Wednesday 26 June 2024

June 27th 2024

The Convert
Wild Rose (streaming on Netflix)
Hitman (streaming on Netflix)
Born in Syria (streaming on Docplay)
Three more from the Spanish Film Festival

I've returned refreshed and relaxed from a little break, and back into the film frenzy! Here's a terrific new film from New Zealand, plus three fine streaming offerings. And the Spanish Film Festival has a week to run, so get into it! 
 
The Convert
Dir:  Lee Tamahori
Length: 119 mins
© Kismet - powerful story of colonialism
and Maoris warfare in New Zealand
Most famous for directing Once Were Warriors back in 1994, Tamahori returns from his 20-year stint in Hollywood to his native New Zealand to write and direct an impressive drama set in the 1830s. NZ at that time was Maori-dominated, with wars raging between the tribes, and a few fledgling British settlements establishing themselves. Thomas Munro (an excellent Guy Pearce), a man with a violent past and now a lay preacher, is sent to the settlement of Epworth. En route he witnesses Maori inter-tribal savagery, and saves the life of a young woman, Rangimai (Tioreore Ngatai-Melbourne), who he takes into his care. Munro soon discovers the racism and entrenched anti-Maori sentiment among the British colonists, as he becomes further estranged from those he was sent to minister to and more involved in trying to broker peace among the Maoris. The film has been called one of the most authentic filmic depictions of pre-colonial Maori culture, with fabulous production design along with costumes and sets that bring that world to life. The politics and skulduggery of the British (running guns, double dealing and furthering their own interests) is woven into the plot, as is a love interest between Munroe and Mrs Haggerty, (Jacqueline McKenzie), a white woman once married to a Maori. Performances from the two warring chiefs Akatarewa (Lawrence Makoare) and Maianui (Antonio Te Maioha), along with the many signficant tribal warriors feel authentic, and the many scenes of battle and other conflict are chillingly brutal. While the film's conclusion is perhaps too easy and sudden, overall this is a most worthy examination of important issues of colonialism, violence and faith.
4 - highly recommended

Wild Rose
2018
Dir: Tom Harper
Length: 101 mins
Streaming on Netflix
©  - if she ever leaves acting, Buckley could
definitely be a country singer 
Glasgow born Rose-Lynn (Jessie Buckely) is an aspiring country singer who has just come out of a year's jail for a drug-related crime. Her mother Marion (Julie Walters) has been minding her two small children, who are very conflicted about being with their mum again. Desperate to save money to try her luck in Nashville, Rose-Lynn takes a cleaning job with wealthy Susannah (Sophie Okonedo), who is totally supportive of her cleaning-girl's aspirations. But Rose-Lynn is not honest with Susannah about her circumstances, so somewhere along the line a reckoning must be faced. Rose-Lynn has a tattoo on her arm saying "three chords and the truth". It is her own truth that she is on a journey to find, in this feel-good, moving and uplifting film. Yes, there may be something familiar about the plot, but it is elevated beyond the usual by a brilliant BAFTA-nominated performance from Buckley, who even does her own singing. Walters, as always, is rock-solid as a grandmother and mother who is there (sometimes reluctantly) to pick up the pieces.The songs are all terrific, and the grittiness of the rough and ready Glasgow characters make for a really enjoyable watch.
4 - highly recommended

Hit Man
Dir: Richard Linklater
Length: 115 mins
Streaming on Netflix 
©  Netflix - at times silly, but
very funny! 
Gary Johnson (Glen Powell) is a nerdy-looking philosophy lecturer at university, but on the side he moonlights with the police department, pretending to be a hit man, and trapping folks who want to hire him, so that they get arrested before any murders actually occur. When he meets Madison Masters 
(Adria Arjona), a young woman scared of her jealous ex-husband, he advises her to keep her money and get a divorce. Soon Gary, (or rather, his hit man alter-ego Ron), and Madison end up in a hot relationship, which causes all sorts of confusion and mix-ups for everyone.  What starts out feeling like an ordinary, typically American wanna-be comedy, just gets better as it goes along. Powell is quite remarkable and funny, channelling the many and varied personae he dons as the hit man, depending upon who he is trying to entrap. The chemistry between him and Arjona is super-hot and the convolutions of the plot just get funnier and sillier as things progress, with several unexpected twists along the way. Underlying it all is an interesting premise regarding identity - the sort of "fake it till you make it" philosophy, suggesting people can choose the person they want to present to the world. Smaller supporting performances are also strong, especially Austin Amelio as Jasper, whose job Gary has taken. This is a fun way to spend two hours.
4 - highly recommended

Born in Syria
Dir: Hernan Zin
Length: 86 mins
Streaming on Docplay - 2016
©  Docplay - tragic. The trauma Syurian refugees 
have faced goes on and on
Though several years old now, this award-winning doco has lost little of its relevance in these fraught times. It traces the refugee journey through the eyes of several children, who must flee their homeland for far-flung countries. Opening with a boat-load of refugees landing in Greece, the film traces various stories. 
Nine million Syrians have fled their homeland since war broke out in 2011. Some are welcomed, but many find hostile receptions in their new lands, and hearing the children speak of their woes is heartbreaking. Some kids end up making successful new lives, others like the poor injured boy in the photo, will continue to suffer. Films like this are so important in reminding us of the ongoing tragedies throughout the world, and how lucky we are in our lives here in Oz.
4 - highly recommended
PS: Need I remind you for the umpteenth time that a subscription to DocPlay costs less per month than two cups of coffee, and will reward doco lovers with a stunning range of films. Visit: https://www.docplay.com/home

HSBC Spanish Film Festival
Until 3rd July
Palace Cinemas
For all required information visit www.spanishfilmfestival.com 

The festival continues for another week, so still a chance to catch more of these fine films. I've done a binge watch of three more that I recommend.
© Palace - fine Mexican drama of
relationships, revenge and redemption
Upon Open Sky: A nominee for Best Film at Venice FF last year, this Mexican road trip drama is a searing tale of revenge and redemption, with tricky moral issues at its heart. It is the story of brothers, Fernando and Salvador, whose father was killed in a road accident two years before. They determine to track down the truck driver responsible and exact revenge. With them is Paula, the daughter of the man their widowed mother has just married. The first strength of this film lies in its intelligent and compelling screenplay by Guillermo Arriaga (who wrote Babel and 21 Grams). Less is more here - silence speaks as much as words. Then we have the powerful performances by the three young leads, along with a great soundtrack and beautiful sweeping cinematography of the wild Mexican landscape. The soul-searching, 
gut-wrenching journey each of the kids will go through is superbly portrayed, as issues of raging emotions versus love and forgiveness do battle in each of them. For those who love a morally challenging, emotionally charged film, this is a winner.

Un Amor
: Director Isabelle Coixet has three earlier films in the spotlight this festival. This, her latest, is the story of Natalia who is escaping the pressures of city life by settling in a remote country village in the south of Spain. Locals are mistrustful and her landlord is a vaguely theatening misogynistic creep who won't lift a finger to repair the dilapidated house. To get work done, Natalia strikes a deal with her neighbor Andreas, which sparks off  a most bizarre and obsessive relationship. At its heart, this film explores the mysteries of desire and a woman's self-image. Performances are intense, sex scenes quite raw, and although I remain perplexed as to what drives these characters, the film carries one along with tension and intrigue as to the depths of the human heart. 

Artificial Justice
: With AI the word on many people's lips, this is a most timely movie, that takes the premise that the judicial system, in the near future, is replacing human judges with Artifical Intelligence software. Award-winning actor Veronica Echegui plays a high-powered, respected judge invited to assess the new system, but she soon finds herself entangled in a web of political and corporate dramas and conspiracies, that become life-threatening. Part thriller, part social commentary, this is a thought-provoking film to further debate on new technologies: friend or foe?

Wednesday 12 June 2024

June 13th (and June 20th releases)  2024

The Koalas
Spanish Film Festival

Releasing on June 20th:
Picasso: A Rebel in Paris
Divertimento
The Promised Land

I'm taking a small break, so have included in this week's reviews films releasing next week. It's a couple of weeks of strong films, ranging from docos, to narratives that are epic and uplifting. Not to mention another great festival, this time, the Spanish. 
 
The Koalas
Dir: Gregory Miller & Georgia Wallace Crabbe
Length: 91 mins
Nova June 18th (Q&A), Thornbury Picture House June 22nd, Elsternwick Classic June 30th
For further venues and times, visit: https://www.thekoalasfilm.com/
© Film Projects - imagine a world without 
this emblematic Aussie 
Governments constantly blither on about protecting our favorite furry friend, but when it comes to the crunch, these iconic marsupials are threatened by loss of habitat, climate change and disease. Greedy housing developers and loggers knock down their habitat, while bushfires and floods have cut a swathe through their numbers. The animal may in fact face extinction in the wild by 2050. This clearly presented doco shows how the koala population is faring, state by state, and outlines measures being taken (such as koala corridors, freeway underpasses etc) to protect them. Much work is done by devoted volunteers, but whether it will be enough, only time will tell. The film features plenty of great koala close-ups, clear explanatory diagrams, and information from volunteers and experts. We also follow the progress of specific individuals, being cared for after terrible burns, or having been orphaned after road accidents. This makes for engaging and informative viewing.
4 - highly recommended

HSBC Spanish Film Festival
14th June - 3rd July
Palace Cinemas
For all required information visit www.spanishfilmfestival.com 

This fabulous festival is back, featuring films not only from Spain, but also Mexico, Uruguay, Argentina and Chile. The festival has a focus on eight female filmmakers and also also features two restrospectives: one highlights the work of Isabelle Coixet, the other highlights Salvador Dali, with works ranging from the classic 1929 Un Chien Andalou, though to a recent doco examining his life. I've been able to preview the award-winning centrepiece film.

The Teacher Who Promised the Sea
: Set in 1935 and the present day, this powerful film is based upon the true story of  a teacher, Antonio Benaiges (Enric Auquer). Young, idealistic, and anything but traditional, he is sent to teach in a little school in the north of Spain. The kids love him, but when Franco's regime comes into power, he is definitely not on the approved list. In the present day Ariadna (Laia Costa) is searching for the remains of her great grandfather in one of the many mass graves in which people murdered by the Franco regime were buried. Just when I thought this story might become overly cute, it took a dramatic turn and became tense and moving, highlighting issues of 
progressive teaching, tyranny, and the importance of free speech.  

Films releasing on June 20th
The Promised Land
Dir: Nikolaj Arcel
Length: 127 mins

© Rialto - any film with Mads Mikkelsen in
the lead promises to be great!
Set in mid 1700s Denmark, this co-production from 
Denmark, Sweden, Norway, and Germany is the sweeping tale of Captain Ludvig Kahlen (Mads Mikkelsen), who sets out to conquer the seemingly uninhabitable heathlands and build a colony there. He represents the king, but comes into deep conflict with landowner Frederick de Schinkel who believes he owns all the lands. Kahlen is determined not to succumb to the evil Schinkel, but standing his ground will be at the expense of people who have come to mean something in his life. Without giving away too much plot here, I find this an extremely engaging film, in an epic old-fashioned way that we don't see so much of nowadays. Its narrative is broad ranging (and loosely based on history), it is visually stunning, and performances are compelling - especially Mads (of course), and young Melina Hagberg as orphaned gypsy girl Anmai Mus. With such visceral themes as revenge, ambition, repression, self-worth, family and love, there are all the ingredients needed for a deeply rewarding film experience. (Note: it has 17 big wins to its name).
4 - highly recommended

Picasso: A Rebel in Paris
Dir: Simona Risi
Length: 92 mins
© Sharmill -  an original take on one
of the world's most incredible artists
Add to the film's title Story of a life and museum, and you have the idea that this is not just another standard biopic of the controversial artist. It is based around the biggest collection of his work, at the Musee National Picasso in Paris. The museum houses 6000 artworks and 200,000 pieces of archived material. We follow the  Spaniard as he leaves his country of birth and joins the art scene in Paris, moving from a traditional style to his trademark ground-breaking style of painting. The doco is jam-packed with so much fascinating information and countless visuals of his work - the various periods, and pieces in styles and media that I had no idea he even worked in (think ceramics). In-depth insights are given by museum curators and art critics, along with glimpses into his personal life and his highly contradictory nature, ranging from positive traits to the highly questionable treatment of the women in his life. Included are also clips from films which were made of the man before his death. It's a real eye opener, and a must for art lovers.
4 - highly recommended

Divertimento
Dir: Marie Castille Mention Schaar
Length: 110 mins
© Potential - uplifting and inspiring
Two sisters, Zahia (Oulaya Amamra) and Fettouma  Ziouani (Lina el Arabi) have big dreams. At only 17, Zahia hopes to becomes one of very few female orchestra conductors and her sister wants to become a professional cellist. Being of Algerian descent and living in the "burbs" of Paris, they will need to overcome many hurdles, both societal and patriarchal. After being accepted into a top music school, Zahia must face racial prejudice from uppity French kids, along with constantly fighting to be a woman in a traditionally male sphere. While following a reasonably predictable narrative arc, this true story is both uplifting and inspiring, and features lovely performances by the two lead actors. Augmenting the cast is Neils Arestrup as famed conductor Sergiu Celibidache, who sees the potential in Zahia and takes her under his wing. Of course, the music is simply lovely. Take a few tissues for the very emotional conclusion!
3.5 - well recommended



Wednesday 5 June 2024

June 6th 2024

The Three Musketeers Part II: Milady
The Idea of You (streaming on Prime)
Forgotten Love (streaming on Netflix)
Japanese Film Festival online
CHIFF - Childrens International Film Festival

A big variety of offerings this week, from the second part of the Three Musketeers blockbuster, a couple of streaming films (a rom-com and a Polish melodrama), along with two film festivals.  

The Three Musketeers Part II: Milady
Dir: Martin Bourboulon
Length: 115 mins
© Palace - ongoing subterfuge and
daring deeds
A couple of weeks ago I waxed enthusiastic about Part 1 of this adaptation of Dumas' classic novel. This second film picks up where the first left off, with D'artagnan (Francois Civil) desperate to find his lady love Constance, who was abducted at the end of the first film. Meantime Catholic King Louis has been persuaded by his brother Gaston to declare war on the Protestants, and all hell breaks loose. The eponymous Milady (Eva Green) finds herself imprisoned and then rescued by D'Artagnan, who is forced to team up with her, as, apparently, only she knows the location of Constance. The good new first: the film retains the magnificent production values of the first "episode", recreating a time and place so compellingly authentic, you can almost smell the dirty bodies. The action scenes are also brilliantly executed, and cinematography, with magnificent sweeping French countryside, is top notch. Vincent Casell stands out as Athos, who has more of a link to Milady than first imagined. The bad news for me is that I found this part less compelling, more meandering, and decidedly more convoluted and confusing plot-wise than Part I. Aramis and Porthos, the other two musketeers have little of substance to do, and the many miraculous escapes are too ludicrous for belief. So all up, this for me is a mildly enjoyable, but ultimately  disappointing, follow-up to its predecessor. 
3 - recommended (just!)

The Idea of You
Dir: Michael Showalter
Length: 115 mins
Streaming on Prime Video
© Amazon Prime -  forget the age gap; this
could be true love
Gallery owner Solene (Anne Hathaway) is forty and divorced. Her 15-year-old daughter Izzy (Ella Rubin) is crazy about boy band August Moon, and its lead singer Hayes (Nicholas Galitzine). So mother and daughter head off to a concert where, on the hunt for a toilet, Solene 
accidentally stumbles into Hayes' trailer. Cue instant attraction! Now, I've never been one for rom-coms, but this sweet film really handles the genre nicely. Hathaway nails it as the cautious older woman, torn between letting loose and perhaps being seen as a cougaresque laughing stock. Yet, I ask, it's always fine in films for older men to squire women half their age, so why isn't the reverse acceptable? (The patriatrchy again!) Both Hathaway and Galitzine make us believe that their characters could easily head into this unusual relationship, such is the chemistry between them, on both mind and body levels. The subsequent hounding by the paparazzi, along with social media vilification is all part of today's celebrity world, adding another layer of credibility. The songs, all purpose-written for the film are terrific, and perfectly pitched for a typical boy band. If you're looking for a light, but entertaining and touching film, this is for you.
3.5 - well recommended   

Forgotten Love
Dir: Michal Gazda
Length: 140 mins
Streaming on Netflix
© Netflix - a sweeoping story of love, loss
and amnesia
Rafal Wilczur (Leszek Lichota) is a highly respected brain surgeon working in Poland between the two world wars. He is heartbroken when his wife leaves him, taking their little girl Marysia with her. When he is mugged and suffers head trauma, he loses all memory of who he is and heads out in search of himself. Naming himself Antoni, he ends up in a village, where he does manual work, but on the side becomes a respected healer of locals who are ill. In the village, Marysia, now called Maria (Maria Kowalska), is working as a barmaid and is being pursued by wealthy Count Czynski (Ignacy Liss). Misunderstandings and prejudices cause havoc in the lives of both Antoni and Maria, as we wait to see if they will ever realise who the other is. This is melodrama at its best, a sweeping story of love and loss, with a gorgeous soundtrack and beautifully shot in Polish towns, villages and countryside. Unsurprisingly, it garnered 8 nominations at the Polish film awards, and makes for unexpectedly enjoyable viewing. 
3.5 - well recommended

The Japanese Film Festival - FREE - online
From now until June 19th you can watch 23 Japanese films online, streaming FREE. You can't get a better deal than films for free! 
I've previewed a couple that are definitely to be recommended, with this first being a stand-out.

The Lines That Define Me
 
Sumi-e is a style of Japanese inkwash painting (
extraordinary use of brush strokes in  monochrome, using black ink). This film is like a love letter to the art form, showing how it can transform lives and be a total reflection of the soul of the artist. Sosuke, a uni student whose family all died in an accident, observes a master sumi-e artist, Kozan Shinoda, putting on a public performance, creating a giant piece of art in the sumi-e style. Kozan picks Sosuke out of the audience to help him, and coaxes the lad into becoming his assistant. Kozan's granddaughter Chiaki (already learning the craft) feels initially slighted, but is soon drawn deeper into the world of learning more, and competitions within the discipline. Everything about the film reflects the Japanese aesthetic of beauty from the music, to the cinematography, to the loving way in which each artwork is created (the lead actor studied the discipline for a year to do the role). You need to surrender yourself to this sort of film - it's not one for the popcorn brigade! If you can just go with the gentle storyline and open yourself to a new form of art, this will be a film to absolutely relish. 

I Am What I Am: Kasumi Sobata is 30 and single. Her mother's matchmaking efforts come to naught, as Kasumi is asexual, having no feelings of love or sexual attraction for anyone. People of both sexes are friends, and nothing more. Here's an LGBTQI+ film with a difference; asexuality is not so often talked about, and is often misunderstood. Toko Miura (so fine as the introverted driver in Drive My Car)  has the lead role here, as the isolated young woman who people constantly misinterpret. The story is sweet and moving and a worthy challenge to the commonly held concept that everyone should fall in love one day.
 
The Zen Diary: A foodie film, Japanese style, this is the story of a year in the life of  widowed Tsutomo, who lives a quiet life somewhere in the mountains. He collects wild herbs and cultivates his vegetables, occasionally sharing a meal with his editor Fumiko, who has him writing about his lifestyle. His wife is dead but he has never buried her ashes, and when his mother in law dies, he's forced to confront his feelings on death. This is a lovely slow mediation on life, death, the seasons, and a simple way of living in harmony with nature. 

CHIFF
Children's International Film Festival
In Melbourne from 8th June
For other states, ticketing and film synopses visit: www.chiff.com.au

You don't have to be a kid to enjoy top-quality children's films. With animations and live action films from all over the world, CHIFF is a festival to delight people of all ages, and with the chance to see films somewhat different from your regular Hollywood fare. With limited preview screeners available, I'll let you know the most recommended films from the curator of the festival himself, Thomas Caldwell. His top picks are: 
Sirocco and the Kingdom of the Winds, Kensuke's Kingdom, A Greyhound of a Girl, Chicken for Linda!, Lioness, Ernest and Celestine: A Trip to Gibberitia, Just Super