Thursday 31 October 2024

November 2nd 2024

A Different Man
Mozart's Sister
Four more films from JIFF

A selection of dramatically differing films are reviewed this week, two on mainstream release and another four from the Jewish Film Festival. 

A Different Man
Dir:  Aaron Schimberg
Length: 112 mins
© Kismet - can a change of face change
the man underneath? 
There have been several films about facial deformities, including  Mask, Wonder, Elephant Man, and now this drama/comedy about aspiring actor, Edward, (Sebastian Stan) who suffers from neurofibromatosis, a disease creating grotesque tumours on his face. When doctors try out an experimental treatment on him, he is miraculously cured, and he appears "normal"
. Not wishing for people to know who he was, he now calls himself Guy, starts to have longed-for success with women, including his neighbor, playwright Ingrid (Renate Reinsve). But can Edward/Guy ever escape the person he really is inside? This whip-smart film has much going for it. It is a cutting and funny examination of self-image, societal perceptions of beauty, and the dangers of trying to escape and change who we innately are. Ironies abound. Guy meets Oswald (Adam Pearson), who suffers the same disease but is self-confident and popular. Things Guy hopes for seem to easily fall into Oswald's lap, while Guy's transformation steadily becomes more of a nightmare than a blessing. A nominee for a Golden Bear, the film also won a best actor award for Stan. The fabulous final line of dialogue says it all! 
4 - highly recommended

Mozart's Sister
Dir:  Madeleine Hetherton-Miau
Length: 98 mins
© Sharmill - two equally gifted children, but
gender will be critical to success
Maria Anna Mozart, older sister of the child prodigy Wolfgang Amadeus Mozart, also composed and played music. When the siblings were young, their father Leo toured them throughout Europe, but when Maria Anna reached her teen years, being a woman, she was made to remove herself from the public gaze. The documentary combines investigative techniques, interviews, and dramatic reenactments, to explore the life and times of the Mozarts  - an era in which women were not allowed to participate in the public arena. Various interviewees from around the world, ranging from composers, researchers, orchestra conductors and actors, pore over musical manuscripts, create theatrical pieces, and speculate on who wrote what, while expressing their love for the music of both Mozarts. As the film progresses, it also becomes a condemnation of the patriarchy, which even up until today, marginalises women in the field of classical music. Lovers of this genre of music will find much to enjoy.
3.5 - well recommended

Jewish International Film Festival
Melbourne: Until December 4th
Venues: Classic Elsternwick, Lido Hawthorn, Cameo Belgrave
For film details, ticketing and dates for other states: www.jiff.com.au

The festival is in full swing, and I've caught several more excellent films for your consideration. 

Seven Blessings: The overwhelming winner at the Israeli Oscars, the story sheds light on the traditions of  an extended Moroccan Jewish family living in Israel. Marie, who now lives in Paris, comes to Jerusalem for her wedding to Dan, where the couple are expected to partake of a week of family feasts. But old wounds are opened up, and some deeply buried family secrets exposed. The film starts off in a comedic vein but soon takes a serious turn, exploring the hurt and resentment buried deep within Marie. The vexed relationship between her mother and aunt is superbly portrayed, as are the particularly Moroccan customs, not to mention, the food. 

A Photographic Memory: Rachel Seed was only 18 months old when her mother died. Now 30 years later she unearths audio recordings of her mother interviewing some of the most famous photographers of the 20th century. Through her mother's voice on the tapes, and the photos, Rachel begins to connect with a woman she never knew. This is a moving film, causing us to reflect upon mortality, and the important legacy left by photography. 

A Real Pain: Already garnering plenty of awards, Jesse Eisenberg's film of two mismatched cousins exploring their past, is a lovely mix of humour and pathos. David (played by Eisenberg) and Benji (Kieran Culkin) head off on a guided Holocaust tour of Poland and to visit their grandmother's home. The cousins are third generation Holocaust survivors living in America, and they are as different to each other as chalk and cheese. David is a stressed out, nervous retiring type, while Benji is loud, irreverent and seemingly self-confident, his brashness masking an extreme vulnerability. Culkin (unforgettable as Roman in Succession) is a powerhouse in his role. Ably supporting the two leads are a motley crew of characters: an African ex-child soldier who has converted to Judaism, a recently widowed woman, and an old couple, along with their non-Jewish tour guide. Visits to Jewish 
graveyards, and the site of a ghetto and a concentration camp, bring home the seriousness of the tour, in a careful counterbalance to the moments of levity and craziness. The intimacy of the cousins' relationship, in opposition to the vastness of the Holocaust history make a good yin and yang in the film's overall feel.  

The Plot Against Harry: This old 1969 black and white film was once called "a neglected masterpiece ... a classic of Jewish humour". It's the story of Harry Plotnick who gets out of jail after nine months, and initially tries to regain his turf in the racketeering business before deciding he ought to go straight. The cast of characters in this film are oddly memorable in their own bizarre way - Chinese and Latino mobsters, Harry's endlessly smiling brother-in-law, and his lovely ex-wife Kay, who introduces Harry to two daughters he didn't really ever know. There are oddly familiar scenes of barmitzvahs, fashion shows, and various parties, throughout which Harry barely smiles, and always seems to come off second best. There is something refreshing about the film's realistic style, and the fact there are no known stars in it - oddball but entertaining.




Thursday 24 October 2024

 October 25th 2024

JIFF - Jewish International Film Festival - 8 films reviewed
Left Write Hook
Lee

One of my favorite festivals opens this Sunday night. JIFF is always full of surprises, entertainment, and simply wonderful films which all come highly recommended. As well, two worthwhile mainstream releases hit the screens. 

Jewish International Film Festival
Melbourne: October 27th - December 4th
Venues: Classic Elsternwick, Lido Hawthorn, Cameo Belgrave
For film details, ticketing and dates for other states: www.jiff.com.au

As always JIFF presents the best Jewish films from around the world. I'm not detailing them here; everything you need to know is on the website. Suffice to say, this is always a stunning festival, but this year it feels even more important as something to unite people rather than divide. Here's an insight into those films I have been fortunate enough to preview, and I'll bring you several more next week. 

Shoshana: From acclaimed director Michael Winterbottom comes this true story set in British Mandatory Palestine just before the Second World War. Shoshana Borochov, a Zionist writer, had a long term love affair with a British policeman, but things got fraught when the British were implicated in the death of Zionist hero Avraham Stern. Aside from everything looking a little too clean and shiny, the film is an excellent recreation of an era, shining a light on the shocking legacy the British left behind, sometimes cited as the origins of today's horrific conflicts.

Welcome to Yiddishland
: Most of us are familiar with the word "schmuck", but probably don't know how many other Yiddish words have crept their way into daily use. Nor do we know the rich culture of the language, which is currently undergoing a revival in theatre, music, and literature. This fabulous doco celebrates this revival, throwing the spotlight on such wonderful things as a production of Yentl in Yiddish, Barrie Kosky's all-Yiddish cabaret being staged in Berlin, and Melbourne musicians like Gideon Preiss and Husky Gawenda performing fresh Yiddish music. The doco is at once joyous and celebratory, but also a very important reflection upon what it means to revive a language that was so nearly wiped out during the Holocaust, a language which unites Jews around the world, regardless of what country they come from. The film is such an entertainment, everyone should get a lot of nachas (joy) from it. 

Sabbath Queen
: Amichai Lau-Lavie comes from a long line of Orthodox rabbis in Israel. Knowing he's gay and will never be accepted, he heads to New York, where he joins the drag queen scene, invents an alter ego, then later sets up Lab/Shul, an alternative congregation that welcomes everyone, is "God-optional", and is more about spirituality than dogma. This remarkable documentary, shot over 21 years, traces Amichai's journey as he reinvents religion, examines the role of ritual, embraces same sex and interfaith 
marriage, and tries to convince the patriarchal powers of Orthodoxy that there is another path for Judaism - less divisive and all inclusive. Everything he does, including championing peace in Israel, is inspiring and reflective of the best in humanity. If there were more people like him in the world, it wouldn't be in the dire state it finds itself. I am moved, excited and blown away by this film. 

Janis Ian: Breaking the Silence: Most of us of a certain vintage know the song "At Seventeen". But what do we know of the amazing singer/songwriter behind the hit? This fabulous doco about Janis Ian traces her rise to stardom, which began in the 1960s, when at the age of merely 13 she wrote a highly controversial song dealing with interracial relationships. Six decades later she is going strong, having battled homophobia, misogyny and illness. The film has insightful interviews, archival footage, and of course those magnificent songs that cut deep to the core of real-life emotions and experiences. A must-see for music lovers. 

6.30: This is such an important film, throwing a light on the horrific events of October 7th, when Hamas slaughtered 1200 Israelis and abducted 250 more. Survivors and rescuers talk about their experiences, and a team of creative artists have made miniature models, which highlight the events but exclude disturbing images.  Hearing survivors speak of hiding for hours on end, of being shot, abducted and returned is seriously harrowing, but a much-needed insight and reminder of a dark day in Israel's history. 

Fuhrer and Seducer
: Joseph Goebbels was Hitler's Propaganda Minister. He lived his life devoted to "spinning" the truth, keeping up the image of Germany as the victors, even as the country began to lose the war. Goebbels was in charge of creating images, speeches and films that glorified Hitler 
and the Third Reich, and justified the Jewish extermination. He had an ego to rival that of his Fuhrer. This dramatic feature captures the story from 1938 until the downfall of the Reich, interspersing the narrative with footage from the streets, the concentration camps, and movie news reports. In today's era of "fake news", Goebbels comes across as a true spin doctor, creating propagandist documentaries and newsreels that belied the ghastly truth of what was really happening to his country and the Jews.   

Legend of Destruction
: The artists who animated the docudrama Waltz With Bashir have spent nine years making this latest stunningly animated story of Jerusalem in the time of Roman rule. It depicts the divisive forces amongst the Jewish people, as Zealots faced off against corrupt temple priests, all ultimately leading to siege and famine, and facilitating Rome's victory and the destruction of the Temple. The film employs 1500 painted still images, many of them brutal and bloody, all beautifully executed so you believe these are real characters. Voiceovers of the English version include Oscar Isaac, Elliot Gould and Evangeline Lilly. Lovers of history and animation should really enjoy this. 

Diane Warren: Relentless
: Let me thow some song titles at you: If I Could Turn Back Time, I Don't Want To Miss a Thing; Rhythm of the Night; Unbreak My Heart - you know the songs but probably not the writer. Diane Warren has written more than 700 songs in her career, yet we don't know of her! In the music industry Diane has been known as hitmaker, in high demand to write for the world's biggest artists. But as we see in this eye-opening doco, she is also a complex person, often seen as an outsider, a pain, and relentlessly ambitious. A terrific insight into the woman and the art of songwriting. Another must for music lovers.

Left Write Hook
Dir:  Shannon Owen
Length: 98 mins
Limited venues: Classic, Cameo, Nova
© Bonsai - a brave woman helps others through
a trauma she knows only too well
Donna Lyon is a survivor of incest and ritaul sexual abuse. She is also a boxer and film producer. In this disturbing, but ultimately uplifting, documentary, we learn how Donna helps other survivors of sexual abuse to work through their trauma through both writing and boxing. Seven very different women, all survivors of sexual abuse, feature as they take part in this experimental approach to trauma recovery. They all speak openly about their experiences, helping to destigmatise the shame and silence around the issue. The unique combination of anger release through boxing, expression of emotion and thought through writing, plus Donna's caring and empathetic appproach, all serve to support these women and help them move forward with their lives. Films like this are so important in opening up difficult conversations. Prepare to be emotionally moved! 
3.5 - well recommended

Lee
Dir:  Ellen Kuras
Length: 117 mins

© StudioCanal - model turns fearless war
photographer - great perf from Winslet
Lee Miller (Kate Winslet) started her career as a fashion model and ended up a war photographer and correspondent, producing memorable material covering the London Blitz and the liberation of the concentration camps. This version of her life is framed via an interview in which she tells an initially unknown young man (Josh O'Connor) about her photographic career, along with her marriage to Roland Penrose (Alexander Skarsgard). Lee faced the usual anti-women prejudice in pursuing her career, but she is depicted as feisty and fiercely feminist, and especially after teaming up with Life photojournalist Davy Sherman (Andy Samberg), she gets access to the most important stories. Vogue editor Audrey Withers (Andrea Riseborough) initially opposes the publication of the concentration camp photos, but eventually they are published to shock the world. All in all, a
n extraordinary story, which is told in a rather conventional narrative manner. I would have liked to have seen her early photographic career with Man Ray; there seems to be rather large slabs of her life omitted. Neverthless Winslet shines in the role, and despite the selectiveness of the story, it's worth seeing for her alone.
3.5 - well recommended


Saturday 19 October 2024

 October 20th 2024

Memoir of a Snail
He Ain't Heavy
From Hilde, With Love
Greek Film Festival - until October 27
Japanese Film Festival - opening Melbourne October 21 
Irish Film Festival  - online now - in Melbourne cinemas from October 24


This week it's festival-central! The three featured festivals give us a glimpse into Greek, Irish and Japanese lives. The seasons do not have very long cinema runs, so I suggest moving fast to secure tickets for your preferred films. PLUS . . . yet again three really excellent films are on mainstream release, every one a most worthy watch.  

Memoir of a Snail
Dir:  Adam Elliot
Length: 94 mins
© Madman - sad, funny, beautiful, even uplifting: 
 - a story of the challenges in life
Grace Pudel has suffered a traumatic childhood. Her mother died giving birth to her and twin Gilbert, her father became a drunk and paraplegic, and when he dies she is separated from her beloved brother and put into foster care. Grace becomes a hoarder, collecting every manner of thing to do with snails. Her loneliness and anxiety threaten to destroy her until she meets an old lady, Pinky, whose optimism keeps Grace afloat. Fifteen years ago I saw a sublime  claymation film, Mary and Max, which won the top award at the world's biggest festival for animation (Annecy). Now Elliot has won this award again. Technically it's a labor of love - absolutely no digital effects, everything made of 
paper, paint, clay and water by 20 artisans working for almost a year. Using stop motion, every single movement (310,000 of them!) is shot, and the film boasts almost 7000 individual items. The story itself is a heart wrencher, sourced from so many inspirations in the director's life. He incorporates pathos, tragedy, humour, love, issues around hoarding, along with day-to-day uniquely Aussie things, to make us feel deeply for the sad little character with the hare lip, who narrates her life story to a snail called Sylvia. Elliot acquired a memorable cast for voicing the characters, chief among them Sarah Snook as Grace, Kodi Smit-McPhee as Gilbert, Jackie Weaver as Pinky, along with Eric Bana, Magda Szubanski and Tony Armstrong in other roles. The film has so much truth, warmth and boundless creativity; it really is a total delight. 
4.5 - wholeheartedly recommended (PS it's NOT a kid's film!)

From Hilde, With Love
Dir:  Andreas Dresen
Length: 94 mins
© Palace - a true story of courage and dignity
Berlin 1942: Hilde Coppi (Liv Lisa Fries) is heavily pregnant when she is arrested by the Gestapo. She has been assisting her husband Hans (Johannes Hegemann) who is a member of the Red Orchestra, an anti-Nazi resistance group who post flyers protesting the war and who also attempt to send messages to German soldiers imprisoned in Russia. This true story follows Hilde, as she gives birth in prison to Hansy Jnr, her beloved baby who is 80 years old today and who has the final words in the film! At the same time we follow, in reverse chronology, how she and Hans met, fell in love, and ultimately came unstuck at the hands of the Gestapo. Beautifully scripted, acted and shot, this true story is heart-wrenchingly told, but without melodrama or heavy reference to the Nazi side of history; its focus is more on love, friendship and youthful idealism. Fries' performance is unforgettable, as a decent, almost unassuming woman who displays 
dignified courage in the face of horror and who is transformed by love for her baby son. Hilde even manages to soften dour prison guard Frau Kuhn (Lisa Wagner), and is somehow a calming influence on all those round her. Some scenes pack such an emotional wallop, and are extraordinarily harrowing. Others scenes focus on  basic kindness (the prison pastor and the prison midwife) while moments of youthful frolicking and sensual lovemaking manage to balance the ghastliness of what is really happening. This is a stunning film that reminds us of both the good and the evil in the world, and was a nominee for the Berlin Golden Bear.
4.5 - wholeheartedly recommended 

He Ain't Heavy
Dir:  David Vincent Smith
Length: 102 mins
© Bonsai - gruelling but authentic picture
of addiction and family love
Jade (Leila George) is 30, and feels her life is ruined, as so much of it has been dedicated to rescuing her younger brother Max (Sam Corlett) who is a heavy-duty meth addict. Mother Bev (Greta Scacchi) is beyond coping, and locks herself away from her son. Jade decides upon a desperate course of action and kidnaps Max to lock him up for a week in their deceased grandpa's empty house, in the hope of getting him clean. The director has based this story upon events in his own life, and wow! - does it feel authentic. Essentially a three-hander in the acting department, all three leads give their all to their roles, in this tragic story of what happens to families when drugs take over, and when there are insufficient medical and governmental supports to assist people. But it's also more than a drug addiction story - it is a tribute to sibling devotion (or is it sibling enablement?), and the lengths to which a woman will go to try to save her beloved brother. The film is beautifully made in every regard (performance, scripting), though people who have experienced this scenario may find it somewhat traumatic.
4 - highly recommended

Greek Film Festival 
Melbourne: Until October 27th
Venues: Palace Pentridge, Como, Balwyn, Astor
For film details, ticketing and dates for other states: www.greekfilmfestival.com.au
Last week I reviewed Brando with the Glass Eye, which still has two more screenings. This week I bring you a fine film that has won six awards at the Thessaloniki Film Festival, and further awards from the Greek Film Academy. There are still several screenings to available this week for you to catch it. 

Murderess: This gripping film, directed by Eva Nathena, is set on a barren Greek island around 1900. Hadoula (Karyofyllia Karabeti) is a midwife and general healer, who witnesses the endless disappointment of mothers when they give birth to female children. In this patriarchal society, where men beat their wives and kids mercilessly, boys are valued, as girls 
are not considered fit to work the land and can only be married off if they come with an attractive dowry. The movie jumps around in time from Hadoula's memories of her youth with a mother who rejected her, to the present, where the tormented woman sees a way, in her world view, to relieve female children of the burden of future mistreatment in their lives. The film is relentlessly grim, with a grey color pallette and severe landscape that reflects the brutality of life. The fine cast all inhabit their roles, the women stoicially suffering, and the men oppressing. The director is unflinching in her depiction of the harshness of daily life, and the trauma of childbirth. In today's world where, in many lands, the patriarchy still devastates women's lives, the film retains a relevance and resonance, and though at times had to watch, it is an example of some of the best of Greek film-making.
      
Japanese Film Festival
Melbourne: October 21st - November 3rd
Venues: Kino, ACMI
For film details, ticketing and dates for other states: www.japanesefilmfestival.net

For lovers of all things Japanese, this is always a festival to please. Whether it's a zany comedy, a human relationship drama, a thriller or a classic from the past (several are featuring this festival), you should find something of interest here. I've caught a couple:

Mom Is That You? The Festival's opening night film is a real winner. The Japanese have a gentle touch with films about interpersonal relationships, and this is no exception. Salaryman Akio is malcontented, with his job, his daughter Mai and his divorce. But he's unable to talk about any of it, and to annoy him further, his normally conservative widowed mother Fukue is lively, looking great, doing charitable work and apparently in love. There is so much warmth and gentle humour in this delightful story of intergenerational family ties. And of course our protagonist Akio may discover some truths about what is really important in life.   

Matched: If you've ever worried about dating apps, this film will give you even more cause for concern! Rinka is a wedding planner, and when she joins a dating app and meets Tom, her life rapidly becomes a nightmare. Several couples who've met through the app are being mysteriously murdered, and Tom sends countless odd messages which makes Rinka think he may be involved. The twists and turns of this plot are numerous - a new development constantly emerging, making for an entertaining thriller. 

Irish Film Festival
Online Australia-wide until November 3rd
At Cinema Nova Melbourne October 24th-27th
For other states and details of films go to www.irishfilmfestival.com.au
The Irish Film Festival in Australia celebrates its 10th anniversary. The films all look highly appealing, with interesting docos, narrative features, and, what caught my eye, several films featuring Irish music. The in-cinema Melbourne season is short, so get yourselves organised! 

Farewell to Hughes's
: Much-loved actor Brendan Gleeson visits a pub that has been a Dublin institution for decades, and a haven for traditional Irish music. The pub is now closing down and Brendan interviews musicians, dancers and patrons who have made the venue such a warm and inviting space. There's great archival footage of grand times in the pub over the years, along with some wonderful performances. Also we learn a bit about the local history, with vintage film clips of the Dublin surrounds, especially the produce markets. The film is like a warm embrace, and Gleeson is so natural and unassuming. A bonus is we get to see his skills on the banjo and fiddle. Lovers of traditional Irish music should definitely get along to this one. 

Lie of the Land
: Matthew and Kath Ward are struggling Irish farmers, deep in debt. They meet smooth-talking Gabriel who offers a solution that will help them walk away from their troubles with a new identity, but for a fee. When the Wards decide to pull out of the deal, their very lives are at risk from Gabriel, who it turns out is a conman of the worst sort. Normally accepting of their fate and submissive, the Wards must lift their game, as a horrific and very frightening game of kill or be killed develops on their property. The film is nail-bitingly tense, with terrific suspense created by the gloomy night-time setting, and smart editing in which each scene builds upon the previous to a climactic resolution. 

Friday 11 October 2024

October 11th 2024

The Apprentice
Super/Man: The Christopher Reeve Story
Greek Film Festival - advance notice  - begins 15th October
Beasts of No Nation (streaming on Netflix)
The Man in the Basement (streaming on Apple)

What a week for films I wholeheartedly recommend! Even the streaming films are well worth a watch, and for Hellenophiles, get ready for a feast of Greek films coming your way in a few days!

The Apprentice
Dir:  Ali Abassi
Length: 120 mins
© Madman - ruthlessness under the
microscope - the genesis of a man we 
love to hate!
Full disclosure: I'm a Donald Trump loather, but I loved this film! The story begins with a young Trump (Sebastian Stan) in New York in the 1970s. He's an aspiring real estate mogul, with big dreams of transforming the city with his ambitious buildings, but first he has to get out of the shadow of his overbearing father, Fred (Martin Donovan). It all starts happening when Donald meets notorious lawyer Roy Cohn (Jeremy Strong), who takes the young Trump as his protegee, training him in the three cardinal rules of how to be a winner (or killer, as Cohn terms it): 
1. Attack. Attack. Attack. 2. Admit nothing. Deny everything. 3. Claim victory and never admit defeat. This mesmerising film never even borders on parody; rather it is an incredible portrayal of two ruthless men, driven by greed and dreams of power, willing to embrace corruption if it furthers their goals. The arc of transformation of both characters is ironic - Donald starts out as almost a half-decent human being, while Cohn is reprehensibly corrupt. Cohn coaches Donald but when he eventually falls ill, we see his vulnerability emerge. But as Donald's star rises, he loses any softness and becomes more and more the personality we recognise today. Performances are all memorable: Maria Bakalova is impressive as Ivana, Trump's first wife, Stan captures superbly the idiosyncrasies of Trump's gestures and speech, but Strong steals the show as Cohn. The production gloriously creates the ostentatious, wealthy and connected world Trump and Cohn moved in; a world where who you know and who you can blackmail is always  front and centre. Such an entertainment of a film!
4.5 - wholeheartedly recommended

Super/Man: The Christopher Reeve Story
Dir:  Ian Bonhote & Peter Ehedgui
Length: 104 mins
© Universal - how to live your best life
regardless of what happens
Ever wondered how would handle life if you ended up paralysed from the neck down? Especially if you were relatively young, incredibly fit, had a growing family, and were adored the world around for playing an iconic superhero on the big screen? Christopher Reeve, aka Superman, shows us a way to make lemonade out of lemons, in this unexpectedly moving and inspirational documentary. The film seamlessly interweaves old family videos from Reeve's childhood and his marriages with footage from the Superman films, along with interviews with his three children, two wives and the many friends who knew and loved him. Robin Williams, Oprah Winfrey, Jeff Daniels, Glen Close and more, speak of the amazing courage of this man, who showed what the word hero really means after the fateful horse-riding accident that changed Reeve's life. The film is not only about a Hollywood star; rather it portrays a real-life human being, who uses his tragedy to develop inner strength and to help others. Through his support, encouragement, and finally setting up the Christopher and Dana Reeve Foundation for stem cell research to hopefully develop a cure for paralysis he has made an amazing difference. The insights from his beautiful children and two empathetic, caring wives just adds to what is ultimately a powerfully emotional and uplifting film. I did not expect to be so moved!
4.5 - wholeheartedly recommended

Greek Film Festival - coming up - choose your films!
Melbourne: October 15th - 27th
Venues: Palace Pentridge, Como, Balwyn, Astor
For film details, ticketing and dates for other states: www.greekfilmfestival.com.au
Melbourne celebrates its 29th Greek Film Festival with 29 outstanding films. Head to the site to start planning your watching now. There are dramas, comedies, documentaries, plus the debut feature for Greek-born, Melbourne-based director Antonis Tsonis. A highlight is the award-winning film Murderess, which I'll review for you soon after I catch it on the big screen. 

Brando With a Glass Eye: A decidely different heist film, centring on two 
Athenian brothers who stage a heist which goes wrong. Luca, a mechanic who dreams of going to acting school but hasn't the money, accidentally shoots someone during the botched heist, then tries to make amends by befriending the guy. Luca is fixated on the idea of method acting, and is constantly "performing" various scenes randomly and in inappropriate places, so no-one gets a true sense of who he is. The standout  lead performance is at once weirdly compelling, and also strangely alienating, in a highly original film that has us reflecting upon the art of acting, what is real and what's pretence. 

Beasts of No Nation
Dir:  Cary Joji Fukunaga
Length: 137 mins
Streaming on Netflix - 2015 release
© Netflix - the realities and cruelties of war
Set in an unnamed West African nation, this is a disturbing, important and very strong film that has umpteen wins and nominations to its name. Agu (Abraham Attah) lives in a tiny village, a relatively happy child, until government and rebel forces fall to fighting. Agu is co-opted into yet another fighting force, led by the ruthless Commandant (Idris Elba), where he is trained to be a child soldier, killing and being drawn into drug-taking to ease the psychological pain. This is confronting stuff to watch, but somehow one's involvement with Agu, a decent kid at heart, and our hopes for a turnaround in his life, keep the viewer engaged. Yet again the human cost of war is viscerally underscored in this remarkable film. 
4 - highly recommended

The Man in the Basement
Dir:  Philippe le Guay
Length: 114 mins
Streaming on Prime - 2021 release
© Prime - anti-Semitism rears its ugly head
Helene Sandberg (Berenice Bejo) and her husband Simon (Jeremie Renier) decide to sell off their basement in the apartment block where they live. Jacques Fonzic (Francoise Cluzet) buys it, claiming he needs it for storage. But when he deci
des to live in it, the Sandbergs can't legally turn him out. To make matters worse they discover he is a hjistorical revisionist and anti-Semitic extremist, known for his abhorrent views. A tense and thrilling story, it is also timely, with its theme of anti-Semitism, which is getting stronger in the world today. The character of Fonzic is especially alarming as he has a way of couching his views as a "differing of opinion", and his initial mild-mannered friendly approach allows him to wheedle his way into people's lives. Well acted and thought-provoking. 
4 - highly recommended





Wednesday 2 October 2024

October 3rd 2024

Joker: Folie a Deux
The Critic
It Ends With Us
Federer: Twelve Final Days (streaming on Amazon Prime)
More from St. Ali Italian Film Festival

My first two films this week feature exceptional performances from their lead men. The Italian festival continues, Federer fans can revel in a streamed doco, and domestic abuse is tackled. 

Joker: Folie a Deux
Dir:  Todd Phillips
Length: 138 mins
© Universal - inventive, unexpected, with
a top perf from Joaquin Phoenix
Arthur Fleck (Joaquin Phoenix) is in an institution awaiting trial for six murders. When he meets fellow inmate 
Lee Quinzel (Lady Gaga), they fall for each other and embark upon a musical romance. I've never been some huge fan of the Batman franchise, nor have I seen the 2019 film Joker. So I come to this sequel cold-turkey, and have viewed it almost as a stand-alone film. Up front: its considerable runtime held me enthralled throughout - largely thanks to Phoenix's mesmerising performance as a man stricken with any number of psychological disorders - multiple personality? schizophrenia? sociopathic disorder? Does it matter? For me this is a story of identity, love and betrayal, creatively presented with a big musical component, in which Phoenix and Gaga sing and dance their way through what is actually quite a sad tale. Phillips takes a swipe at society's obsession with fame and megastar villainy, and yet at heart we really feel the tragic humanity of the man inside the mask - Arthur Fleck - once an abused kid, now on trial for his life. And the gal he loves only seems to love the side of him under the clown mask, not the real man within. There's good support from Catherine Keener as Arthur's lawyer, Brendan Gleeson as a prison guard and Steve Coogan as a TV host. Although long and at times a little self-indulgent, there's much to be commended in this unusual film. Notweworthy is that it was a nominee for Golden Lion at this year's Venice Film Festival.
3.5 - well recommended

The Critic
Dir:  Anand Tucker
Length: 101 mins
© Transmission - McKellen
reigns supreme - again!
The setting is London, 1934. Jimmy Erskine (Ian McKellen) has been the head theatre critic for The Daily Chronicle for about 40 years. He is ruthless if he dislikes a play, and currently he has it in for lead actress Nina Land (Gemma Arterton), condemning her every performance. When Jimmy and his secretary/lover Stephen (Ben Barnes) are arrested for homosexuality, Jimmy loses his job. He then decides upon a devious scheme involving a Faustian bargain with Nina, and his old boss Viscount Brooke (Mark Strong), who he knows is in love with Nina. I say no more! The plot becomes a cleverly convoluted one of blackmail and deception, which perhaps oversteps its credibility towards the end. Regardless, this is a most handsome production, which beautifully captures the era and the ethos of theatre life of the day. If you ever need a masterclass in acting, look no further than McKellen's striking performance as the ascerbic, conniving curmudgeon who we love to hate. For lovers of fine acting, all things theatre, and a lovely old-fashioned sensibility, this is a film for you. 
3.5 - well recommended 

It Ends With Us
Dir:  Justin Baldoni
Length: 130 mins
© Sony - women beware of handsome,
controlling men!
Lily Bloom (Blake Lively) comes from a dysfunctional family in which her father was emotionally and physically abusive to her mother. When she moves to Boston to set up her own flower shop, she meets a handsome neurosurgeon Ryle Kincaid (Justin Baldoni) and falls head over heels in love with him. But as the relationship progresses, she starts to see a side of him that has disturbing echoes of her parents' relationship. Where my previous two reviews are of films made in a decidedly non-mainstream way, this is an almost pedestrian approach to an important topic. While I commend it for addressing the hot-button issue of domestic abuse and coercive control, it presents in a way that allows the romantic/sexual elements to overwhelm the seriousness of the subject matter, and at times the dialogue seems clunky. Nevertheless there is enough in it, in particular a lovely Lively, that makes it worth watching (just!)
3 - recommended

Federer: Twelve Final Days
Dir:  Asif Kapadia & Joe Sabia
Length: 88 mins
Streaming on Prime
© Prime - Federer is so watchable!
Kapadia is known for some excellent biopics of the likes of racing driver Ayrton Senna, soccer star Diego Maradonna and singer Amy Winehouse. Now he takes on the GOAT (Greatest Of All Time), tennis champ Roger Federer, in a doco focused around the final twelve days of the man's tennis career, as he prepares for his last ever match, the Laver Cup. Keeping Roger company in this tournament are some of the best-loved and greatest names in modern tennis - Nadal, Murray, Djokovic, Borg and more. Roger is of course the star and is presented in an engagingly casual and intimate manner, as he chats, laughs, cries (of course), and generally reflects upon his life and career. We sense the classiness and the reserve of Federer, his devotion to his family and to the sport, but never get any new and deep insights into the depths of his psyche. Excellent use of archival footage is made, from Roger's boyhood, right through, every shot showcasing his grace and skill. It's certainly fun to see the camaraderie between the tennis friends/rivals, lovely to briefly meet Roger's wife Mirka, and overall this doco is an enjoyable farewell tribute to an extraordinary person. It should have great appeal to fans of the sport and of the Fed (which I am, so I really enjoyed it!) 
3.5 - well recommended 

More from . . .
St. Ali Italian Film Festival
Melbourne until 17th October 
Palace Cinemas
For other states, all session times, synopses of films visit www.italianfilmfestival.com.au
 
I hope those of you who are getting along to this fine festival are enjoying it. I've caught one more, and with another couple of weeks to go, you've still got time to indulge in some great Italian films. 
The Beautiful Summer
: Ginia is a young woman who has moved from a rural area to Turin, in the pre-war years. She works as a dressmaker, showing a lot of talent, but is searching for a more adventurous life. When she meets artist's model Amelia, she steps into a Bohemian world unlike anything she's experienced before. Although some familiar themes are revisited - finding one's identity, first affairs, same sex attraction - there is something very appealing about this sensuous and delicately-tackled film. Notably Amelia is played by the stunning Deva Cassell, daughter of Vincent Cassell and Monica Belluci. The chemistry between the two women is perfect, and the sense of the era is powerfully portrayed in the production values.    

The Italian film festival is, as always, highly recommended!