Thursday 24 August 2023

 August 25th 2023

Sound of Freedom
The Volcano: Rescue from Whakaari  (streaming on Netflix)
Scotty and the Secret History of Hollywood (streaming on Binge)
Run Rabbit Run (streaming on Netflix)
Unknown: Cave of Bones (streaming on Netflix)

As MIFF ends online this weekend, not a heap of new releases have come to my attention. In a world where the horrors of child trafficking are beyond our imagination, Sound of Freedom is an important film. Plus for stay-at-homes, I review two excellent streaming docos for your delectation. And just in case you think I only ever review four-star films, a very brief look at a couple of maybes. 
 
Sound of Freedom
Dir: Alejandro Monteverde
Length: 131 mins
© Icon - a true story of a rescue from an
ever-growng trade in chidren 
This stirring film, based on a true story, opens with a young boy and his sister being abducted in the Honduras. It then moves to the Department of 
Homeland Security, where Tim Ballard (Jim Caviezel) works as a Special Agent with a task force investigating internet crimes against children, specifically child sex trafficking.  After Tim busts a pedophile, the case provides leads which take him further down the rabbit hole, as he attempts to not just expose pedophile rings, but to attempt the rescue of trafficked kids. Tim meets Vampiro (Bill Camp), an ex-cartel dude trying to atone for his sins, and the two head to Columbia, where they mount an undercover operation in the depths of the jungle. The film is thrilling, moving and highly watchable, despite the disturbing nature of the content. Fortunately the nastier details are not explicitly shown; the emphasis is upon the tragedy of the kids, and on Jim himself, a compassionate, brave man with a dogged determination to rescue not only as many kids as he can, but to find one in particular. At times the message is a little heavy-handed, as are the closeups of tear-filled eyes and children's faces. But overall the film is tense and exciting, Caviezel gives a fine empathetic performance, and the message is so important, (stats for child trafficking are horrendous) so why not drum it home? 
4 - highly recommended

The Volcano: Rescue from Whakaari
Dir: Rory Kennedy
Length: 98 mins
Streaming on Netflix 
 ©  Netflix - a tourism tragedy reexamined
In December 2019 a group of tourists headed off to visit the active volcano on Whakaari (White Island) in New Zealand.  They were assured everything would be safe. It wasn't and the volcano erupted, killing 22 people and injuring another 25, many with ghastly burns. This excellent doco is the story of that fateful day and what followed. Using footage from several witnesses' phone cameras, along with recreations of rescue flights and interviews with survivors and relatives of the deceased, this film brings into sharp relief the anticipation of adventure, followed by the terror of the eruption and the lifelong consequences of surviving such an event. The film doesn't go into too much legal detail of who was to blame, or even the inherent risks of adventure tourism, but concentrates upon the people involved, and the many heroic and selfless acts that emerged from the rescue. It also alludes to the history and mythology of the island, sacred to the Maori people. It's an American production with Brian Grazer and Ron Howard involved as executive producers, and the director uses an assured hand to construct a doco that is both chilling, tense, informative and sensitive.
4 - highly recommended

Scotty and the Secret History of Hollywood
Dir: Matt Tyrnauer
Length: 98 mins
Streaming on Binge
© Netflix - Scotty's beaming smile belies
a questionable and sometimes dark past
 
I had just finished watchng a terrific Netflix series called Hollywood, set in the Golden Era of the mid to late 1940s. A group of aspiring actors seek to make it big, some of them getting involved with Ernie West, who runs a petrol station, which is really a front for a "hook-up" business, in which he supplies "escorts" for movie stars who need to keep their private lives a secret. Then, lo and behold, I catch a fabulous doco about a man called Scotty Bowers, who in real life Hollywood provided "full service" to the stars, and then wrote a tell-all book about his exploits. The film opens with Scotty turning 90, then takes us in and out of timelines, showing his current life (he owns five houses each chock full of memorabilia and junk - a real hoarder). Then old clips, photos and interviews surprise us with revelations about just who from the pantheon of stars was a closet gay, who was attending orgies, or having threesomes and foursomes. Gradually a darker side of Scotty's past is revealed, but he remains a cheery soul who is obviously much loved, and, as he puts it, provided a service to people in allowing them to be their true selves in a time where any scandalous revelations would have ended their careers. The film is a salutory critique on the bad old days of demonising homosexuality as well as being funny, touching, informative and, simply, great entertainment.
4 - highly recommended

A couple of Maybes from Netflix:

Run Rabbit Run
Dir: Daina Reid
Length: 100 mins
Streaming on Netflix 
© Netflix 
Sarah (Sarah Snook) gets worried as her child Mia (Lily LaTorre) starts behaving increasingly strangely, claiming she is someone from Sarah's past, and wanting to see her grandmother, Joan (Greta Scacchi) from whom Sarah is estranged. As things get weirder, Sarah must start confronting ghosts from her past. Fans of Succession know just how great Sarah Snook can be. She's pretty good here, as are LaTorre and Scacchi, and the film is engaging despite the many predictable horror tropes. The problem is that the script runs out of oomph towards the end, as if the screenwriters really didn't know how to finish things off. 

Unknown: Cave of Bones
Dir: Marc Mannucchi
Length: 93 mins
Streaming on Netflix 
© Netflix
Paleo anthropologist Lee Berger and his team find a cave of bones in South Africa. They dub the species Homo Naledi, and claim that, although not human, these ape-like creatures engaged in rituals involving burying their dead. If what they claim is in fact true, the story could change current theory of human evolution. 
Too much of the doco is given over to the deep cave structure that had to be navigated by the creatures, but I suspect for fossil and evolution buffs, it will be pretty fascinating.  


Thursday 17 August 2023

 August 18th 2023

Godland
Sanctuary
Barbie - revisited

The biggest viewing excitement for me this week has been revisiting Barbie,  followed by bingeing Series 2 of Apple TV's The Bear. But since I'm not doing many series reviews, here are the other two new releases, plus a further insight into "the pink one"! 
 
Godland
Dir: Hlynur Palmason
Length: 143 mins
© Palace - stark, spare, deeply disturbing.
Can't find much God in all this. 
With a hefty 15 wins and 34 nominations here is a heavy-hitting film set in the frozen wilds of Iceland. A young Danish priest, Lucas (Elliot Crosset Hove), is sent to Iceland to set up a church in a remote Danish settlement. He chooses to travel overland, and along the way 
takes photos with his big cameraOne of his guides, Icelandic Ragnar (Ingvar Sigurdsson) constantly baits Lucas because he resents Danes, but Lucas arrogantly refuses to learn any of the new language, to take advice, or to understand the land around him. As the journey progresses he feels increasingly isolated from his companions and from his faith. He is seriously ill when he reaches his destination, but is nursed back to health. Local girl Anna (Vic Carmen Sonne), against her father's advice, falls for the priest. But the man of God seems to have lost his way, his faith and his integrity. The director's choice to make the film in a square format mirrors Lucas's old fashioned photography, on silver nitrate plates. I find the priest as emotionally cold as the landscape and hard to empathise with. The film is visually arresting, with impressive, sweeping landscapes, and for all the endless trekking through Godforsaken areas it is surprisingly tense. I don't profess to totally understand all the implications, but somehow humans, nature and God are all present, some in harmony with each other and others at odds, while all the while the non-human elements will have the upper hand. This is one of those slow but gripping films that rewards the patient viewer. 
3.5 - well recommended

Sanctuary
Dir: Zachary Wigon
Length: 96 mins
© Kismet - better not hire people to dominate you-
you might get more than you bargained for! 
Rebecca (Margaret Qualley) is hired by wealthy Hal (Christopher Abbott), who is about to inherit his dead father's company. She is a dominatrix and he obviously wants her to humiliate him. But what starts off as a game, with everything carefully scripted by Hal, turns ugly, as Rebecca starts to blackmail him and make unreasonable demands. But wait a minute - is her crazy behaviour real, or still part of Hal's script? First praise for the film: it is superbly acted by the two leads - in fact they are the only characters in this two hander, set in a plush hotel room, that looks the part for a kinky BDSM rendezvous. The twists and turns of the psychological game between them is also tantalising to observe, never knowing from one moment to the next who will get the upper hand, and what is true, especially the things that Rebecca says. The film has been much praised by many critics, but here's the thing for me: I could not emotionally relate to the characters or care anything much for their shenanigans. Yes, it is all very clever, and despite two of the best performances I've seen in a long long while, I felt unmoved by the entire thing. 
2.5 - maybe

Barbie - 2nd viewing!
Dir: Greta Gerwig
Length: 114 mins
© Warner Bros - even better upon a 
second viewing! 

How lucky am I to have a husband who, after reading my review last week, really wanted to see Barbie. So I trekked off for a second viewing. I loved it as much, if not more, than the first time, and saw even more in the subtleties of the dialogue, the sly humour, and the absolute cleverness of the plot. This time I viewed the gender politics in a broader sense, and ended up with a modicum of sympathy for "the Kens", those men also shoehorned into sterotypical, expected roles, unable to have a sense of themselves outside of their designated roles and macho images. I also appreciated the depths of exploration into what it means to be a human being, especially in a very moving scene near the end where Barbie interacts with an old lady, Ruth Handler, the actual inventor of the Barbie doll. Gerwig's juxtaposition of pink-drenched fun, with serious social and existential commentary makes this one of the best films of the year for me. Not to mention Robbie's stunning performance, transitioning from bimboesque Stereotypical Barbie, to a real woman. I've upped my score:
4.5 - wholeheartedly recommended

Wednesday 9 August 2023

 August 10th 2023

Asteroid City
The Deepest Breath (streaming on Netflix) 
Indian Film Festival 

The big release this week is Wes Anderson's latest quirky film. I recommend another terrfic new release streaming on Netflix, along with two strongly recommended films from the Indian Film Festival. 
 
Asteroid City
Dir: Wes Anderson
Length: 105 mins
© Universal - a collor pallette extraordinaire - 
a cast to die for!
Wes Anderson may well be an acquired taste. His films are so idiosyncratic and distinctive. My favorites are definitely Grand Budapest Hotel and Isle of Dogs. Just loved them. After seeing the shorts for this I was very excited: the cast is to die for, the incredible pastel color pallette simply dreamy, and the plot looked intriguing. Out in the Arizona desert a group of junior stargazers gather for a convention, but when an alien pays them a visit, things are somewhat disrupted. Parents of the small fry have their own issues to grapple with, especially a father who has failed to tell his kids that their mother is dead! Ultimately I find myself disappointed in the film. Maybe it's squarely aimed at those already die-hard Wes fans, but 
I find it just a bit too clever for its own good. The device of framing the main story as a movie version of a play (we get to see its theatrical genesis in black and white) is simply too convoluted and unnecessary for my tastes. And that huge cast is magnificent, but one never really gets to connect with any of the characters. There are some very funny set pieces here and there, especially when the kids are playing an intellectual memory game. But somehow Anderson's trademark style of dry delivery of lines falls short of very funny for me. All that said, the film looks simply magnificent; such creative art direction, and again, that cast: Tom Hanks, Scarlett Johansson, Jason Schwartzmann (and a gazillion more iconic names). Furthermore, the film was nominated for a Palme D'Or at Cannes this year, so it must be doing something right, but maybe it just doesn't speak to me. So, Wes-o-philes get along to it, and for thse not au fait with his work, you'll sure get a strong introduction to this quirky film-maker's style.
3 - recommended

The Deepest Breath
Dir: Laura McGann
Length: 108 mins
Streaming on Netflix
© Netflix - freediving is not for the faint-hearted
Alessia Zechhini knew from an early age what she wanted to do with her life - to break the world record for freediving - that is where you take a breath, descend, then come back up. Sounds easy? Not so when you are defying all the laws of nature and diving to depths of more than 100 metres. This gripping documentary feels like a thriller; the divers are holding their breath, but so is the viewer! The story is not only one of the determination and courage of those who participate in this extreme sport, but also a love story. Alessia meets Stephen Keenan, a freediver who becomes a safety diver, those who help the competitors on their quest, sometimes saving their lives when they surface and can barely breathe. The underwater photography is simply stunning, and the tension never lets up, as you are constantly on edge wondering when or if disaster will strike. An inspiring (and terrifying) look at an extreme sport I wouldn't try if you paid me!
4 - highly recommended

Indian Film Festival of Melbourne
August 11-20th
Various Melbourne cinemas plus NGV
For all information visit: www.iffm.com.au

Too many people labour under the misconception that Indian cinema is all about Bollywood - colorful saris, melodramatic love stories and driving music and dance. Sure that's a part of it, but as this festival proves, there is so much more. The festival features 120 films in about 20 different languages that are spoken throughout the sub-continent. Gripping documentaries encourage lively debate on social issues, while feature narratives showcase diverse cultural groups and tell stories that are of universal relevance. The festival also features talks, a dance competition, a flag-hoisting ceremony and an awards night in Hamer Hall.
I've previewed a couple which come highly recommended:
Joram:  Basru, a tribal migrant worker, works on a construction site in Mumbai. When violence comes to his doorstep, he flees with his 3-month old daughter in his arms. A policeman from Mumbai is hot on his trail. He heads back to his homeland, the region of Jharkhand, where his past connections have been the cause of his current woes. The film's taut direction ensures the tension is constant, the emotion and fear for Basru and his tiny daughter ever present, but it is also a very interesting insight into the persecution that tribal people in India still face. They are low in society's pecking order and government and industry try to take their lands without paying. It all resonates with what is a similar problem for indigenous groups worldwide. 
With three nominations for awards in this year's IFFM (Best actor, director and Best Indie Film), this is well worth seeing. 

While We Watched
: Here's another much awarded film that is so relevant in the age of disinformation and increasingly polarised societies. The disturbing documentary follows news broadcaster Ravish Kumar, as he champions the cause of  independent reporting in a country where the rising tide of nationalism is creating a country divided - in which Hindus are setting themselves against Muslims and hate speech proliferates. Along with this comes hostility to journalists who either criticise the government, or even try to impartially report. One can't help but admire a man like Kumar who sticks to his aim of  speaking truth to power, despite the death threats he receives. 

Sunday 6 August 2023

August 7th 2023

On the Wandering Paths
Rachel's Farm
Chevalier
MIFF

The mecca of movie madness has arrived in the form of the  Melbourne International Film Festival. Aficionados don't need my encouragement to get along. But for those wanting their local cinema, several worthy new releases are up for consideration. An injured adventurer hiking across France, an almost forgotten musical talent, and a woman determined to change the face of farming. Something for all tastes. 
 
On the Wandering Paths
Dir: Denis Imbert
Length: 95 mins
© Madman - a moment's reflection after
a catastrophic accident
Sylvain Tesson is a French writer and adventurer. Recently, a wonderful film, The Velvet Queen, documented his search for the Tibetan snow leopard. This latest film concerns Tesson again, but is somewhat darker. In 2014, after too much drinking, Tesson fell from a balcony and did himself a serious damage. After waking from a coma he decided to heal himself by walking across France, a distance of 1300 kilometres and no mean feat for a badly injured guy. Jean Dujardin plays the character Pierre, based upon Tesson and his  book in which he documents his journey. Not a lot happens, but Dujardin is quite magnetic in the role, as he doggedly makes his way along the little-walked paths of France. There's scant dialogue, though no doubt a lot of interior monologue within Pierre, and the scenery is quite spectacular. The time frame toggles from the walk back to Pierre's previous life, the accident, his hospitalisation and rehab, giving a variety to the narrative. Sometimes the lone walker meets a fellow journeyman or a kind stranger in a village. Whether Pierre ever finds redemption and makes up for his devil-may-care earlier lifestyle we never really discover, but going along for the journey is a joy, if stressful and scary at times.
3.5 - well recommended

Chevalier
Dir: Stephen Williams
Length: 108 mins
© Fox Searchlight - a handsome film highlighting
a talent few have heard of 
Ever heard of a classical composer named Joseph Boulogne? Well, neither had I until this highly entertaining film enlightened me. Born in 1745 in Guadeloupe, Joseph (Kevin Harrison Jnr) was the son of a French planter and one of the slave women who worked for him. Joseph was taken to Paris and deposited in a school, where he stood out, not just as a colored boy among all whites, but because of his prodigious talent with the violin. He was made a Chevalier (a French knight) and rose rapidly through the ranks. 
Initially quite cosy with Queen Marie Antoinette (Lucy Boynton) and Princess Marie Josephine (Samara Weaving), he aspires to lead the Paris Opera. But of course his skin color is against him and his life takes a downhill turn from then on. Harrison's Joseph commands the screen with his arrogant stride, his fiery musicianship, and his self-assuredness. It's a rivetting performance. The music is terrific and production values and costuming in recreating France of the era are quite magnificent. Aside from remembering a talent almost lost to history, the story  of prejudice remains relevant to this day. 
4 - highly recommended

Rachel's Farm
Dir: Rachel Ward
Length: 84 mins
© Madman - Rachel gives a ray of hope
that maybe the world is not doomed! 
Film actor and director Rachel Ward gets her hands in the dirt in this inspiring documentary about her commitment to the art of regenerative farming. Rachel and husband Bryan Brown own a 300-odd hectare farm near Nambucca. Bryan has little interest in farming but Rachel has teamed up with neighbour Mick Green to amalgamate their cattle herds and devote themselves to making the dead soil live again, using cow manure and all manner of non-chemical methods, along with native grass plantings. Rachel explains that, when she realised the earth was in big trouble and past farming methods had exacerbated climate change, she could make a difference in her own part of the world. Rachel's enthusiasm, combined with her engaging positivity, makes her a delightful character to spend time with. For anyone with an interest in this area, this short, sharp and lovely-to-look-at film is richly rewarding and could give you a few ideas of your own.
4 - highly recommended

Melbourne International Film Festival
In cinemas until August 20th, online August 18-27
Selected Melbourne cinemas, plus selected regions: Bendigo, Bright, Castlemaine, Echuca, Geelong, Rosebud and Warrnambool
Visit www.miff.com.au for everything you need to know
What can I say that isn't preaching to the converted? As always MIFF presents the best in top class cinema. Aussie films, international, documentaries, shorts and more. This year the Music on Film section includes, among others, docos on Joan Baez, Little Richard and Michael Gudinski. For lovers of horror, as part of the Director in Focus section, the festival features Italian maestro Dario Argento. Another is African director Safi Faye, who helmed the first African film to screen at Cannes. And of course with all the talks, immersive experiences (MIFF XR), food and film events, and more, MIFF has all those elements you love. I've sussed out some of the excellent shorts, in which MIFF highlights the "art of saying more with less", always an eye opening experience for those used to only full length feature films. Shorts are often the launching pad for future world class directors, so with this great selection of narrative, animation, doco and experimental shorts, why not try something new this year.