenland

Another week - more new releases - and streaming simply goes on and on! This week a fascinating WW2 drama about an iconic man, a family dramedy about Alzheimers, and a streamed apocalyptic blockbuster. something for everyone. 


De Gaulle
Dir: Gabriel Le Bomin
Length: 108 mins

© Palace - great appeal to 
history buffs
Nominated for 3 Cesars (the French Academy Awards) including Best Actor for Lambert Wilson, this film hones in on a brief but critical time in the life of the iconic French general (later to become President) Charles de Gaulle. The film focuses on the events of June 1940. During this seminal point in France's history, the government capitulated to the Nazis, while the General escaped to Britain and finally got British PM Churchill (Tim Hudson) on side. From there he broadcast regular radio messages of encouragement to the French resistance. This slice of  war history is a compelling portrayal of
 a courageous man, firm in his convictions and in his love for his family, which makes for an important sub-plot as wife Yvonne (Isabel Carre) and de Gaulle's three children must flee their Paris home for their safety. 
4 - highly recommended

June Again
Dir: JJ Winlove
Length: 99 mins

© Studio Canal - the cruelty of dementia and 
lost identity feature in this heart-warming tale
Strong-willed matriarch and ex-business woman June (Noni Hazelhurst) has been living in a nursing home for five years, suffering dementia and barely able to recognise her daughter Ginny (Claudia Karvan), or son Dev (Stephen Curry). One day, miraculously, the fog lifts and she enters a short window of clarity, which doctors say will not be permanent. Doing a runner from the home, she finds her kids only to discover a series of family crises have eventuated in her absence. She resolves to put things right. Like a hybrid between The Father and Awakenings, this film has some wonderful aspects and a few clunky ones. Hazelhurst is wonderful, walking the fine line between comedy and poignancy. Karvan and Curry are also highly credible as the grown kids who are estranged from each other, and all at sea in their life's goals. The moments inside June's head, as she reflects upon a past love in her life, are beautifully done. 
Many scenes lead us to reflect upon the nature of identity and how it is intertwined with memory. The accelerated timeline of everything that happens as June tries to "mend the world" is what stretches my credibility, but if one just goes along with this sweet-hearted film, it will provide a moving, warm, if at times, schmaltzy viewing experience. 
3.5 - well recommended

Greenland
Dir: Ric Roman Waugh
Length: 119 mins
Streaming on Amazon Prime
© Amazon Prime - get ready for some
nail-biting apocalyptic adventure
Feeling like streaming a bit of apocalyptic drama with action-man Gerard Butler? Follow the perilous and traumatic adventure of John Garrity (Butler) and his family (estranged wife and small son) as they attempt to flee to safety when a comet heads straight for earth, creating a predicted "extinction event". I really approached this with a "ho-hum, here's more of the same" attitude, but was pleasantly surprised to experience a very exciting and tense story that actually felt quite believable. The characters are well drawn out, the action scenes are gripping, and the destroyed cities world-wide disturbingly well created through the fine SFX. When you just need to veg out with some heart-stopping entertainment, this could be the one. As far as disaster movies go, this one is is a winner!
4 - well recommended 

Thursday, 29 April 2021

 April 30th

First Cow
Land
The Courier

I've gone into a post-Oscars slump. I had such fun watching as many contenders as I could and predicting (with varied outcomes) the winners. I'm so happy Anthony Hopkins got Best Actor for The Father, and delighted with the success of both Nomadland and Soul. Luckily, plenty of highly recommended films are releasing into the mainstream cinema, three of them reviewed today. Two of the three are low-key but absorbing films (both with an American wilderness theme) requiring patience and immersion, the third is a solid thriller. 

First Cow
Dir: Kelly Reichardt
Length: 122 mins
© Madman - a different view
of the wild west
Cookie (John Magaro) is travelling with a group of fur trappers in Oregon in the early 1800s. When he meets Chinese immigrant King-Lu (Orion Lee) the pair strike up a friendship and then set up a business - making "oily cakes" which rely upon stealing milk from a wealthy landowner's cow (the only cow in the area). This much-awarded film is a gentle look at friendship and a not-so-gentle look at the harshness of life in the Pacific north-west back in the cowboy era. The typical macho bravado of so many cowboy films is absent from the friendship between the two men, and it's a refreshing rewrite of the western genre. Toby Jones is terrific as the harsh landowner, and having the film in a square format makes us focus more upon the intimate details than upon the vastness of the wild west itself. 
4 - highly recommended

Land
Dir: Robin Wright
Length: 89 mins
© Universal - grief and friendship
and stunning scenery
Edee (Robin Wright) is trying to deal with an unfathomable grief, and disconnects from society, heading off to live in a cabin in the Wyoming mountains. Unused to the harshness of that life, she nearly dies but is nursed back to health by two locals. One of them, Miguel (Demian Bechir), teaches her the skills needed for survival, and the friendship that develops helps both of them comes to terms with their lives. Wright has made a beautiful directorial debut - sensitive, delicate, visually splendid, and underscored by a dramatically intense soundtrack. Every painstaking moment of Edee's attempts to grapple with her new life feel viscerally authentic, as does the slow-growing friendship between her and Miguel. (Wright and Bechir are terrific together.)  This is the sort of film that requires the viewer to immerse totally; no time for impatience here, just go with Edee's jouney, and marvel at the effect kindness can have in the healing process.
4 - highly recommended 

The Courier
Dir: Dominic Cooke
Length: 112 mins
© A solid Cold War thriller with
excellent performances
I
n the early 1960s, industrial sales consultant Greville Wynne (Benedict Cumberbatch) was approached unexpectedly by members of MI6, who asked him to go to Moscow, ostensibly on business. He is then to connect  with Oleg Penkovsky (Merab Ninidze), a Russian colonel eager to leak military secrets to the West. Together the pair work towards gaining crucial intelligence to help defuse the rapidly escalating Cuban missile crisis. Based upon a true story, this is an engaging and tense thriller, featuring a terrific perf by Cumberbatch, as an unassuming, almost timid man who discovers his inner strength and becomes a somebody. Even though I often find spy thrillers unintelligible, this one is clear, gripping, and has a refreshing focus upon the humanity and family lives of the main players, as well as their political and humanitarian motivations.  
4 - highly recommended   



Saturday, 24 April 2021

 April 24th

The United States vs Billie Holiday
Hillbilly Elegy
Six Minutes to Midnight
Spanish Film Festival 

Yay!! The Oscars are upon us and this week I look at the last of those nominees I've managed to catch. Plus a new film festival is here, with plenty of great stuff on offer, and a British thriller featuring Judi Dench. 

The United States vs Billie Holiday
Dir: Lee Daniels
Length: 130 mins
© Universal - wow - what a performance!
Renowned jazz singer Billie Holiday (Andra Day) was adored by her fans but spent her all-too-short life persecuted by US drug enforcement officers. Federal agent Jimmy Fletcher (Trevante Rhodes) leads the undercover sting against the singer, who ends up having a roller-coaster love affair with him anyway.  Ruthless agent Harry Anslinger (Garrett Hedlund) is determined to hound Billie to the bitter end, using drugs as his excuse for what is essentially a racist campaign. Day has already won a Golden Globe for this towering performance and is nominated for a Best Actress Oscar. She is sublime in the role, capturing the entire spectrum of emotion, and when she sings the controversial song Strange Fruit (about black lynchings), she sends chills down one's spine. Yes, there are a few annoying stylistic inconsistencies, (going to black and white to unnecessarily emulate archival footage) and a couple of time leaps that don't flow, but they don't warrant some of the negative critiques of this fine film, that is still so timely in the world of #blacklivesmatter. Day is the beating heart of the film, but the whole stands up really well as a picture of horrendous times for people of colour (even if they are hugely famous), and the torment of drug addiction in a talented but damaged woman. The film looks magnificent, the soundtrack is stunning, and it's a totally immersive experience.
4 - highly recommended

Hillbilly Elegy
Dir: Ron Howard
Length: 116 mins
Streaming on Netflix
© Netflix - Almost unrecognisable, Glenn Close
is nominated for a Best Supporting Actress 
Yale law student J.D. (Gabriel Basso) gets an urgent phone call to return to his home, because his mother Bev (Amy Adams) has overdosed on drugs. Based upon the life memoir of J.D. Vance, this is an insightful portrait of a family with big problems - poverty, parental instability, and their effect upon a young man with talent and aspirations, caught between his hopes for a better future and his feelings of duty to family. Glenn Close is nominated for a Supporting Actress award in this fine drama, but I'm surprised Adams didn't get a nod for her poignant performance as a mother who just can't cope in the world. Interestingly, although many of the performances have been praised and nominated for various other awards, the film gets a generally negative critical reaction, possibly because of the stereotyping of the sort of people it purports to have sympathy for. Howard often has a fairly predictable directorial style, sometimes overly melodramatic, but this is possibly worth seeing alone for Close's fine performance, in which she absolutely inhabits a trashy but loving grandma.
3.5 - well recommended

Six Minutes to Midnight
Dir: Andy Goddard
Length: 99 mins
© Transmission - fascinating premise -
not so wonderful execution
Throughout the 1930s, the daughters of influential men in Nazi Germany attend a finishing school in the south of England as preparation to be part of the Anglo-German fellowship. The school head Miss Rocholl (Judi Dench) hires a new teacher, Mr Thomas (Eddie Izzard) to replace Mr Wheatley who has mysteriously disappeared. Thomas gets suspicious of Ilse Keller, the girls' German teacher, but soon finds himself on the run, under suspicion for murder. Loosely based upon a true but little-known World War 2 story, this is a good-looking film that takes a fascinating premise, but 
unfortunately doesn't deliver on a sense of authenticity. Dench is type-cast and somewhat melodramatic, Izzard is miscast, and all the attempts to make something thrilling out of the plot and idyllic out of the setting, don't work as well as they could.
2.5 - maybe

Moro Spanish Film Festival
22 April - 9 May (Melbourne)
At all Palace cinemas
For other states, film program, ticketing and more, visit https://www.spanishfilmfestival.com/

Spice up the start of the cold days, with the sizzle of Spanish and Latino cinema. As always I'm fortunate to preview a few. 
© Spanish FF: hard-hitting social drama
A Thief's Daughter
: With 12 awards under its belt, this intense social drama is the story of Sara (a stunning perf from Greta Fernandez) and her attempts to make a better life for herself. She is partly deaf, is a single Mum, struggles with her relationship with her father, is rejected by her baby's father, and is generally a very sad character. While anything but uplifting, this is the sort of European cinema I really enjoy and admire - beautifully scripted, meaningful, authentic and a real comment and reflection upon the struggles some people have in life. 
Spider is a political thriller from Chile, set in the 1970s. Ines and husband Justo, along with Ines's lover Gerardo are neo-fascists who work to overthrow the left wing government of Allende. Toggling between the present and the past, this is an intriguing and tense film, featuring strong performances, but if you're a politico-klutz like me, I suggest boning up on a bit of Chile's history before you view it. 
LadigoAussie comedian Simon Palomares is intrigued by Cuban comedians, trying to fathom how certain folk seem so relentlessly funny when life is in chaos around them and they have so little. It's a great concept and starts off really well with some strong stand up comedy that crosses the language barrier. Unfortunately the film then veers off into endless talking heads which becomes a bit repetitive, but if you want to see something of the appealing streets of Havana, the iconic classic cars, and get an insight into how to be happy regardless, you may enjoy this short doco. 






Friday, 16 April 2021

 April 16th 

Supernova
Pieces of a Woman (Netflix)
Borat (Amazon Prime) 
White Tiger (Netflix)
Fantastic Film Festival
Melbourne Documentary Film Festival

So, continuing to eye the forthcoming Oscars, I review three contenders this week, (all of them on streaming platforms) plus one mainstream release, and give you a taster of a couple of film festivals.  

Supernova
Dir: Harry Macqueen
Length: 95 mins
© Madman - moving story of a love that
faces the ultimate challenge
Sam (Colin Firth) and his husband Tusker (Stanley Tucci) are on a road trip, to catch up with family and spend as much precious time together as possible; precious because Tusker has been diagnosed with early onset dementia. Firth and Tucci are utterly convincing as lifelong partners, and the bitter-sweet nature of the unfortunate end to their relationship is portrayed gently, without melodrama, and in a way that all people dealing with dementia could relate to. As the pair amble along through the bucolic English countryside in their campervan, we are painfully aware of the winding roads almost as a metaphor for the road of life - headed in one direction, beautiful and sad at the same time.  
4 - highly recommended

Pieces of a Woman
Dir: Kornel Mundruczo
Length: 126 mins
Streaming on Netflix
© Netflix - strong psychological drama
of lives torn asunder
Martha (Vanessa Kirby) and her partner Sean (Shia LaBeouf) are having their first baby and opt for a home birth. When things do not go as planned, Martha spends the next year in deep grief, gradually falling apart, and damaging all the relationships around her. Kirby is nominated for a Leading Actress Oscar, and I can see why. The earlier part of the film, featuring a no-holds-barred, totally immersive performance of a woman giving birth, lasting maybe half an hour, is grueling and in your face, and not for the faint-hearted. As the tale moves on to the struggles of all involved, it becomes a tau
t psychological drama. The courtroom scenes in which Martha takes on the midwife who attended the birth are ultimately powerful and moving. Ellen Burstyn as Martha's mother, and Sarah Snook as Martha's cousin are an added bonus to this fine drama.
4 - highly recommended

Borat Subsequent MovieFilm 
Dir: Jason Woliner
Length: 95 mins
Streaming on Amazon Prime
© Amazon Prime - Cohen is a master of
satire and of disguise
Journalist and TV star Borat Sagdiyev (Sasha Baron Cohen) has been released from imprisonment in the gulag, and decides to make amends by heading to the USA, with a bribe for Vice President Mike Pence.  His daughter Tutar (Maria Bakalova) will be offered in marriage to restore the glory of Kazakhstan. Love him or hate him, Sasha Baron Cohen is a force to be reckoned with. His not-so-subtle spoofing of American culture is wickedly funny, while his politically incorrect humour will not be for everyone. Nevertheless, the film has two Oscar nominations, one for Bakalova as Actress in a Supporting Role, the other for Cohen (and a gazillion co-writers) for Adapted Screenplay. In Cohen's familiar mockumentary style, it is always a challenge to figure out what is a set-up, and what cringe-worthy scenes have taken their unsuspecting stars totally unawares. I sure had a lot of fun with this one. 
3.5 - well recommended

The White Tiger
Dir: Ramin Bahrani
Length: 125 mins
Streaming on Netflix
© Netflix - powerful depiction of a very
corrupt and at times cruel society
Balram (Adarsh Gourav) comes from a large family in a poor Indian village. He heads to the city and takes a job as a driver to Ashok, (Rajkummar Rao) who has returned from the USA with his American/Indian wife Pinky (Priyanka Chopra). Ashok moves in a questionable circle of thuggy relatives, and Balram is alternately treated as if he were the most prized servant, and then the most reviled person on earth.  After a shocking incident in which he is called on to take the fall, Balram's resentment and aspirations build, and things move to a shocking climax. Nominated for an Adapted Screenplay, this is a faithful interpretation of the 
2008 award-winning novel, and an eye-opening insight into a deeply divided society of haves and have-nots.       
4.5 - wholeheartedly recommended

Fantastic Film Festival
April 16th - May 1st
Melbourne: Lido Cinema Hawthorn
https://www.fantasticfilmfestival.com.au/
© Bloodshot Pictures - mother and son - a
very troubling relationship
For lovers of films that are out there and totally left of centre, this festival could be the one for you. Billing itself as "a weird and wonderful world", the festival is (in its own words) "home
to trendsetters, truth talkers, trailblazers and loose wires" and is "dedicated to showing the world’s most daring works from filmmakers with innovative and unique perspectives". For example, one doco, Kidnapped Abroad features cam corder footage of hostage negotiations synthesised into a unique documentary. Other films feature high-profile stars such as Willem Dafoe and Nic Cage. From psychological deep dives, to reflections of our daunting modern world, there is much to stimulate the senses in this festival. 
I've previewed a home-grown Aussie genre film called Bloodshot Heart. Part drama, part fantasy and part horror, it is the story of 44-year-old, living-with-Mum driving instructor Hans (Richard James Allen) who has suffered past trauma. When a young tenant Matilda moves in to live with him and his mother, he becomes obsessed and confused, and devises a daring plan to win her love. Beautifully shot and full of blood, gore, hallucinations, and even poignancy, this film shows how film-makers can let their imaginations run riot when they are not working to a box-office formula.

Melbourne Documentary Film Festival
Monthly special events at Cinema Nova
https://mdff.org.au/
https://www.facebook.com/groups/701561099982598/
http://www.cinemanova.com.au/events/melbourne-documentary-film-festival-presents

This always-excellent festival  festival has a new format, featuring monthly screenings at Cinema Nova. This month's films show on the 18th April and are all music docos. For details you can visit any of the three links above. If you want to binge the five films in one day, there's a special ticket deal. I've caught two of the five showing. 
© MDFF 

Small Island, Big Song: This is a must-see for lovers of music and features more than 100 musicians from 16 island nations over the Pacific region. As environmental challenges threaten many of these places, the song goes on, and we are treated to a wealth of uplifting beautiful music, featuring unusual instruments, and the joy of the island inhabitants. In places the director has employed a technique of overlapping concurrent rhythms and performances from different places, lending a sense of unity to the region, and stressing a unique but also shared culture. An insightful, important, and unforgettable musical journey with an underlying critical environmental message.

© MDFF

Bleeding Audio: Featuring post-punk/indie rock band The Matches, this doco is interesting on many levels. Firstly, as a portrait of a band it handles its subject matter in an almost intimate manner - examining the nature of what it's like to go on the road, enjoy what you do (without a truckload of egos), and truly suffer for your art. The band was tipped to hit the big time, but when the digital revolution came along things got tough, and thanks to bungling oversights by their manager, money was always in short supply. The seemingly authentic nature of these blokes, plus their dedicated fan base, make this a fascinating movie, even if the genre of music is not your bag. An especially impressive part of the film is how good it looks, with snappy editing, fabulous graphics and visual design that make the actual film in part like the many video clips of the era. And of course any fans of The Matches should not miss this insight into their heroes.     



Sunday, 11 April 2021

 April 12th

Antoinette in the Cevennes
Collectiv

Short and sweet this week: one doco nominated for two major Oscar awards, plus a sweet and funny French film about an immature woman growing up, with the help of a donkey. 

Antoinette in the Cevennes
Dir: Caroline Vignal
Length: 97 mins
© Palace - he may be stubborn, but 
he's a good listener. 
Antoinette Lapouge 
(Laure Calamy) is a fun-loving, free spirited, naive, romantic, young teacher who is  having an affair with Vlad, the father of one of her students. When Vlad reneges on a planned escape with Antoinette, saying he is going away hiking with his wife and kid, she decides to head off to the same region, renowned for its rugged walks. When she books her hike, she adds the option of walking with a donkey. I'm not usually a big fan of French comedies, but this one is a winner, not the least because of the entertaining relationship between Antoinette and Patrick, her sturdy equine companion to whom the garrulous Antoinette bares her soul as they walk. As well as having glorious scenery in the mountainous southern part of France, the film is a delightful tale of a woman learning about herself and gaining a bit of much-needed maturity.
4 - highly recommended!

Collectiv
Dir: Kornel Mundruczo
Length: 126 mins
Cinema Nova Exclusive
© Madman - corruption at the highest levels
exposed in nightmare scenario
In 2015 a horrific fire in a Romanian nightclub claimed the lives of 50 victims. Many died under ghastly conditions in hospital; some survived with horrendous burns. A local newspaper started investigating only to discover a massive fraud around the quality (or lack thereof) of hospital disinfectants, but this investigation went deeper, further exposing the scale of corruption in the Romanian hospital system and the government itself. Nominated for a Best Documentary and a Best Foreign Film Oscar, this is gruelling, and at times tedious viewing, as it mulls over the ins and outs of meetings between health activists, journalists and politicians. But, as with every expose of this nature, it is important viewing, as without films like this, corrupt leaders will never be held to account. For my taste there is too much "talking heads", but fortunately an alternate focus upon one brave burns victim, the subject of a poignant photographic exhibition, brings an intensely personal gaze to a nightmare story.
3.5 - well recommended


Friday, 2 April 2021

April 2nd

The Father
The Mauritanian (Amazon Prime) 
One Night in Miami  (Amazon Prime) 
The Last Vermeer

Two more Oscar contenders are reviewed this week, including the cinema release film The Father with Anthony Hopkins. It's one of my rare "unmissables".  

The Father
Dir: Florian Zeller
Length: 97 mins
© Sharmill - Hopkins gives a
heart-breaking tour-de-force
Anthony (Anthony Hopkins) is a sprightly eighty year old, reluctantly accepting a little help from his daughter Anne (Olivia Colman). As his dementia progresses, Ann wants home help for her father but he is resistant. Furthermore, Ann wishes to relocate to Paris. Gradually Anthony begins to doubt his perception of reality, and difficult decisions must be made. This is a masterful and shattering portrayal of what it means to descend into dementia. The genius of the film is based on two powerful factors - firstly top-shelf performances from every cast member, and secondly a script so empathetically written that we, the audience, step totally inside the decaying mind of a dementia sufferer. Anthony alienates every carer who comes to visit, even gorgeous Laura (Imogen Poots) who reminds him of his other daughter. At some moments his brain is so addled he visually perceives Ann to be a stranger, (Olivia Williams is the alternate Ann), while Ann's ex-husband Paul (Rufus Sewell) also changes to another man
 (Paul Gatiss) in Anthony's mind. Time skips around, certain scenes repeat, all engineered to create the sense of total confusion the poor old man is feeling. But it is the raw and overwhelming emotion of this film that hits home like a sledge-hammer. Hopkins' performance is possibly his best ever. I cried grievously at the film's conclusion; it's like watching a portent of what so many of our lives may eventually come to.
5 - unmissable!

The Mauritanian
Dir: Kevin Macdonald 
Length: 129 mins
Streaming on Amazon Prime
© Amazon Prime - amazing cast - powerful
story that should shame the USA
Mauritanian national Mohamedou Slahi (Tahar Rahim) was detained by the FBI on suspicion of involvement in the 9/11 attacks. From there he was put into the notorious Guantanamo Bay prison, where he wrote Guantanamo Diary, upon which this film is based. Human rights lawyer Nancy Hollander (Jodie Foster) takes up his case, and in concert with fellow attorney Teri Duncan (Shailene Woodley) works to have him released. Foster has just won the Golden Globe for Best Actress in this film, although has been overlooked for the forthcoming Oscars. As expected, she gives a great performance, and the film is a total indictment of the reprehensible system of "justice" America metes out to those suspected of (but never charged with) 9/11 involvement. At times the film is hard to watch, with the brutality inflicted upon Slahi viscerally portrayed. Benedict Cumberbatch is as always strong in his role as the military prosecutor, a man for whom conscience and compassion ultimately outweighs duty. 
Rahim's empathetic performance makes him an actor to take note of.  With so many refugees still languishing in Aussie detention, this film is an important and salutary reminder of the inhumane treatment of people who've never been formally convicted of any crime.
4 - highly recommended

One Night in Miami
Dir: Regina King
Length: 114 mins
Streaming on Amazon Prime
© Amazon Prime - four icons of activism -
their conversation inagined
In 1964 Cassius Clay became heavyweight boxing champion of the world. After the match he met up with three friends - singer Sam Cooke, NFL player Jim Brown, and civil rights activist Malcolm X. The film fictionalises the conversations in a Miami motel room, and those conversations are a window into the Zeitgeist of the day - political activism for the Civil Rights Movement and how each man perceived his role in that. Screenplay writer Kemp Powers bases the script upon his own play, and the theatrical roots are evident - but as a film it totally works; this is a stunning reflection upon a pivotal moment in history, and each character leaps off the screen as historical icons, and as real human beings. Cooke (Leslie Odom Jnr) is derided by his pals as being too eager to make it in the white world (until he writes A Change is Gonna Come); Brown (Aldis Hodge) is revered in sport helping to elevate people of color; Malcolm X (Kingsley Ben Adir) leaves the Nation of Islam to help create the Black Power movement, as as for Clay (Eli Goree), we all know the legend he became: Muhammed Ali.  This fabulous film is nominated for three Oscars, and is totally worth seeing.
4.5 - wholeheartedly recommended

The Last Vermeer
Dir: Dan Friedkin
Length: 118 mins
© JIFF - Guy Pearce is the main
drawcard for this true and bizarre story
Yet another true World War 2 story, this one set in the art world. Dutch art dealer Han van Meegeren (Guy Pearce) made a fortune selling art works to the Nazis. In particular, a Vermeer piece was sold to Goring, and van Meegeren was put on trial for collaboration with the enemy. He had the last laugh, however, as he went down in history as the greatest forger ever known.  Plenty of dramatic license is taken in the form of the invention of military man Joseph Piller (Claes Bang) who champions van Meegeren in court. The film is handsomely crafted, with sumptuous settings, but the trial scene somehow feels a bit contrived and overly long. Interesting issues of how forgers perfect their craft are glossed over, and handsome Piller's romantic doings (and his Jewishness)  seem almost irrelevant to the main plot. However Pearce is an absolute winner with his eccentric and flamboyant characterisation and it's worth seeing for that alone.
3 - recommended