Wednesday, 7 May 2025

May 8th 2025

Monsieur Aznavour
More from the German Film Festival
More from the South African Film Festival


Entertainers feature large this week, one being Charles Aznavour, the iconic French singer, and the other John Cranko, a world famous ballet choreographer.  Plus, I review two more fine films from the South African Film Festival. 

Monsieur Aznavour
Dir:  Mehdi Idir & Grand Corps Malade
© Palace - prolific songwriter,
superb entertainer
Charles Aznavour (Tahar Rahim) came from an Armenian family who, with him as a child, fled from a genocide perpetrated by the Turks. The family was very musical, and ended up in France. The young Charles started out as an entertainer in partnership with songwriter Pierre Roche (Bastien Bouillon), then went on to become his own person, writing more than 1000 songs and achieving international fame, helped along the way by iconic French chanteuse Edith Piaf  (Marie Julie Baup). I find it very hard to review this film, as I adore Aznavour and am familiar with so many of his songs. Let's look at the positives: the recreation of the era is perfect with set design and "the feel" of the day spot on. The music is a delight. Baup as Piaf is simply excellent. The negatives: Rahim, though he gives his all, does not look near enough like Aznavour to convince me, although as the film progressed I began to feel more that it could be him. The lyrics of Aznavour's songs are heart-breaking and intensely meaningful, and the director's choice to subtitle less than half of them  is a major oversight, methinks! The arc of the narrative is very traditional - the A-Z typical biopic, with little originality. And yet . . . I enjoyed this film tremendously, immersing in the sublime songs, and learning much about the man himself - a crazy mixture of ambition, drivenness, sadness, and with a gift for expressing the deepest emotions that we all share in life. So . . . 
3.5 - well recommended

More from the HSBC German Film Festival
Melbourne: Now until 21 May
Palace Cinemas
For all other states, bookings, film synopses, visit germanfilmfestival.com.au

I've had the good fortune to catch up with the film John Cranko, a must-see for all ballet lovers. And even if you don't know much about ballet, this is a story and performance that is absolutely worth seeing! If it ever gets a mainstream release, it's a 4-star from me. 

John Cranko
: Brief bio: John Cranko was born in South Africa in 1927 then went to London where he was a choreographer with the Sadlers Wells Ballet School. After being arrested for homosexual activity and given the sack, he headed in 1961 to Stuttgart where he was contracted to be choreographer for a little-known German ballet company. It is from this point that the movie takes off. British actor Sam Riley was wonderful as Ian Curtis from the band Joy Division in the film Control. Here he again absolutely inhabits the role of an incredibly talented and complex man who is at once flamboyant, at times cruel, but also caring, vulnerable, and extraordinarily lonely. (And Riley speaks fluent German!) 
Cranko defies convention on every level. In getting into the creative mind of a choreographer, director Joachim Lang cleverly employs imaginary dance sequences. Rehearsal scenes give a powerful insight into what goes into crafting a ballet, and then we have the actual performances which are all simply beautiful, with settings, costumes and dancing quite awe-inspiring. Lang chose to use real dancers from the company in the roles, and they all prove how well they can act and dance. Many are playing themselves, while Elise Badenes, a current principal dancer with the company, plays the role of Marcie Haydee who was discovered and propelled to fame by Cranko. It can be said that Cranko changed the fortunes of the Stuttgart Ballet Company and left a legacy of original balletic reimaginings of classic stories that are still performed today. 

South African Film Festival 
Limited films in cinema now until 31 May at Classic Cinema Elsternwick
Online 11-31 May
For all  the information you need, plus other states, visit https://saff.org.au/
Coming online in a few days, the SAFF has plenty of rewarding and interesting films. 

Diary of an Elephant Orphan: 
I defy anyone not to fall in love with this documentary, that follows the work of a group of elephant carers. In Sth Africa many elephants are orphaned thanks to poaching, and this group of veterinarians and carers virtually give their lives over to tending the orphans and the adult herd, mostly made up of now-grown orphans. The doco follows baby Khanyisa, caught in a snare, and near to death. How she is cared for and reintegrated into the herd is a story to melt the hardest hearts. What more can I say? If you love elephants, don't miss this one!   

Snake: 
Little Stella (Lamiyah Barnard) lives in an  impoverished rural family, much loved by her mother Nancy, and her drunkard of a father Frank. One day itinerant Jerry turns up, playing a tin whistle and 
seeking work. He charms the entire family, especially Stella, but we soon realise he is not what he seems. This is a fabulous film, the story seen through the eyes of a child. The focus is constantly upon Stella who desperately wants to protect her family from a smooth-talking, utimately bad man. The nine-year-old lead actress is a force to be reckoned with. Director Meg Rickards nails the feeling of the poverty and lack of opportunities, while capturing the heart of what it means to be a family and overcome divisive external forces. 


Friday, 2 May 2025

May 3rd 2025

Tina
HSBC German Film Festival
South African Film Festival
Palestinian Film Festival

Festival frenzy is upon us. The German FF is the highest profile, but no less important are the smaller festivals that give audiences a great opportunity to see into worlds and cultures that are unfamiliar to us. There is also a Persian Film Festival on the go, but I couldn't snag any previews! Music lovers are in for a treat in a couple of this week's films, Tina and Old Righteous Blues

Tina
Dir:  Miki Magasiva
© Madman - 
Teacher, Mareta Percival (Anapela Polataivao), suffers a tragedy when her beloved daughter is killed in the Christchurch earthquake. Feeling her life is over, she becomes reclusive, then reluctantly takes a job as a fill-in teacher at an elite local school, where her Polynesian style is the cultural antithesis of the privileged white students. After a rocky start, she decides to set up a school choir, and introduce her students to singing, and to her Samoan culture. In Samoan language, the word Tina means mother, and it is the rediscovering of being a mother, this time to her students, that is at the heart of this tear-jerker of a film. Yes it's emotionally manipulative, and the plot is at times predictable, but ultimately the film is so uplifting that you forgive it. Although Samoan culture is front and centre, universal themes of parenting, redemption, pride and identity extend to all the characters in the film. Students Sophie (Antonia Robinson) and Anthony (Zac O'Meagher) stand out in their roles as kids struggling to find their true calling, while head teacher Alan (Dalip Sondhi) with his gentle compassionate nature, is a great foil for Mareta's fiercely resilient character. While the choir gets amazingly good in a barely believable short time, the music sweeps us away. If you've ever been to Samoa and a Sunday church service (which I have), you'll know just how beautifully the locals sing, and how important music is to their identity. This celebration of the Samoan culture and of the role of the universal mother is done with such love, it's no wonder that the film is such a delightful crowd-pleaser and has been a smash hit in New Zealand.
4 - highly recommended

HSBC German Film Festival
Melbourne: Now until 21 May
Palace Cinemas
For all other states, bookings, film synopses, visit germanfilmfestival.com.au

The largest festival of German films outside of Germany is back bringing the latest from German cinema, along with movies from Austria and Switzerland. And a special treat for those wanting a movie marathon: Rainer Werner Fassbinder's award-winnning Berlin Alexanderplatz screens over 3 weeks, with 5 episodes running 320 minutes per session! While I don't have the sitzfleisch (patience) for this one, I'm previewing several over the course of the festival. 

Riefenstahl
: Directed by festival guest Andres Veiel, this remarkable documentary  features a woman whose middle name is surely "controversy". Leni Riefenstahl started life as a  performer and actress who then went into directing, allying herself with the Nazi regime for whom she made one of its best-known propaganda films, Triumph of the Will, followed by Olympia. Veiel's two-hour doco is based upon films, letters, recordings and photos from Riefenstahl's estate. In the many old TV interviews used in this film it's amazing to note how she always denies having had close ties to the Nazi regime, yet so much other evidence points otherwise. The interweaving of all the material with the commentary makes for a totally thought-provoking and revelatory film, in which we must ask ourselves whether Riefenstahl's gifts as a filmmaker (yep, she was good!) can ever begin to counterbalance the evil of the people for whom she filmed. The filmmaker doesn't pass judgment, but gives his subject enough rope to hang herself.  

I Want It All
: As opposed to Riefenstahl's infamy, Hildegard Knef was simply famous; one of Germany's best known stage and screen actresses, a singer and a writer. Major scandal dogged her after a 1950s film revealed her breasts (duh!), but then she found a mix of success and failure overseas. Using archival footage and interviews, the film gives a most intriguing and engaging portrait of a talented and ambitious woman who simply never gave up. Her career spanned five decades, with her autobiography becoming a best-seller in Germany. 

Hysteria
: Billed as a conspiracy thriller, this rather convoluted story starts on the set of a movie crew who are making a film about a real-life arson attack. When a burned Koran is discovered on the set, all hell breaks loose. Accusations, lies, and possible big-time conspiracy by the film-makers themselves all converge to mask the truth. Except that the truth is perceived differently by all concerned. 

South African Film Festival 
In cinema 4-31 May at Classic Cinema Elsternwick
Online 11-31 May
For all  the information you need, plus other states, visit https://saff.org.au/
Not many South African films get released in Australia, so here's your chance to catch up with some. The festival runs online and in-cinema, with the majority showing online.  Anyone looking for a fun opening night in the cinema, (tomorrow!) head off to see South Africa's submission for this year's Oscars (reviewed below). More to come next week when the festival is available online. 

Old Righteous Blues:
This award-winning drama deals with something I'd never heard about - in the Cape area of Sth Africa, marching bands take to the streets from Christmas time until March to entertain the locals and reaffirm bonds of friendship. This narrative tells of a fractured mixed ethnicity Christian community with past feuds and secrets to hide, along with two brothers who hold allegiances to different bands, leading ultimately to tragedy. Well-worn themes of reconciliation, redemption, ambition and, of course, love flow through the story, which also has an underlying Romeo and Juliet theme. It is genuinely interesting to see such a strong (and unfamiliar) tradition portrayed in a story that is warm, entertaining, and beautifully acted, with a winning soundtrack.  

13th Palestinian Film Festival
Melbourne 7-11 May
Cinema Nova
For other states, bookings, synopses, visit: https://palestinianfilmfestival.com.au/
Here's a small window of opportunity to get a great insight into a community that is at the forefront of today's news. Thanks to technical issues, I've only managed to preview one film, in fact a short film, called Upshot

Upshot: 
A winning entry in a couple of short film festivals, this is the story of a couple with a carefully constructed routine and life, in which they regularly discuss their children's lives. Their seclusion is interrupted when a stranger comes to the door, bearing news that will rock their world. This is a fine example of telling a dense story in a short amount of time. The subject matter is both moving and relevant to today's horrific ongoing problems in the Middle East, and the cinematography is impressive, with the lighting and olive groves being especially memorable. 


Saturday, 26 April 2025

 April 27th 2025

National Theatre Live: Doctor Strangelove
Fantastic Film Festival - Mr K


This week I'm sticking to my initial mission statement of "five minute reviews" - namely short! My reviews just seem to be getting longer. Steve Coogan, so good in last week's The Penguin Lessons, stars again, this time in four roles in the one film! And the Fantastic Film Festival is back for another year of bizarre and outrageous films. 

Fantastic Film Festival Australia (FFFA)
Now until 16th May
Lido Hawthorn and Thornbury Picture Theatre

For adventurous movie-goers, the festival presents 27 movies that push the boundaries of cinema. If you want provocative, mind-bending and bizarre, I suggest you check out the website and make your choices. I've previewed one film, which certainly fits that bill, yet is strangely compelling and intriguing.

Mr K
Dir:  Tallulah Hazekamp Schwab
Length: 170 mins
Trailer: https://www.youtube.com/watch?v=bl-hewRJ0QYhttps://www.youtube.com/watch?v=bl-hewRJ0QY
© a weird Kafka-esque nightmare

Crispin Glover plays Mr K, a travelling magician who checks into a hotel for the night. As he prepares to leave next day he is confronted with a series of never-ending corridors that lead nowhere. Like in the song Hotel California,  "you can check out any time you like, but you can never leave". This is an excellent piece of mega-disturbing and surreal film-making: extraordinary sets with walls that crawl with wormlike, intestinal lifeforms, strange marching bands invading the corridors, eccentric long-term residents who see Mr K as a possible savior, and an ending that still has me baffled. 
Lovers of the weird and wonderful, get along to this festival!  

Dr Strangelove (National Theatre Live)
Dir:  Sean Foley

© Sharmill - Steve Coogan shines
Fans of the original 1964 Stanley Kubrick masterpiece starring Peter Sellers may be disappointed in this filmed stage production of the classic. It comes across as somewhat anachronistic in its style and at times overly histrionic. But there's no denying the stage effects are excellent, with the war room being imposing and the recreation of pilots barrelling towards annihilation in their bomber cleverly crafted. 
Ultimately maybe some things are simply too iconic to be recreated, but fans of  Steve Coogan, who plays four roles, should get along and see him display his acting chops. 
One for fans of Coogan, rather than Kubrick!


Wednesday, 16 April 2025

 April 17th 2025

The Correspondent
The Penguin Lessons

Easter long weekend - a great time to hit the cinema. (Isn't it always?!) This week's films are both well worth seeing. And coming up, brace yourself for an onslaught of film festivals coming your way over the next few weeks. 

The Correspondent
Dir:  Kriv Stenders

© Maslow Entertainment - possibly Roxburgh's 
best perf to date
At the end of 2013 a journalist named Peter Greste (Richard Roxburgh) travelled to Cairo to fill in for a colleague for a couple of weeks. The so-called Arab Spring had started, with uprisings in various Middle Eastern countries. In Egypt, the newly-elected President, Mohammed Morsi, and his Muslim Brotherhood had been ousted by a militiary coup. As Morsi supporters were protesting on the streets of Cairo, Greste and his colleagues Mohamad Fahmy (Julian Maroun) and Baher Mohamed (Rahel Romahn) were reporting for Al Jazeera. Several hours later they were arrested by the military police, and the nightmare began. This the story of Greste's 14 months of imprisonment as he battles a ludicrously inept and corrupt judicial system, and struggles to keep himself sane. The depiction of his Cairo plight is intercut with flashbacks to an assignment he did in Mogadishu, when his co-reporter Kate Peyton was shot and killed. This constant toggling detracts from the intensity and immediacy of the Cairo story. Regardless, the depiction of the squalid prison conditions, and the almost laughable courtroom proceedings (funny if it weren't so tragic) are powerfully conveyed.  Roxburgh conveys Greste's despair, hope, psychological torment and determination in one of his best performances to date. The plight of the three men is an important reminder of the constant threats to freedom of the press. The film is almost a homage to journalistic truth, reminding us at the end that, since 2005, 1700 journalists have been killed doing their job, while more than 500 are imprisoned today in 45 countries. This is an important story. 
3.5 - well recommended

The Penguin Lessons
Dir:  Peter Cattaneo

© Madman - the sort of pet you can sit and
tell your troubles to!
In 1976 Tom Michell (Steve Coogan) heads to Argentina to take a position as an English teacher in an exclusive school for the sons of wealthy families. When the military stage a coup and take over the country, the school is shut for a week, so, with fellow teacher Tapio (Bjorn Gustafsson), Tom travels to Ecuador for a week's R&R. While walking on the beach, he finds a penguin who has fallen victim to an oil slick. After cleaning the bird in his hotel room, Tom finds the hapless creature is reluctant to be put back to sea, so he takes the penguin back to the school. To date neither 
Tom's teaching nor his attitude have been a success, but once he introduces his feathered friend, Juan Salvador, to his students, life changes for all concerned. When this film started I feared it could run the risk of being mawkishly sentimental, but I became progressively caught up in the delightful and uplifting story, which is based upon a true memoir. Coogan is marvellous, combining his odd comic timing with his sad-sack, cynical demeanour. Jonathan Pryce is well-cast as the stuffy old headmaster, and the students all feel just right in their roles, with David Herrero as the bullied Diego a stand-out. Of course the two penguins used in the lead avian role are simply beyond cute. The political sub-plot of disappeared people in Argentina interweaves well with the main plot and its message which, though not subtle, is nevertheless so important: the need to find connection and friendship, to do the right thing, and how unexpected happenings can transform lives. For me a simply lovely film, requiring plenty of tissues!
4 - highly recommended


Wednesday, 9 April 2025

April 10th 2025

The Count of Monte Cristo
Small Things Like These
King of Kings
Death of a Unicorn
Sing Sing (various platforms)
The Nest (streaming on Netflix)

This week sees plenty of reviews, as last week I had nothing new for you! Along with new cinema releases, featuring one real stand-out, there are a couple of streamers to consider. And stay tuned for festivals, lots of them, just around the corner!

The Count of Monte Cristo
Dir: Alexandre de La Patelliere & Matthieu Delaporte
Length: 175 mins
© Palace - a wonderful version of 
a classic tale
According to Wikipedia, at least 29 motion pictures 
based upon Alexandre Dumas's novel have been made, not to mention countless TV series. The first film was in 1913, but the only one I've ever seen is this latest, starring Pierre Niney as the eponymous hero. It's a ripper, with plenty of wins and nominations to its name. The plot is set in 1815 when young sailor Dantes is promised a promotion to Captain. But jealous rivals frame him for a crime he didn't commit, and on the day of his marriage to his beloved Mercedes, (Anais Demoustier) he is carted off to prison. Fourteen years later, with the help of fellow prisoner Abbe Faria (Pierfrancesco Favino) Dantes escapes, and returns in the guise of a wealthy count, seeking revenge and finding that his beloved has married. The intricacies of the revenge plot are numerous, and one could be forgiven for imagining that at a three-hour run time the film will be overly long. But no, it is totally absorbing, thrilling and, of course, swash-buckling from go to whoa!  Everything from the costuming and settings, to the sweeping cinematography and the action set pieces are brilliant, but the story is also suffused with strong emotion, so we empathise deeply with the wronged Count, and root for vengeance on the despicable back-stabbing traitors. Niney owns the screen, yet every role from small to large is superbly portrayed. This is the sort of big-screen epic entertainment almost associated with "the old days" - what cinema at its best should be. 
4.5 - wholeheartedly recommended

Small Things Like These
Dir:  Tim Mielants
Length: 98 mins
© Roadshow - understated and quietly moving -
Murphy is just wonderful
Bill Furlong (Cillian Murphy) is a hardworking coal merchant, respected in his town. He is father to five daughters, two of whom attend the local Catholic school run by the convent nuns. One day while making a delivery to the convent he finds a young girl locked in the coal shed. She informs him she will give birth to a baby in five months' time. Meantime head of the convent Sister Mary (Emily Watson) gives Bill a guarded warning not to talk about what he has seen, and tries to sweeten up Bill's wife Eileen (Eileen Walsh) with a Christmas gift of money. This is one of several films based around the infamous Magdalene Laundries in Ireland; grim places run by the Catholic Church and housing "wayward girls", who were put to work as virtual slaves. The film is understated and low key, anchored by a brooding and powerfully emotional performance from Murphy. Several scenes are devoted to flashbacks of Bill's childhood, as he discovers disturbing truths about his own past. Kindness rules his character while the church is not presented in a kind light at all. Watson (in a Silver Bear-winning performance) is quite chilling as the head of the convent - a woman whose harsh undercurrents are just below her hypocritical surface. This is powerful viewing for the patient film-goer and a well-deserving Golden Bear nominee.
4 - highly recommended

King of Kings
Dir:  Seong Ho Jang
Length: 105 mins
© Rialto - a novel approach to the 
greatest story ever told
These days many people, adults and kids, think Easter is solely about hot cross buns and chocolate. They are oblivious to the world-changing story that lies behind it. This animated tale of the life of Jesus Christ could be an entertaining and novel way to get the story across. Novel because it is framed by another story - that of Charles Dickens, who in 1846 wrote The Life of Our Lord, to explain religion, faith and Christianity to his young children. The narrative starts with Daddy Dickens trying to tame his wild young son, Walter, who is obsessed with the legend of King Arthur. Dickens tells him there was an even greater king, and the visuals then morph into scenes of Bethlehem, 33 BC. The epic tale, from manger to resurrection, is portrayed in a way that hopefully will not alarm young kids too much, but rather inform them about the basic tenets of Jesus' teachings. The constant insertion of young Walter and his cat throughout the historical part of the tale is perhaps a distraction, and hopefully the depiction of the Pharisees (those powerful Jews who opposed Jesus teachings) won't further inflame anti-semitism! (Fortunately, the story makes clear that Jesus was a Jew before his death sparked a new religion.) Several very high profile actors voice the main characters: Oscar Isaac as Jesus, Kenneth Branagh as Dickens, Uma Thurman as Catherine Dickens, and such other notables as Pierce Brosnan, Ben Kingsley and Mark Hamill in smaller roles. This could definitely be good school holiday viewing for those wanting to explain Christianity to their kids. 
3 - recommended

Death of a Unicorn
Dir:  Alex Scharfmann
Length: 107 mins
© VVS - uh-oh - what have we hit!?
Elliot (Paul Rudd) and his daughter Ridley (Jenny Ortega) are driving into the mountains to visit Elliot's boss, Odell Leopold (Richard E Grant), the head of a massive pharmaceutical company. On the way their car hits an animal, which turns out to be a unicorn foal. When Ridley grasps its horn she experiences strange hallucinations, which are cut short by her father attacking the animal attempting to kill it. With the not-yet dead beast in the car boot, they arrive at the obscenely wealthy residence of Odell, who is dying of cancer and flanked by his wife Belinda (Tea Leoni) and son Shepard (Will Poulter). When the foal comes back to life, all manner of miraculous and murderous things are set in motion. Billed as a black comedy/horror/satire, this film is floundering as to which genre it sits in. It is not satirical enough, even though it tries to make clever  observations upon the exploitative nature of Big Pharma, nor is the horror component scary enough. At times it is downright laughable, for all the wrong reasons. While Judd and Ortega have several nice father/daughter moments (Ortega is actually the stand-out actor), and Grant is his typical, enjoyably imperious self, Poulter is just plain wooden. As for the CGI-generated unicorns, they become progressively Alien-esque and unbelievable. Not my cup of tea, but who knows; it could be yours. 
2 - don't bother

Sing Sing
Dir:  Greg Kwedar
Length: 107 mins
For purchase on Prime and Apple TV
© inspiring and moving - how theatre could be
used in prisoner rehabilitation
There's a program in the US prison system called Rehabilitation Through the Arts (RTA). After an article about the program was published in 2005, several screenwriters got together and adapted this true story for the screen, in a sort of docu-drama format, winning themselves a 2024 Oscar nomination. The film centres on a real-life production in the Sing Sing prison, a weird genre mash-up in which prisoners play everything from Hamlet, to mummies, to Egyptian princes, and more. And upon a friendship between Divine G (Domingo Coleman) and Clarence Maclin (playing himself). And that's what is most amazing: many of the actors in this film play themselves, as they were when they were in the production. They are all wonderful in their roles. The only other "real" actor in the film is Paul Raci as Brent, who directs the theatre group and guides the men in group sessions encouraging them to get in touch with their inner selves, their hurts, their anger, and their acting talent. It's a totally different approach to the traditional punishment system, focusing rather upon dignity, 
the possibility of redemption, developing life skills, and finding yourself through the arts. The film is so much more moving than I would ever have imagined, and Coleman is richly deserving of his Best Actor nomination. Although not currently free to stream, it's definitely one to either pay for or put on your watchlist. (PS the haunting musical score also garnerd an Oscar nomination). 
4 - highly recommended

The Nest
Dir:  Sean Durkin
Length: 107 mins
Streaming on Netflix - (2020 film)
© Netflix - risking it all for getting rich
Rory O'Hara (Jude Law) and his wife Allison (Carrie Coon) are relocating with their two kids back to London, where Rory has been offered a high-flying job with his old firm. He buys a huge old mansion in the countryside, enrols the kids in exclusive schools, and regales his boss with get-rich quick schemes. Before too long, the unrealistic nature of Rory's ambitions becomes clear, and his family's lives also descend into turmoil. This is a smart, taut psychological drama, set in the 1980s, the era of "greed is good", and when a family suffers for their father's dishonesty and ambition. It features strong performances from the two leads and a plot that feels authentic and relevant to contemporary families and marital relationships. Settings are excellent, when depicting the realms of the rich and powerful, and in the oppressive old manor house that Rory buys. The film was nominated for several British Independent Film awards. 
3.5 - well recommended



Thursday, 27 March 2025

March 28th 2025

Alliance Francaise French Film Festival: Before What Comes After
Love of an Icon: the Legend of Crocodile Dundee
Spit
Black Bag
Oh, Canada


Three films this week are absolutely worth seeing. Two a bit more ho-hum. If you are interested in end-of-life issues, don't miss the one I've reviewed first here - it has one more week to go at the French Film Festival. And Aussie-philes should adore the next two!

More from the FFF: 
Before What Comes After
Dir:  Costa Gavras
Length: 100 mins
© - FFF - confronting, thought-provoking
and so beautiful
With a more suitable French title, The Last Breath (Le Dernier Souffle), this is an extraordinary, in-your-face, moving look at end-of-life issues from the perspective of a doctor and a philosophical writer. Author Fabrice Toussaint (Denis Poladyles) goes for a routine check up and MRI, only to be told there is a small lesion in his body that must be kept an eye on. From there he forms a friendship with palliative care doctor Augustin Massett (Kad Merad), who takes him on his rounds, so he may better understand the nature of palliative care. Augustin regales Fabrice with stories of his many patients, and their varying approaches to knowing they are ill and near the end, some accepting, some in denial, and fighting every inch of the way, and others accepting it with grace. A topic we all shy away from is handled in a most sensitive way, and not without its humorous moments. Unanswerable questions of human existence are tackled with compassion, along with issues of assisted dying. The critical importance of just listening, especially by the doctor, is underscored throughout. Every character, whether medico or patient, is worth spending time with, and one comes away from this deeply moved, strangely uplifted, and convinced that the word living applies to every moment, right up until the the last breath.
4.5 - wholeheartedly recommended

Love of an Icon: the Legend of Crocodile Dundee
Dir:  Delvene Delaney & Victoria Baldock
Length: 88 mins

© Kismet  - a total delight - homage to a 
legend and to love
The restored version of the 1986 blockbuster phenomenon Crocodile Dundee will hit our screens on May 8. 
During this painstaking project, filmmakers unearthed a treasure-trove of archival material belonging to co-creator John Cornell. Cornell's wife Delvene Delaney co-helms and hosts this heart-warming documentary that is testament to the spirit of mateship, dedication, and "let's go for it" that went into the making of the original film. I did not expect to enjoy this as much as I did. It is a winner of a story, tracing the history of Paul Hogan ("Hoges") and his rise to stardom, starting with his TV show with comedy buddy Strop, played by Cornell. The doco traces difficulties in raising finance for the film, along with umpteen other hurdles. Hoges' leading lady Linda Kozlowski reminisces on their real-life romance, along with the many crew members who regale us with stories of the movie's making. The lovely Delvene holds it all together, creating a lovely tribute to the film and to the enduring love she shared with now-departed Cornell. The many people who were dedicatedly involved and who obviously had such fun making Croc Dundee also make this doco such a delight to watch.
4 - highly recommended

Spit
Dir:  Jonathan Teplitzky
Length: 105 mins
© Transmission - Wenham is sooooo
grouse mate!
In the 2003 film Gettin' Square Johnny "Spit" Spitieri (David Wenham) is a small-time crook and heroin addict. Now, in this sequel, he returns from doing a runner to Italy, but is instantly nabbed at the airport's immigration and thrown into a detention centre, along with a diverse assortments of refugees hoping to get a visa to stay in Australia. Spit likes to be of help, and sets about teaching the refugees an assortment of colorful Aussie slang expressions, which makes for hilarious viewing. The humour starts from the word go, as Wenham, looking like a mega-slob in shorts, thongs and with a permanent cold-sore on his lip, bumbles his way through every unfortunate circumstance of his new incarcerated life. Yes, humor is highly personal, and no, I laugh at very little - but this one had me guffawing out loud. The plot is chock-full of fun little subplots that somehow all work well together. Wenham is totally the part, while smaller roles of the bad guys (David Field and Gary Sweet), along with a lovely performance by Arlo Green as asylum seeker Jihad Khalif are all well executed. If you're not into Aussie humour you may not like it, but I loved it.
4 - highly recommended

Black Bag
Dir:  Stephen Soderbergh
Length: 93 mins
© Universal - two top actors go into
the spy business - where do their
loyalties lie?
Katherine Woodhouse (Cate Blanchett) and her husband George (Michael Fassbender) are secret agents. When it's discovered there is a traitor in the ranks, and Katherine is one of several under suspicion, George must decide where his loyalties will lie. Have I told you I'm a spy-plot-klutz? Many times! So, as always, I had a spot of bother following the plot, but I have to admire the acting from two such revered performers in the lead; both cool, calm, collected and full of dry wit. Supporting cast featuring the likes of Naomi Harris, Tom Burke and Pierce Brosnan keep a high standard, but somewhere in the script the plot lacks the suspense needed to keep it edgy. The look and lovely color pallette are perhaps my strongest impression, of a film that is indeed watchable but not ultimately memorable. Soderbergh is an esteemed director, but I much preferred his recent and more original supernatural tale Presence.
3 - recommended

Oh, Canada
Dir:  Paul Schrader
Length: 105 mins
© Transmission - Gere's Fife tells all before
he dies
Leonard Fife (Richard Gere) is dying. As a documentary maker, he decides he needs to tell his life story in film, uncensored and revealing harsh truths about his past affairs and his dodging of the Vietnam draft. As some of his ex-students man the cameras, and his current wife Emma (Uma Thurman) watches on in distress, he tells his story and progressively weakens. The film's basic premise has potential - an end-of life confessional - but the narrative structure turns it into a dog's breakfast. The times leaps are beyond even an Olympic long-jumper, with not only Jacob Elordi playing the young Leonard, but sometimes Gere transplanted as an old man into his youthful past. A totally unnecessary structure. And while I was initially impressed with Gere's gaunt-faced delivery, I rapidly tired of his endless sighs, confused demeanour and eye-rolling. In a massive paradox, the film gets a Palme D'or nomination at Cannes, and a Worst Foreign Actor nomination for Gere.
2 to 2.5 - maybe (bordering on don't bother)