Friday 11 October 2024

October 11th 2024

The Apprentice
Super/Man: The Christopher Reeve Story
Greek Film Festival - advance notice  - begins 15th October
Beasts of No Nation (streaming on Netflix)
The Man in the Basement (streaming on Apple)

What a week for films I wholeheartedly recommend! Even the streaming films are well worth a watch, and for Hellenophiles, get ready for a feast of Greek films coming your way in a few days!

The Apprentice
Dir:  Ali Abassi
Length: 120 mins
© Madman - ruthlessness under the
microscope - the genesis of a man we 
love to hate!
Full disclosure: I'm a Donald Trump loather, but I loved this film! The story begins with a young Trump (Sebastian Stan) in New York in the 1970s. He's an aspiring real estate mogul, with big dreams of transforming the city with his ambitious buildings, but first he has to get out of the shadow of his overbearing father, Fred (Martin Donovan). It all starts happening when Donald meets notorious lawyer Roy Cohn (Jeremy Strong), who takes the young Trump as his protegee, training him in the three cardinal rules of how to be a winner (or killer, as Cohn terms it): 
1. Attack. Attack. Attack. 2. Admit nothing. Deny everything. 3. Claim victory and never admit defeat. This mesmerising film never even borders on parody; rather it is an incredible portrayal of two ruthless men, driven by greed and dreams of power, willing to embrace corruption if it furthers their goals. The arc of transformation of both characters is ironic - Donald starts out as almost a half-decent human being, while Cohn is reprehensibly corrupt. Cohn coaches Donald but when he eventually falls ill, we see his vulnerability emerge. But as Donald's star rises, he loses any softness and becomes more and more the personality we recognise today. Performances are all memorable: Maria Bakalova is impressive as Ivana, Trump's first wife, Stan captures superbly the idiosyncrasies of Trump's gestures and speech, but Strong steals the show as Cohn. The production gloriously creates the ostentatious, wealthy and connected world Trump and Cohn moved in; a world where who you know and who you can blackmail is always  front and centre. Such an entertainment of a film!
4.5 - wholeheartedly recommended

Super/Man: The Christopher Reeve Story
Dir:  Ian Bonhote & Peter Ehedgui
Length: 104 mins
© Universal - how to live your best life
regardless of what happens
Ever wondered how would handle life if you ended up paralysed from the neck down? Especially if you were relatively young, incredibly fit, had a growing family, and were adored the world around for playing an iconic superhero on the big screen? Christopher Reeve, aka Superman, shows us a way to make lemonade out of lemons, in this unexpectedly moving and inspirational documentary. The film seamlessly interweaves old family videos from Reeve's childhood and his marriages with footage from the Superman films, along with interviews with his three children, two wives and the many friends who knew and loved him. Robin Williams, Oprah Winfrey, Jeff Daniels, Glen Close and more, speak of the amazing courage of this man, who showed what the word hero really means after the fateful horse-riding accident that changed Reeve's life. The film is not only about a Hollywood star; rather it portrays a real-life human being, who uses his tragedy to develop inner strength and to help others. Through his support, encouragement, and finally setting up the Christopher and Dana Reeve Foundation for stem cell research to hopefully develop a cure for paralysis he has made an amazing difference. The insights from his beautiful children and two empathetic, caring wives just adds to what is ultimately a powerfully emotional and uplifting film. I did not expect to be so moved!
4.5 - wholeheartedly recommended

Greek Film Festival - coming up - choose your films!
Melbourne: October 15th - 27th
Venues: Palace Pentridge, Como, Balwyn, Astor
For film details, ticketing and dates for other states: www.greekfilmfestival.com.au
Melbourne celebrates its 29th Greek Film Festival with 29 outstanding films. Head to the site to start planning your watching now. There are dramas, comedies, documentaries, plus the debut feature for Greek-born, Melbourne-based director Antonis Tsonis. A highlight is the award-winning film Murderess, which I'll review for you soon after I catch it on the big screen. 

Brando With a Glass Eye: A decidely different heist film, centring on two 
Athenian brothers who stage a heist which goes wrong. Luca, a mechanic who dreams of going to acting school but hasn't the money, accidentally shoots someone during the botched heist, then tries to make amends by befriending the guy. Luca is fixated on the idea of method acting, and is constantly "performing" various scenes randomly and in inappropriate places, so no-one gets a true sense of who he is. The standout  lead performance is at once weirdly compelling, and also strangely alienating, in a highly original film that has us reflecting upon the art of acting, what is real and what's pretence. 

Beasts of No Nation
Dir:  Cary Joji Fukunaga
Length: 137 mins
Streaming on Netflix - 2015 release
© Netflix - the realities and cruelties of war
Set in an unnamed West African nation, this is a disturbing, important and very strong film that has umpteen wins and nominations to its name. Agu (Abraham Attah) lives in a tiny village, a relatively happy child, until government and rebel forces fall to fighting. Agu is co-opted into yet another fighting force, led by the ruthless Commandant (Idris Elba), where he is trained to be a child soldier, killing and being drawn into drug-taking to ease the psychological pain. This is confronting stuff to watch, but somehow one's involvement with Agu, a decent kid at heart, and our hopes for a turnaround in his life, keep the viewer engaged. Yet again the human cost of war is viscerally underscored in this remarkable film. 
4 - highly recommended

The Man in the Basement
Dir:  Philippe le Guay
Length: 114 mins
Streaming on Prime - 2021 release
© Prime - anti-Semitism rears its ugly head
Helene Sandberg (Berenice Bejo) and her husband Simon (Jeremie Renier) decide to sell off their basement in the apartment block where they live. Jacques Fonzic (Francoise Cluzet) buys it, claiming he needs it for storage. But when he deci
des to live in it, the Sandbergs can't legally turn him out. To make matters worse they discover he is a hjistorical revisionist and anti-Semitic extremist, known for his abhorrent views. A tense and thrilling story, it is also timely, with its theme of anti-Semitism, which is getting stronger in the world today. The character of Fonzic is especially alarming as he has a way of couching his views as a "differing of opinion", and his initial mild-mannered friendly approach allows him to wheedle his way into people's lives. Well acted and thought-provoking. 
4 - highly recommended





Wednesday 2 October 2024

October 3rd 2024

Joker: Folie a Deux
The Critic
It Ends With Us
Federer: Twelve Final Days (streaming on Amazon Prime)
More from St. Ali Italian Film Festival

My first two films this week feature exceptional performances from their lead men. The Italian festival continues, Federer fans can revel in a streamed doco, and domestic abuse is tackled. 

Joker: Folie a Deux
Dir:  Todd Phillips
Length: 138 mins
© Universal - inventive, unexpected, with
a top perf from Joaquin Phoenix
Arthur Fleck (Joaquin Phoenix) is in an institution awaiting trial for six murders. When he meets fellow inmate 
Lee Quinzel (Lady Gaga), they fall for each other and embark upon a musical romance. I've never been some huge fan of the Batman franchise, nor have I seen the 2019 film Joker. So I come to this sequel cold-turkey, and have viewed it almost as a stand-alone film. Up front: its considerable runtime held me enthralled throughout - largely thanks to Phoenix's mesmerising performance as a man stricken with any number of psychological disorders - multiple personality? schizophrenia? sociopathic disorder? Does it matter? For me this is a story of identity, love and betrayal, creatively presented with a big musical component, in which Phoenix and Gaga sing and dance their way through what is actually quite a sad tale. Phillips takes a swipe at society's obsession with fame and megastar villainy, and yet at heart we really feel the tragic humanity of the man inside the mask - Arthur Fleck - once an abused kid, now on trial for his life. And the gal he loves only seems to love the side of him under the clown mask, not the real man within. There's good support from Catherine Keener as Arthur's lawyer, Brendan Gleeson as a prison guard and Steve Coogan as a TV host. Although long and at times a little self-indulgent, there's much to be commended in this unusual film. Notweworthy is that it was a nominee for Golden Lion at this year's Venice Film Festival.
3.5 - well recommended

The Critic
Dir:  Anand Tucker
Length: 101 mins
© Transmission - McKellen
reigns supreme - again!
The setting is London, 1934. Jimmy Erskine (Ian McKellen) has been the head theatre critic for The Daily Chronicle for about 40 years. He is ruthless if he dislikes a play, and currently he has it in for lead actress Nina Land (Gemma Arterton), condemning her every performance. When Jimmy and his secretary/lover Stephen (Ben Barnes) are arrested for homosexuality, Jimmy loses his job. He then decides upon a devious scheme involving a Faustian bargain with Nina, and his old boss Viscount Brooke (Mark Strong), who he knows is in love with Nina. I say no more! The plot becomes a cleverly convoluted one of blackmail and deception, which perhaps oversteps its credibility towards the end. Regardless, this is a most handsome production, which beautifully captures the era and the ethos of theatre life of the day. If you ever need a masterclass in acting, look no further than McKellen's striking performance as the ascerbic, conniving curmudgeon who we love to hate. For lovers of fine acting, all things theatre, and a lovely old-fashioned sensibility, this is a film for you. 
3.5 - well recommended 

It Ends With Us
Dir:  Justin Baldoni
Length: 130 mins
© Sony - women beware of handsome,
controlling men!
Lily Bloom (Blake Lively) comes from a dysfunctional family in which her father was emotionally and physically abusive to her mother. When she moves to Boston to set up her own flower shop, she meets a handsome neurosurgeon Ryle Kincaid (Justin Baldoni) and falls head over heels in love with him. But as the relationship progresses, she starts to see a side of him that has disturbing echoes of her parents' relationship. Where my previous two reviews are of films made in a decidedly non-mainstream way, this is an almost pedestrian approach to an important topic. While I commend it for addressing the hot-button issue of domestic abuse and coercive control, it presents in a way that allows the romantic/sexual elements to overwhelm the seriousness of the subject matter, and at times the dialogue seems clunky. Nevertheless there is enough in it, in particular a lovely Lively, that makes it worth watching (just!)
3 - recommended

Federer: Twelve Final Days
Dir:  Asif Kapadia & Joe Sabia
Length: 88 mins
Streaming on Prime
© Prime - Federer is so watchable!
Kapadia is known for some excellent biopics of the likes of racing driver Ayrton Senna, soccer star Diego Maradonna and singer Amy Winehouse. Now he takes on the GOAT (Greatest Of All Time), tennis champ Roger Federer, in a doco focused around the final twelve days of the man's tennis career, as he prepares for his last ever match, the Laver Cup. Keeping Roger company in this tournament are some of the best-loved and greatest names in modern tennis - Nadal, Murray, Djokovic, Borg and more. Roger is of course the star and is presented in an engagingly casual and intimate manner, as he chats, laughs, cries (of course), and generally reflects upon his life and career. We sense the classiness and the reserve of Federer, his devotion to his family and to the sport, but never get any new and deep insights into the depths of his psyche. Excellent use of archival footage is made, from Roger's boyhood, right through, every shot showcasing his grace and skill. It's certainly fun to see the camaraderie between the tennis friends/rivals, lovely to briefly meet Roger's wife Mirka, and overall this doco is an enjoyable farewell tribute to an extraordinary person. It should have great appeal to fans of the sport and of the Fed (which I am, so I really enjoyed it!) 
3.5 - well recommended 

More from . . .
St. Ali Italian Film Festival
Melbourne until 17th October 
Palace Cinemas
For other states, all session times, synopses of films visit www.italianfilmfestival.com.au
 
I hope those of you who are getting along to this fine festival are enjoying it. I've caught one more, and with another couple of weeks to go, you've still got time to indulge in some great Italian films. 
The Beautiful Summer
: Ginia is a young woman who has moved from a rural area to Turin, in the pre-war years. She works as a dressmaker, showing a lot of talent, but is searching for a more adventurous life. When she meets artist's model Amelia, she steps into a Bohemian world unlike anything she's experienced before. Although some familiar themes are revisited - finding one's identity, first affairs, same sex attraction - there is something very appealing about this sensuous and delicately-tackled film. Notably Amelia is played by the stunning Deva Cassell, daughter of Vincent Cassell and Monica Belluci. The chemistry between the two women is perfect, and the sense of the era is powerfully portrayed in the production values.    

The Italian film festival is, as always, highly recommended!