Sunday, 28 January 2024

January 29th 2024

Poor Things
Anatomy of a Fall
Priscilla
My Name is Alfred Hitchcock (streaming on Foxtel)

The Oscar nominations are here and two of this week's films are strong contenders. Yes, I'm finally catching up with some high profle films I missed, and all this week's films come well recommended. 
 
Poor Things
Dir: Yiorgos Lanthimos
Length: 151 mins
© Madman  - outrageous, audacious, 
creative and fabulous! 
Bella (Emma Stone) has jumped off a bridge and killed herself. Scientist Godwin Baxter (Willem Dafoe) brings her back from the dead by transplanting an infant's brain into the young woman's body. As Bella quickly matures, Godwin's assistant Max (Ramy Youssef) falls in love with her and the two are betrothed. But Bella wants experience, and her lust for life (and sex) sees her fall into the arms of rake and scoundrel Duncan Wedderburn (Mark Ruffalo), who whisks her off to Europe. Bella matures at an exponential rate, travelling the world, living a debauched hedonistic life, and eventually developing a deep interest in politics and philosophy. But her biggest challenge will come when she learns the details of her past. Audacious, creative, funny, outrageous and simply wonderful - this remarkable film has just been nominated for 11 Oscars and already has another 73 awards under its belt. Set in a steam-punk styled Victorian England, the costumes and settings are wild and energising, while the zaniness and at times shockingness of the plot don't detract from it feeling real. This is perhaps Stone's best ever work, while Ruffalo is perfect as the rakish Duncan, Dafoe surprisingly empathetic as the almost Frankenstinian doctor, and every other smaller role is pitch-perfect. While aspects of the film may well disturb, (strange animal creations and gory operations), they nevertheless fit seamlessly into a story that could haunt you for a long time. And lest you think it is all froth and bubble, there is a strong feminist thread giving an alternative narrative for women in an oppressive male world. Exhilarating and exciting viewing! 
4.5 - wholeheartedly recommended

Anatomy of a Fall
Dir: Justine Triet
Length: 151 mins
© Madman  - a marriage laid bare 
Already a strong contender in the Oscar race (Best Picture, Director, Actress, Editing, Original Screenplay) Anatomy of a Fall is a compelling drama that works on many levels. Sandra (Sandra Huller) and her husband Samuel (Samuel Theis) live in a remote chalet in the French Alps. She is a writer, he aspires to write but is renovating the chalet, and their 11-year-old son Daniel (Milo Machado Graner) is blind, thanks to an accident when he was four. When Samuel is found dead in the snow below the third-floor attic window, investigations point to murder and Sandra becomes the chief suspect. The ensuing trial puts huge stresses on her relationship with her son. So, on one level this is a courtroom drama, but it is also an examination of family relationships, and it could well be titled Anatomy of a Marriage. While most critics have raved over this film, mostly justifiably, there is a certain clinical precision to the way it is constructed, and an edge of emotional coldness, which only thaws towards the film's conclusion. That said, Huller's performance is extraordinary, but young Graner as her son steals the show for my taste. Ambiguity remains front and centre, with murder vs suicide the central dilemma, but also the complexities of a marriage in which the couple love each other, yet have so many issues of competitiveness and resentments that it is constantly fraught. The scene based upon a recording of one of their fights is simply spellbinding and devastating.  The soundtrack drives the narrative and the setting is chillingly beautiful.
4 - highly recommended

Priscilla
Dir: Sofia Coppola
Length: 113 mins
© Madman  - a love story for the ages - 
well, very mismatched ages! 
Priscilla Beaulieu (Cailee Spaeny) was only fourteen in 1959 when army associates of her father introduced her to the much older singing sensation Elvis Presley (Jacob Elordi), who was doing a stint in the US Army based in Germany.  They married in 1967, had one daughter, and were separated in 1972.  Based upon her book Elvis and Me, this film explores the convoluted (and controlling) relationship shared by the couple.  There is plenty to enjoy in this film, along with a number of disappointments. Aussie born Elordi, (who recently played Felix in Saltburn) to me just doesn't look enough like the King to capture him the way Austin Butler did in Elvis. Furthermore, the film follows a very traditional narrative trajectory, 
trudging along, year by year, almost by numbers, with less creativity than I would expect of Coppola. However, Spaeny is terrific as Priscilla and has already got herself several awards. She expertly captures all the nuance, from the young innocent girl, through to the disillusioned wife. Plus the recreation of the era via costumes, hair and makeup, cars, the Graceland mansion, is all superbly executed. All in all, the enjoyment from the film outweighs any reservations I may have, (though nothing will compare to my love of  Baz Luhrmann's Elvis!)  
3.5 - well recommended

My Name is Alfred Hitchcock
Dir: Mark Cousins
Length: 120 mins
Streaming on Foxtel
© - an overview of Hitchcock's body of 
work done in a most creative way
After a run at last year's British Film Festival, it's surprising this excellent doco hasn't got a cinematic run. But for those with Foxtel, you can now catch it, and I'd suggest it's a must for Hitchcock fans, and cinema buffs generally. A voice over, purporting to be the man himself, takes viewers on a comprehensive tour through his film history, not chronologically, but centred around six themes to examine in the films: escape, desire, loneliness, time, fulfillment, and height. The use of these themes as demonstrated in the copious film clips is fascinating and enlightening, and quite a novel way to view film analysis. And it's a real eye-opener as to the many films he made before the best-known ones, even in the silent era! If you are wanting to learn more about the master's work, you can't miss this doco. 
4 - highly recommended


Wednesday, 10 January 2024

 January 11th 2024

The Holdovers
The Canterville Ghost



With the Golden Globes over, I realise there's a lot I need to catch up with. Fortunately I've just seen one of the Golden Globe winners. Also this week there's a cute animation to keep the littlies amused over the school holidays. For those who missed my top films of 2023, you can pick them up on Peter Krausz's Movie Metropolis interview with me at https://youtu.be/VRS_582O2ZU


The Holdovers
Dir: Alexander Payne
Length: 138 mins
© Universal - deeply moving with Giamatti's
best performancer since Sideways
Paul Hunham (Paul Giamatti) has been a teacher at the same New England school for most of his life. He's considered old-fashioned, authoritarian, grumpy and boring by his students. When the Christmas holidays roll around, a handful of students have nowhere to go, and Paul is assigned the task of looking after them. But soon only one is left, troublemaker Angus Tully (Dominic Sessa). The teacher, the resentful student and the school cook Mary (Da'Vine Joy Randolph) must find a way to rub along together. This could so easily have been one of those films that became either sentimental or totally predictable, but it doesn't. Although it feels like something out of the past, the film works beautifully on a deeply humane level. It walks the fine line between humor, pathos and charm, with the three main characters working in perfect sync with each other. Each has their own deep-seated griefs and fears which are only gradually revealed, helping them connect, making them better people. Definitely one of the top "teacher" films, and also one of Giamatti's stand-out performances which has just won him a Golden Globe along with a Best Supporting Actress award for Randolph. In fact the film has an astonishing 76 awards! 
4.5 - highly recommended

The Canterville Ghost
Dir: Kim Burdon & Robert Chandler
Length: 89 mins
© Rialto  - an Oscar Wilde story animated
with Stephen Fry set to entertain the small fry 
Canterville Chase has been haunted by the ghost of Sir Simon Canterville (Stephen Fry) for 300 years. Every person who has tried to live in the old house has been driven nuts, or has shipped out. But now five brash Americans, the Otis family, buy the property and the ghost has more than he can contend with in trying to get them out. Based upon an Oscar Wilde story, this is in fact quite a fun offering for the school holidays. With Stephen Fry in the lead, it's certainly off to a good start. Add to the mix Hugh Laurie as the Grim Reaper, Imelda Staunton as the housekeeper, Freddie Highmore as the Duke of Cheshire, and Emily Carey (from House of the Dragon) as the feisty daughter Virginia, and you have some top-shelf British acting talent voicing the roles. There's nothing cutting edge about the animation, but the story moves along at a good pace, with an endearing plot and a strong female protagonist. It should prove an  entertaining diversion for the youngsters, and indeeed even an old cynic like me was entertained!
3 - recommended

Sunday, 7 January 2024

January 8th 2024

Dream Scenario
Maestro (streaming on Netflix)
The Hunger Games: The Ballad of Songbirds and Snakes


Happy 2024 to all my readers! Post operatively, I'm making a gentle return to a few films and reviews. Yes, I've still to catch up with several high-profile releases, but slowly, slowly, Meantime three strong offerings for your consideration. 

Dream Scenario
Dir: Kristoffer Borgli
Length: 102 mins
© VVS Films - audacious plot with another
standout Cage performance
Paul Matthews (Nicolas Cage) is your average bloke. Sure he's a professor of biology, but in a very modest, unassuming way, such that he is perceived as bland, even boring. He lives a suburban life with wife Janet (Julianne Nicholson), and two kids. Life changes unexpectedly when countless people all start having dreams featuring Paul. Mostly in their dreams he is passive, just observing or doing nothing, often when something bad is happening. Soon the whole crazy communal dream thing becomes a viral global phenomenon and Paul gains instant celebrity. Advertising companies want him as their new star. But then the dreams change and Paul becomes the aggressor - a murderer, a rapist, and people start to shun him in real life. This is a clever and funny film, featuring a star turn from Cage, in a more muted role than we often see him. The film's many relevant themes around social media, instant fame and cancel culture are handled in a thoughtful, dark and satirical way, and though we may laugh, there is actually quite a dark side to what happens to poor old Paul, when his life lurches out of his own control into the public sphere. Although not every aspect of the narrative hangs together, it is a wildly entertaining, original and thought-provoking film, and of course for Cage fans, it's a must.
4 - highly recommended

Maestro
Dir: Bradley Cooper
Length: 129 mins
Streaming on Netflix
© Netflix  - glorious, and acting and
directing tour-de-force from Cooper
Already garnering 16 wins and nearly 100 nominations, why would you miss the chance to see this splendid film on Netflix? Bradley Cooper directs, writes and stars in this remarkable portrait of the lifelong relationship between composer Leonard Bernstein, and his wife Felicia (Carey Mulligan). Forget the controversy about Cooper's prosthetic nose - what a red herring; he looks like Bernstein, he captures Bernsteins's zest for life, and he totally inhabits his role. (The make-up department triumph in the way they have aged Bernstein throughout).  One inspiring scene near the film's conclusion, of Leonard conducting, is as physical a performance as you'll ever see.  The story is as much about Bernstein's passion for his wife, and his relationships with other men and women, as his dedication to music. Half the film is shot in black and white with the other half erupting into glorious color. Mulligan is sublime as the loving, long-suffering wife. Every aspect of the film is suffused with energy without ever straying into melodramatic territory. I was gob-smacked throughout by Cooper's tribute to one of the 20th century's greatest musican icons.
4 - highly recommended

The Hunger Games: The Ballad of Songbirds and Snakes
Dir: Francis Lawrence
Length: 122 mins
© Roadshow - a worthy prequel to the
popular franchise
Every good franchise needs a prequel, and Hunger Games is no exception. For those familiar with Donald Sutherland's tyrannical character President Coriolanus Snow, you may be very surprised to discover him as an appealing young man in this stylish prequel, set 60 years prior. Snow (Tom Blyth), living in the Capitol, is asked to mentor a young girl from District 12, Lucy Gray Baird (Rachel Zegler), chosen as a tribute in the 10th Hunger Games. But he develops feelings for her, and what transpires sets the scene for what he becomes as an adult. If this is all Greek to you, don't worry - you may need to bone up on the whole concept of the Hunger Games, based around a highly popular series of young adult novels. With strong lead performances, excellent action scenes, plus a winner turn from Viola Davis, this is an entertaining film, certainly too violent for little kids, but with quite a number of themes relevant to the real world, where betrayal, ambition, factionalism and megalomania are all on the rise.
3.5 - well recommended