November 2nd 2024
A Different Man
Mozart's Sister
Four more films from JIFF
A selection of dramatically differing films are reviewed this week, two on mainstream release and another four from the Jewish Film Festival.
A Different Man
Dir: Aaron Schimberg
Length: 112 mins
© Kismet - can a change of face change the man underneath? |
4 - highly recommended
Mozart's Sister
Dir: Madeleine Hetherton-Miau
Length: 98 mins
© Sharmill - two equally gifted children, but gender will be critical to success |
3.5 - well recommended
Jewish International Film Festival
Melbourne: Until December 4th
Venues: Classic Elsternwick, Lido Hawthorn, Cameo Belgrave
For film details, ticketing and dates for other states: www.jiff.com.au
The festival is in full swing, and I've caught several more excellent films for your consideration.
Seven Blessings: The overwhelming winner at the Israeli Oscars, the story sheds light on the traditions of an extended Moroccan Jewish family living in Israel. Marie, who now lives in Paris, comes to Jerusalem for her wedding to Dan, where the couple are expected to partake of a week of family feasts. But old wounds are opened up, and some deeply buried family secrets exposed. The film starts off in a comedic vein but soon takes a serious turn, exploring the hurt and resentment buried deep within Marie. The vexed relationship between her mother and aunt is superbly portrayed, as are the particularly Moroccan customs, not to mention, the food.
A Photographic Memory: Rachel Seed was only 18 months old when her mother died. Now 30 years later she unearths audio recordings of her mother interviewing some of the most famous photographers of the 20th century. Through her mother's voice on the tapes, and the photos, Rachel begins to connect with a woman she never knew. This is a moving film, causing us to reflect upon mortality, and the important legacy left by photography.
A Real Pain: Already garnering plenty of awards, Jesse Eisenberg's film of two mismatched cousins exploring their past, is a lovely mix of humour and pathos. David (played by Eisenberg) and Benji (Kieran Culkin) head off on a guided Holocaust tour of Poland and to visit their grandmother's home. The cousins are third generation Holocaust survivors living in America, and they are as different to each other as chalk and cheese. David is a stressed out, nervous retiring type, while Benji is loud, irreverent and seemingly self-confident, his brashness masking an extreme vulnerability. Culkin (unforgettable as Roman in Succession) is a powerhouse in his role. Ably supporting the two leads are a motley crew of characters: an African ex-child soldier who has converted to Judaism, a recently widowed woman, and an old couple, along with their non-Jewish tour guide. Visits to Jewish graveyards, and the site of a ghetto and a concentration camp, bring home the seriousness of the tour, in a careful counterbalance to the moments of levity and craziness. The intimacy of the cousins' relationship, in opposition to the vastness of the Holocaust history make a good yin and yang in the film's overall feel.
The Plot Against Harry: This old 1969 black and white film was once called "a neglected masterpiece ... a classic of Jewish humour". It's the story of Harry Plotnick who gets out of jail after nine months, and initially tries to regain his turf in the racketeering business before deciding he ought to go straight. The cast of characters in this film are oddly memorable in their own bizarre way - Chinese and Latino mobsters, Harry's endlessly smiling brother-in-law, and his lovely ex-wife Kay, who introduces Harry to two daughters he didn't really ever know. There are oddly familiar scenes of barmitzvahs, fashion shows, and various parties, throughout which Harry barely smiles, and always seems to come off second best. There is something refreshing about the film's realistic style, and the fact there are no known stars in it - oddball but entertaining.