Friday, 28 July 2023

July 27th  2023

Barbie
Alcarras
A Bigger Splash (streaming on SBS on Demand)

These three films couldn't be as different from each other if they tried. This week each one carries a four-star recommendation from me. 
 
Barbie
Dir: Greta Gerwig
Length: 114 mins
© Warner Bros - not at all what you
would be expecting. Wild and imaginative. 
Are you ready for some pink-soaked craziness? This wild and whacky ride is chock full of fun, feminism, frivolity and some pretty serious underlying commentary upon gender roles. It's virtually impossible to briefly outline the plot; suffice to say Barbie (Margot Robbie) lives a perfect life in Barbieland, a matriarchal society where the women hold down all the major jobs and the men are only sidekicks. One day Barbie starts pondering upon death. This leads her to an existential crisis, involving flat feet and cellulite. To solve her problems she has to travel to the real world, and find the child who has been playing with her and caused her to become malcontent. Ken (super-buffed Ryan Gosling) goes along for the ride, where he discovers what the patriarchy is all about - this is going to cause some mighty shake-ups in Barbieland. Meantime the CEO of Mattel (Will Ferrell) is horrified that a Barbie has escaped into the real world, and must go in hot pursuit, executives in tow, to solve the problem. The jokes, skits and subversiveness in this wonderful film come thick and fast, while the subtext of everything in the plot is so dense, it's almost impossible to wrap your head around all the ideas that writer/director Gerwig, plus her co-writer Noah Baumbach, are throwing around. The film's visual look is a masterpiece of creativity, with its hand-painted sets for Barbieland, leading into a very LA feel for the "real world". Robbie plays her role to perfection, going from the plasticity of "Stereotypical Barbie", as she is called, to a genuine depth, as Barbie starts to discover what it means to be human. Possibly the less said the better; this is really one to discover for yourself. It may be too crazy and satirically obscure for those who prefer their films more "straight", but I certainly got total enjoyment out of this film.
4 - highly recommended

Alcarras
Dir: Carla Simon
Length: 120 mins
© Palace - family solidarity and a way of life
threatened by progress
Set in the village of Alcarras in Catalonia, northern Spain, this is a slow-burn film that interweaves the story of an individual family with a larger issue of a crisis that is enveloping much of the modern world, as agricultural land is taken over to develop industry.  The Sole family have been allowed to grow peaches on land that is not theirs for several generations. Now the landowner has died and his son wants to repossess the farm, destroy all the peach trees, and install solar panels. There are more characters in this extended family than you can shake a stick at, ranging from small carefree kids through to brothers, sisters, in-laws, parents, and grandparents who seem close-knit until one of their number decides to go out in support of the solar farm. The actors are mostly non-professionals bringing a truly authentic feel to their characters. The languid pace of life, combined with the passion they all have for their land and its harvest, is beautifully conveyed - it is this sense of place, along with the family dynamics, that feels so engaging in this film. A worthy winner of the Golden Bear at the Berlin Film Festival. 
4 - highly recommended

A Bigger Splash
2015
Dir: Luca Guadagnino
Length: 125 mins
Streaming on SBS On Demand
© Four outstanding performances in a
rivetting story of desire and intrigue
Famous rock star Marianne Lane (Tilda Swinton) is recuperating from vocal surgery at a remote villa on an Italian island. She and her boyfriend Paul (Matthias Schoenaerts) are having an intimate time, when Marianne's ex-manager and lover Harry (Ralph Fiennes) unexpectedly turns up with his daughter Penelope (Dakota Johnson). Things can only get tricky from there on in. The film has a deep vein of sensuality running through it, with all the characters falling prey to desire and levels of subterfuge. Fiennes is simply mesmerising as the overbearing Harry, who still carries a flame for his ex. The languidness of life at the villa is well juxtaposed with the deep emotional currents coursing through the characters. Surprises abound. 
This much-awarded film from one of Italy's great modern directors richly rewarded my rewatch
4 - highly recommended  



























































































































































































































































































































































3.5 - well recommended

Wednesday, 19 July 2023

 July 21st  2023

Oppenheimer
Sugar and Stars
The Woman King (streaming on Amazon Prime) 

A major new movie, Oppenheimer, is the unforgettable highlight of this week. Plus something sweet and light from France, and, for streamers, a terrific epic with women warriors at the centre. 
 
Oppenheimer
Dir: Christopher Nolan
Length: 180 mins
© Universal  - an unforgettable film, writ large
in every aspect
A story that changed history, a cast to die for, and a tour de force of filmmaking - this is Nolan's latest film, a biopic on Robert J Oppenheimer, sometimes referred to as the father of the atomic bomb. For those not familiar with that period of history, Oppenheimer was a brilliant theoretical physicist who was tasked with overseeing the Manhattan Project - that scientific achievement which saw the invention of the first nuclear bomb, heralding in a new age for humankind. The film is structurally complex, toggling through various time frames, from Oppenheimer's early life and studies, to his work on the project, leading to the dropping of the bomb on Japan in the hope of ending World War Two. Other large parts of the film are devoted to the years after the war in which the McCarthy witch hunts and other political wranglings tried to discredit Oppenheimer as being a communist because of past affiliations. Color pallettes switch in line with the time frames, from black and white for the political procedings, to color for the earlier times. It's a work of genius how Nolan represents on screen what is going on in the head of the scientist, with vast swirling color and light patterns representing atoms and conceptual ideas. The seminal scene where the first nuclear explosion is tested in the desert is again an example of film-making perfection, and is unforgettably mindblowing. 
I was lucky to see it on an IMAX screen, so the full force was experienced to the max!  What can I say about the performances? Cillian Murphy, masterful in the title role, encapsulates all the complexity of the man, from his strange personal relationships with women, through to his scientific genius,  and then his psychological torment after realising what he has created. Robert Downey Jnr is also a stand-out as Lewis Strauss, a conniving wealthy government official who, after the war, clashed heavily with Oppenheimer, on issues of how the nuclear industry should (or should not) be regulated. We can run a roll-call of the brilliant talent in each and every role, from small to large - Matt Damon, Kenneth Branagh, Emily Blunt, Florence Pugh, Gary Oldman, Jason Clarke, Rami Malek, Casey Affleck and Tom Conti (brilliant as Albert Einstein) to name a few. And then we have the intensely dramatic score by Ludwig Goransson, enhancing the tension and emotion. Interestingly, Nolan chooses not to bring Japan directly into the narrative - the horrific effects of the bomb are represented as  nightmarish visions in Oppenheimer's head, while that ghastly reality is countered with scenes of the delight of the American people as they greet their hero, oblivious to what has been unleashed on the world. At a three-hour run time it's a big time investment, but worth every minute.
4.5 - wholeheartedly recommended

Sugar and Stars
Dir: Sebastien Tulard
Length: 110 mins
© Rialto - a delightful story of struggle and 
following your dreams
This film featured at this year's French Film Festival. And what's a festival without a foodie film? This one is based upon the true story of a young man Yazid (Riadh Belaiche), born in Epernay France, of Arab/ Muslim parentage. Due to his mother's problems, he was brought up with a foster family, and always wanted to be a pastry chef. This 
crowd-pleasing, feel-good film traces his journey, from apprentice in a fancy hotel through to aiming to be part of the French team in the World Pastry Championships. (Who knew there was one!) The film follows a very traditional narrative arc, but Belaiche, who is an Algerian influencer, plays Yazid so well, he breathes a lot of life and passion into a story of downtrodden kid makes good. Of course, the food looks fabulous, and with deeper subtle layers to the plot (homelessness, belonging, vindictive competitiveness), there's plenty to ponder on, enjoy and salivate over.
3.5 - well recommended

The Woman King
Dir: Gina Prince Bythewood
Length: 135 mins
Streaming on Amazon Prime
© A stunning performance from Davis, 
in a story of kick-ass women
Who said women can't be triumphant warriors? This epic tale is set in the Kingdom of Dahomey in Africa in the 1800s. The Kingdom is threatened by the Oyo, an aggressive tribe who capture the women and sell them to Portugese slave traders. General Nanisca (Viola Davis) sets up an army of fierce female warriors, known as the Agojie. Among them is Nawi, an orphan girl, who more than proves her mettle. Inspired by true events, this is an engaging, uplifting, inspiring and throroughly enjoyable story, with a central performance from Davis that has earned her much acclaim, and an Oscar nomination for Best Actress. Settings and costumes are wonderful, and the music is rhythmic and energising. Best of all is the feminist slant, with these woman such a powerful force, able to overcome so male oppression and violence. (Mind you, the women have a pretty violent streak!) I would have loved to have seen it on the big screen, but it's a most worthy watch from the comfort of your sofa. 
4 - highly recommended 


Saturday, 15 July 2023

 July 16th 2023

Reality
Daliland
New Boy
Carmen
The Scandinavian Film Festival

Here's another week of strong films to choose from, plus a festival that always offers the best of Nordic releases. 
 
Reality
Dir: Tina Satter
Length: 83 mins
© Kismet - brilliant acting in a whistleblower
story that is confined but compelling
In 2017, Reality Winner (Sydney Sweeney), fresh from the US Air Force,  worked as a translator for the National Security Agency. She was arrested for leaking classified information about Russia's attempts to influence the 2016 election.  This film is based verbatim upon transcripts from the FBI interview with Ms Winner. The casual start to the film, shorts-clad Reality returning from grocery shopping and bailed up by two chatty FBI bods, lulls us into a sense that nothing is really wrong. But as Agent Garrick (Josh Hamilton) and Agent Taylor (Marchant Davis) turn their conversation from banal topics to a deeper grilling of the young woman, we realise trouble is afoot. The setting is confined to Reality's home, almost like a theatrical play, and yet the tension ramps up in a way that inexorably draws us in. The film is a knock-out 
master class in acting, with Sweeney giving us an extraordinary emotional arc as her carefully constructed denials are broken down. Precisely crafted camera angles add to the menacing power the two men bring to the young woman. In the present era of politicians battling truth with prosecution, this is an important film, that will reward patient viewers.
3.5 - well recommended

Daliland
Dir: Mary Harron
Length: 97 mins
© Kismet - Ben Kingsley is perfect as 
the eccentric musachioed artist, Dali
Salvador Dali (Ben Kingsley) is preparing for a big show in New York. It is 1973 and he is somewhat past the height of his notoriety. His relationship with his increasingly money-hungry wife Gala (Barbara Sukowa) is fraught. Dali hires a young assistant James Linton (Christopher Briney), from whose perspective the story is told. This is a film where critics are cruel, but audiences favourable; I thoroughly enjoyed it, and who can resist such a star turn from Kingsley, in full flight as the egotistical, eccentric, dare I say, crazy painter. Dali may well have invented the word extravagance, and the film's production values capture well his lavish parties and over-the-top costumery, his attempt to make his life itself a performance piece. James, a fictional amalgam of Dali's many young assistants, is nicely acted by Briney, a man whose good looks and youth help get him into a world he discovers is not all he thought it to be. The film doesn't purport to be an in depth examination of Dali's work; more a peek into the world of eccentric artistry, relationship power struggles, and mindless acolytes riding in the wake of real, if fading, talent.
3.5 - well recommended
 
Carmen
Dir: Benjamin Millepied
Length: 116 mins
© Madman - visually stunning, full of
passion, rhythm and dance
Carmen (Melissa Barrera) is fleeing from the ruthless Mexican cartel. Her beloved mother has just been murdered protecting her daughter's whereabouts, and Carmen attempts an illegal border crossing into the USA. When a member of the border patrol catches her and is about to kill her, she is rescued by ex-marine Aidan, running from his own demons. The two flee, and head to Los Angeles where Masilda (Rossy de Palma), Carmen's godmother, runs a nightclub dedicated to dance and freedom of spirit. Director Millepied was a dancer and choreographer with the New York City Ballet. His love of dance is the driving force within this film, which he says is inspired by the traditional Carmen story, though not derivative of it. From the opening flamenco piece performed defiantly by Carmen's mother, through dreamy, steamy surrealistic performances in the nightclub, pas de deux between Carmen and Aidan, and an unexpected boxing match choreographed to a rap/hip-hop beat, dance just oozes out of the film. A stand-out hypnotic performance comes from de Palma, that amazingly beautiful/ugly woman who dominates the screen in her every scene. Barrera's beauty is also overwhelming, while Mescal, (award-nominated for Aftersun) delivers a subtle but emotional performance as the traumatised soldier. Surprisingly, shot in Australia, this is a film that must be seen on the big screen, as the beauty of the cinematography, along with its bold soaring score and creative settings, deserves nothing less. 
4 - highly recommended

The New Boy
Dir: Warwick Thornton
Length: 116 mins
© Roadshow - unusual and thought-provoking
look at the clash of two cultures
Director Thornton spent time as a child in a Christian boarding school and this experience has obviously inspired and informed the narrative of his latest film, which is both impressive and baffling. An unnamed young Aboriginal boy (Aswan Reid) is delivered to an orphanage in the middle of nowhere. Hard-drinking but pragmatic and kind Sister Eileen (Cate Blanchett), caring Sister Mum (Deborah Mailman) and helping hand George (Wayne Blair) run the place (no-one else knows the head honcho priest died a year ago). The new child, with an exceptionally angelic face, has some mysterious supernatural powers, creating light from his fingers, and possibly even healing people. When a wooden Christ statue is delivered, strange things happen. Thornton doesn't seem to be trying to deliver any overt message; just showing us a world where kindness, faith and spirituality intersect, not always for the betterment of everyone. Also behind the camera, the director has a mighty sharp eye for beauty and creating a sense of place, while in the music department  Nick Cave and Warren Ellis serve up a brilliant score. Not a lot actually happens, but so many scenes, with their stark beauty and mystical quality had me enthralled. While Blanchett is very understated in her role, young Reid is a revelation, lighting up the screen with his presence. This is a film that keeps you guessing as to its deeper meanings - maybe it's an allegory, maybe it claims white people took the power from Indigenous people, maybe it's an examination of what spirituality means to different cultures. And while not for the popcorn brigade, it is definitely a wonderful addition to the Aussie film catalogue.
4 - highly recommended

Saxo Scandinavian Fim Festival
Melbourne until 2nd August
Palace Cinemas
For other states, ticket times, film synopses, visit ScandinavianFilmFestival.com
As always, the best and latest in Nordic cinema is showcased in this festival. And for those craving a retro hit, the festival brings you six films under the banner Scandi Screams, focusing upon past films that examine mysterious folklore traditions and mythology.  A few I've reviewed come highly recommended. 

Darkland: The Return: This Danish action thriller is very dark. It follows the earlier film Darkland, in which heart surgeon Zaid was imprisoned for a violent revenge rampage. Here, he is co-opted by a police investigator in a deal that gets him out of prison, enables him to see his son, in return for going undercover to infiltrate the local gangs. Despite moments of shocking violence, this is an impressive film, with a powerful and surprisingly emotional central performance from Dar Salim, as a father caught between two worlds. 

Camino
: Thirty-something Regitze and her father Jan have never got along well, the daughter having always felt marginalised by her parents. Now her mother has just died of cancer and left a dying wish that the two walk the Camino to try to reconnect. What starts off as a low-key film, with some amusing moments, develops into something deeply moving, as the two gradually begin to reveal more of themselves to the other. Adding to an insightful narrative of family ties, is the fabulous backdrop of the Camino, with its quirky hostels, and the characters they meet along the way. 
 
Midsommar
: This 2019 Swedish horror classic is the winner of no less than 27 major awards (plus another 70-odd nominations!) Florence Pugh plays Dani, who travels with her boyfriend Christian to a Swedish midsummer festival. What starts off seeming to be an innocent and flower-strewn event, turns into a nightmare involving ghastly cultish rituals. No supernatural horror is involved here - just the horror of humans inflicting their beliefs and customs on others, and the terror of being caught up in something you can't escape. At 171 minutes, you need to steel yourself for this one, but for lovers of the genre it is richly rewarding.