Hursto's five minute films

Wednesday, 11 April 2018

April 12
Isle of Dogs
The Party
Young at Heart Film Festival

Films from this year's and 2017 Berlin Film Festival are arriving, with a couple of great offerings released this week. And a reminder that the Young at Heart Seniors Film Festival opens next Tuesday, April 17th in Melbourne.

Isle of Dogs
Director: Wes Anderson
Length: 101 min

Stop motion animation is a labour of love. The dedication and creativity that's gone into this amazing film is blatantly apparent, as idiosyncratic Anderson brings his genius to the screen once more! Set in a slightly futuristic Japan, Isle of Dogs is the story of the corrupt mayor of Megasaki (Akiro Ito) who banishes all dogs from the city after an outbreak of "Snout Flu". Mayor Kobayashi's adopted ward Atari (Koyu Rankin) sets out in search of his beloved pet Spots, and lands on Trash Island where the dogs dwell. The film works on numerous levels - it is a delightful, at times whimsical off-centre piece of entertainment, visually splendid, clever dialogue, with canine characters to delight (and that's from a non-doggie lover). This is no cutesie-wootsie puppy play - underneath there is some scathing political satire (complete with conspiracy theories) and biting social commentary. Thematically there is resonance for refugees, concentration camps, lunatic leaders and more. Only the dogs speak English while the humans speak Japanese with no subtitles. Believe me, it works a treat, and the Japanese sensibility of the film, along with Anderson's trademark tableau camera style, only adds to its relentless charm. Actors voicing the English-speaking characters are all notable, including Bryan Cranston, Edward Norton, Scarlett Johansson, Greta Gerwig, Harvey Keitel, Jeff Goldblum, Bob Balaban, Frances McDormand, Yoko Ono and Bill Murray. Wow!! This winner of the Silver Bear for Best Director at Berlin, 2018 is for me almost unmissable.
4.5 - wholeheartedly recommended !

The Party
Director: Sally Potter
Length: 71 min

This short and sweet black comedy is a somewhat strange offering from Potter, of Orlando fame. It feels like a cross between a domestic melodrama, and a social satire upon a certain class of Brits. Janet (Kristin Scott Thomas) is holding a party to celebrate her appointment as Health Minister. Invited friends are a lesbian couple Jinny (Emily Mortimer) and Martha (Cherry Jones), who are expecting IVF triplets. Then there's April (the always wonderful Patricia Clarkson) and soon-to-be-ex-boyfriend Gottfried (Bruno Ganz), and cocaine-snorting Tom (Cillian Murphy). Tom's wife Marianne hasn't arrived and he thinks she's having an affair. As all manner of verbal jousting and personal revelations unfold, the tone of the party degenerates. Meantime Janet's gloomy husband Bill (Timothy Spall) drinks too much and drops a couple of bombshells of his own. Films of people's self-perceptions unravelling at social events always provide a degree of malicious fun, as does this. Shot in crisp black and white, and with an excellent cast, it makes for an entertaining watch. The Party was nominated for a Berlin Golden Bear in 2017.
3.5 - well recommended!

Apia Young at Heart Seniors Film Festival
Melbourne: 17-25 April
Palace Como, Balwyn, Brighton Bay
On March 29th I gave a heads up and four reviews for this festival which only starts in Melbourne early next week, but is already underway in other states. Below are the reviews again, in case you missed them. Plenty of other excellent films are showing in this festival including: Gurrumul, Last Flag Flying, The Bookshop, Aurore, and Return to Montauk. And don't forget the retrospective featuring All About Eve, The Prime of Miss Jean Brodie and A Star is Born.
Return to Montauk, which I'm itching to see, is another nominee for Best Film at the Berlin International Film Festival.
Visit www.youngatheart.net.au for all details.

Chappaquidick: Senator Ted Kennedy (Jason Clarke) made headlines in 1969 when he drove his car off a bridge, killing a young campaign strategist Mary Joe Kopechne (Kate Mara). Even though the facts of the film are part of history, this is a gripping recreation of the events, and a timely look at the corruption and ambition that invariably goes with politics. Clarke's excellent portrayal of Kennedy swings the audience from sympathy, through to contempt.
Desert Bride: This award-winning Argentinian film stars Paulina Garcia as Theresa, a woman who has worked as a maid for one family for 30 years of her life. While travelling to another post, she mislays her baggage. Kindly market vendor Gringo offers to drive her to hunt for it. This gentle film delicately looks at issues of love, change and aging, and somehow its short runtime still allows it to explore its themes in a way that resonates with you long after the film is over.
LBJ: Woody Harrelson delivers a strong performance as vice president Lyndon Johnson, who was dramatically swept into office when Kennedy was shot. The film examines Johnson's inner insecurities and the tasks he grappled with in healing the nation and moving forward with JFK's vision.
Sea Dreaming Girls: sweet and heart-warming Italian doco about a group of elderly ladies who live in a remote Italian mountain village and have never seen the sea. In honour of their social club's 20th anniversary, they decide to raise money for a seaside jaunt. This is a delightful story, showing it's never to late for new things in life.

4 - the festival is highly recommended!

Wednesday, 4 April 2018

April 5
Walking Out
Scaffolding
Pop Aye

Three very worthy films this week - from the USA, Israel, and Thailand. Two have father/son themes, despite being very different. The third is an elephant lover's delight.

Walking Out
Director: Andrew J Smith & Alex Smith
Length: 95 min

Winner of the Grand Jury Prize at Sundance 2017, this powerful drama set in the Montana wilderness surprised me, as I'd not heard a peep about it beforehand. David (Josh Wiggins) visits his estranged father Cal (Matt Bomer) for a bit of father/son bonding over a hunting expedition. Aiming to bag a moose, the fellas head off into stunningly beautiful but inhospitable terrain. When both are injured in a terrible accident, they must confront their deeper feelings and tap into inner strengths. Aside from the magnificence of the cinematography, this is a surprisingly moving and tense drama, exploring male relationships (including flashbacks of Cal's relationship with his Dad (Bill Pullman), who taught him hunting skills. There are resonant themes about family and tradition under the surface, and Cal's almost conservationist attitudes to hunting are a pleasant revelation! This is top-level indie American film-making.
4 - highly recommended!

Pop Aye
Director: Kirsten Tan
Length: 102 min
Exclusive to Cinema Nova

Middle-aged architect Thana (Thaneth Warakulnakroh) is jaded with his life, both maritally and work-wise. When he comes across Popeye, an elephant he knew from his childhood, he buys the animal, leaves Bangkok and heads off across Thailand to the village where both he and Popeye enjoyed their carefree younger years. This tale reminds me a little of a favourite road trip film, The Straight Story. Both feature rambling, meandering journeys, meeting folk and having low-key whimsical encounters. In Thana's case, he comes across a hippie living rough, a transgender woman, and a couple of truck drivers who kindly put the elephant in their truck to spare its sore feet. Bong, who plays Popeye, is the star - appealing and pretty charismatic as far as elephants go. While not a lot happens, there is a melancholy sense of the destruction of much of Thailand's tradition in favour of progress. Maybe reconnecting with an animal could solve the modern malaise of alienation and depression? Pop Aye is a delighful diversion, and jumbo lovers should adore this film.
3.5 - well recommended!

Scaffolding
Director: Matan Yair
Length: 90 min
Exclusive to ACMI and Classic Elsternwick

Scaffolding is another film with a strong father/son thematic. Winning numerous Israeli Film Academy Awards, this intense drama is the story of 17-year-old Asher (Asher Lax), a trouble maker at school, and part-time worker for his Dad's scaffolding company. Asher's teacher Rami (Ami Smolartchik) is a kind, gentle man, handling the rowdy non-achieving class of boys with patience and understanding and offering a different model of what it is to be a male. Rami, unbeknown to his pupils, deals with his own demons. Asher is torn between his father's expectations of his entering the family business, and his inspiration from Rami that life may offer other possibilities. This is refreshingly different from many other Israeli films I've seen that deal in politics or religion. It is gritty, and authentic (Yair comes from a teaching background), and is a powerful contribution to the "inspiring teacher" genre of film. Performances from Lax and Smolartchik feel absolutely real, and there is a deep compassion to the story.
4 - highly recommended!

Wednesday, 28 March 2018

March 29
Early Man
The Death of Stalin
1945
The Other Side of Hope
Young at Heart Seniors Film Festival

It's a big week of releases, and the start of another festival in some states. From claymation, to political satire, to intense drama - there is something for everyone.

Early Man
Director: Nick Park
Length: 90 min

Lovers of films from Aardman (Wallace & Gromit; Saun the Sheep) should get a lot of fun from the studio's latest creation. A tribe of prehistoric folk have their lives disrupted when a mob from the Bronze Age invade, and forcibly remove them from their valley, where bronze has been found. Spirited caveman Dug discovers that the Bronzemen play football, a game invented by his ancestors. So the challenge is on, with the promise if the cavemen win, they can go home. Silliness abounds, from physical humour, through to not-so-subtle satire, and a lot of archetypically British puns. One can predict the story arc, but there is a lot of good fun to be had. The character of Hognob, Dug's trusty piggy companion (grunted by Park himself), is especially engaging, while other famous Brit thespians bring life to the endearing characters: Timothy Spall, Tom Hiddleston, Eddie Redmayne and Maisie Williams to name a few. Production values are terrific, and whenever I watch Aardman creations, I find myself in awe afresh at the hours that must go into making one of these films.
3 - recommended!

The Death of Stalin
Director: Armando Ianucci
Length: 107 min

In March 1953 Joseph Stalin had a stroke and died. Political machinations and back-stabbing erupted to see who would take his place. This dark satirical film is based on the historical events, and is inspired by comic graphic novels that also dealt with that period of Soviet history. Perhaps the graphic novel connection helps give the film its weird juxtaposition of thuggery, humour and satire. Tyranny, terror and a despicable dictator are rich fodder for this sort of comedy, but there are plenty of old-fashioned situational laughs among the satire. All the loathsome, corrupt, ambitious Soviet apparatchiks are played superbly, with a variety of assorted accents (apparently deliberate) while Steve Buscemi is a stand-out with an eerily lifelike performance as Nikita Kruschev. Lovers of political shenanigans should get a lot out of this film.
3.5 - well recommended!

1945
Director: Ferenc Torok
Length: 91 min
At ACMI and Elsternwick Classic (starting at Lido next week)

Two black-clad men disembark from a train in a small Hungarian village just after the end of the war. The townsfolk are preparing for a wedding, and the arrival of the men, Orthodox Jews, sends them into a panic, as many of the villagers are living in Jewish homes, stolen from the rightful owners when the German deported the Jews to the death camps. This remarkable film is shot in black and white, giving it a melancholy and historical feel. The camera doggedly follows the two men with their mysterious crates loaded on a horse and cart, while concurrently the town's interpersonal dramas play out, all revealing what unpleasant people most of the villagers are. The twist at the film's end is something unexpected, and packs a powerful wallop.
4 - highly recommended!

The Other Side of Hope
Director: Aki Karismaki
Length: 100 min

Khaled (Sherwan Hadji) is a young Syrian refugee who finds his way to Helsinki, Finland. Wikstrom (Sakari Kuosmanen) is an ex-salesman who leaves his family, wins money in a poker game and buys a run-down restauarant. When he meets Khaled sleeping behind the resto, he gives the lad a job as a dishwasher. The lives of two men escaping their pasts are thrown together. Karismaki is an idiosyncratic film-maker who handles interesting social themes beneath his deadpan humour and occasional wackiness. He also loves to include musical vignettes in his films, and so it is with this one. The characters are all handled with great affection, as Karismaki hopes to change people's stereotyped attitudes to refugees. Humour, poignancy and a story about kindness in the face of bureaucracy make for good
viewing in this much awarded film.
3.5 - well recommended!

Apia Young at Heart Seniors Film Festival
2-25 April - varying by State
Melbourne: 17-25 April
Palace Como, Balwyn, Brighton Bay
Visit www.youngatheart.net.au for all details

Again this year's festival features a terrific range of films, as well as a retrospective featuring leading ladies of cinema. This includes Bette Davis in "Whatever Happened to Baby Jane", Judy Garland in "A Star is Born", and Maggie Smith in "The Prime of Miss Jean Brodie". I've already previewed a selection, and will bring you more as they come.

Wednesday, 21 March 2018

March 22
Mary Magdalene
Divine Order
Pecking Order
The Endless

Easter is nearly here so what better time to bring out another Jesus story. This week sees the release of Mary Magdalene in the mainstream department, along with two excellent Nova exclusives and a film from a land that doesn't seem to send many films down under - Switzerland.

Mary Magdalene
Director: Garth Davis
Length: 120 min

best known stories from a feminist perspective

The ubiquitous Rooney Mara plays Mary Magdalene, in a new slant on the Jesus story. Mary leaves her family to join a group of disciples who follow Jesus (Joachim Phoenix), a charismatic rabbi who is preaching and fomenting uprising against the ruling Roman Empire. This is an intriguing perspective on how life may have been amongst the poor folk of the Jewish community as against the money-grabbing doyens of the Synagogue. Cinematography is impressive, and nothing is made too glossy (except for Mary, who always looks too clean and freshly scrubbed). The story starts languidly in Mary's village, then moves along at a cracking pace, with big jumps in the timeline, making it occasionally feel fragmented. Phoenix gives quite a different (but strong) take on the outspoken Jesus, but Mary, although almost an early feminist, indulges in too many longing looks. It's a mixed bag, but nevertheless I find it beautiful to look at, and engaging viewing, despite having no idea of its theological accuracy.
3 - recommended!

The Endless

Director: Justin Benson and Aaron Moorhead
Length: 111 min
Exclusive to Cinema Nova

Brothers Justin and Aaron (played by the directors) live impoverished lives in LA after leaving Camp Arcadia, home to what Justin calls a "UFO death cult" where they spent their young years after their mother's death. After receiving a strange videotape, they decide to revisit the place, believing that all the members may have staged a mass suicide. But they find life going on much as they remembered it, with friendly welcoming people who seem not to have aged. But there is a pervasive edge of unease and soon things get creepy with happenings defying the natural laws of time and nature. The brothers realise they are at risk of getting caught up permanently in a strange time loop. Sound weird? Sure is!! This is low-budget but intense, disturbing and highly imaginative film-making. The Endless challenges the brain, captures the imagination and should especially appeal to fans of a genre that is somewhere between horror and sci-fi.
4 - highly recommended!

The Divine Order
Director: Petra Biondina Volpe
Length: 96 min

Switzerland in the early 1970s: women still do not have voting rights - aghast!! Nora (Marie Leuenberger) is a wife and mother who gets involved with the burgeoning women's movement, fighting for a right that most women around the world already have. That this is based on truth is compelling, and the subject matter of oppression, women fighting for their rights, and ever-present misogyny is always relevant in today's world. But something about the film's uninspired directing style, large time leaps and bland characterisations takes away from its potential impact. The very subject matter should have given rise to a far more powerful film and the ending is too sudden and too neat. Leuenberger is fine as the timid Nora with a good balance between strength and self-effacement. The film HAS won quite a few awards at various festivals, including being Switzerland's entry for Best Foreign Film in this year's Oscars. Ultimately though it doesn't linger long in my memory.
2.5 - maybe!

Pecking Order

Director: Slavko Martinov
Length: 90 min
Eggsclusive to Cinema Nova

The Christchurch Poultry, Bantam and Pigeon Club is the subject matter for this unexpectedly delightful and quirky doco. In the lead-up to the National Championships we meet a variety of club members, all fanatical about their birds, but many with their own feathers ruffled as to the running of the club. We follow the battle for club president, with die-hard traditionalist Doug not wanting to cede power to the younger Rhys. Meantime chook fanciers of all ages work tirelessly to get their birds ready for the big day. It's quite an eye-opener for the uninitiated to see how much love, washing, and blowdrying go into the preparations. Many of the characters border on the seriously eccentric, while the variety of breeds of feathered friends is impressive. All in all, the doco is great fun and simply chookalicious!
3.5 - well recommended!

Wednesday, 14 March 2018

March 15
Kangaroo
Human Flow
That's Not My Dog! (Limited season Mar 15-18)
Melbourne Queer Film Festival (15-26 March)
The Mercy

Wow - what a week of watching! New releases come thick and fast, I've caught up with one of last week's releases, and I've watched plenty for the fabulous Melbourne Queer Film Festival, which opens tonight.

Kangaroo
Director: Kate McIntyre Clere & Mick McIntyre
Length: 99 min

Many people would say they love our national animal, the kangaroo. Yet how many are aware of the brutality involved in the so-called kangaroo "cull" and its associated kanga meat industry? Be warned - this is a confronting film, which pulls no punches in depicting the cruel slaughter of these creatures. From carcasses gathering bacteria on the back of utes, to dismembered kangas, to orphaned joeys - it's all there. The film attempts some debate as to whether the creatures are actually a pest on farmland, or whether there are enough of them for a sustainable meat industry. However, the directors' hearts are firmly on their sleeves in maintaining the meat industry should be totally shut down. There is some fabulous drone-shot footage of the world's largest marsupial traversing the outback, and the revelations here should give much food for thought and public debate.
3.5 - well recommended!

Human Flow
Director: Ai WeiWei
Length: 140 min

How lucky we are to live in Australia. How desperately unfortunate are the refugee communities explored in this important and sweeping documentary. Artist/activist/ filmmaker Ai WeiWei makes an epic journey to many of the world's refugee communities, from Africa to Greece, Jordan to Germany - anywhere the 65 million currently displaced people are or have come from. (This is the greatest movement of displaced humanity since World War 2.) Ai moves from a broader overview, including shocking facts and figures, to the intensely personal, choosing to often focus upon the sad faces of his subjects. Ai uses a realistic style of shooting, often including himself in the scene. He talks to people of their experiences, bringing an intimacy and humanity to the overwhelming subject matter. Amidst the despair he finds laughing children, resilience and hope. The film is perhaps a touch long but the content is so confronting and sobering, that it becomes important viewing to bring some insight, compassion and rationality into one of today's most pressing and controversial situations.
4 - highly recommended!

That's Not My Dog!
Director: Dean Murphy
Length: 88 min

I've got a soft spot for Shane "Kenny" Jacobson. He seems like an all-round amiable nice guy. He's just thrown a party, and asked people not to bring anything, except their favourite jokes. And that's the questionable premise of his latest film: 1.5 hours of joke telling and music. Shane and some of his close comedian buddies (Paul Hogan, Jimeoin, Fiona McLaughlin and plenty more) gather to drink, listen to music and tell jokes, ranging from clean to majorly ribald. Some top musos (The Black Sorrows, Russell Morris, Adam Brand, Dan Kelly and The Meltdown) entertain in the background, and occasionally the director cuts to feature them. The film feels like a homage to Shane's Dad, Ron, who is credited with having made Shane laugh all his life. Shane returns the favour, by bringing a laugh to Dad and audiences. You'd better not be a prude, because a lot of the jokes are majorly politically incorrect with sexism and dubious humour! The movie is well shot, but there's absolutely no plot, just laughs (which isn't all bad).
2.5 - maybe!

Melbourne Queer Film Festival (MQFF)
15-26 March 2018
Cinemas: ACMI, Nova and Kino
For synopses and timetables and ticketing, go to:
www.mqff.com.au

Lucky me - I again get to preview a whole assortment of the fab films that are part of this always splendid festival. There are so many stories to which everyone can relate, and some truly top-shelf film-making. No scoring, I've just ranked them in my order of enjoyment.

Close Knit: Fresh from the Japanese Film Festival, this sublime film tells of 11-year-old Tomo who, after ongoing neglect by her mother, goes to live with her uncle, Makio. Makio lives with his transgender partner Rinko, and the three set up an unconventional family. The delicacy and warmth of the story-telling makes for a sure-fire winner, which is both poignant and heart-warming.

Steve Coogan and Paul Rudd in a quirky comedy

Ideal Home: You gotta love Paul Rudd and Steve Coogan playing long-term live-in lovers, who hold wonderful parties and bicker constantly. Paul (Rudd) is a TV director and Erasmus (Coogan) a flamboyant chef who hosts cooking shows. When Erasmus's hitherto unknown grandson, Bill, turns up on the doorstep, a new take on the idea of family is born. This is Coogan at his best, with Rudd a perfect foil as the long-suffering partner. The script is witty, touching and heaps of fun.

Alaska is a Drag: Leo, who works at a fish cannery in Alaska, is the only gay for miles. His beloved sister has cancer, and he is picked on at work. When handsome Declan turns up, both men go into boxing coaching, while Leo also decides to enter the Miss Drag America contest. This is a heart-warming cute story, with much affection for its main characters, who manage to enjoy their lives despite everything.

Queerama: A treat for all film lovers, this doco examines changing LGBTI life through the medium of British film over the past century. Opening with a voice-over expressing archaic attitudes, along with clips from old films, it moves through the changes in society, and filmic representation of those changes, featuring iconic moments from many seminal films dealing with queer life.

The Cakemaker: Thomas is a top pastry cook in Berlin. Once a month he meets with his lover Oran, who works for an Israeli/German company. When Oran is killed in an accident Thomas goes to Jerusalem, and works in the cafe run by Oran's widow, who is unaware of Thomas's connection to her deceased husband. This is a gentle and moving film, beautifully shot, suffused with emotions of love and loss.

Paths: Paths tells a story to which so many can relate - the arc of a long-term relationship, from falling in love, bringing up a child together, then drifting apart, without really knowing why. The lead performances of Mike Hoffman as Andreas and Mathis Reinhardt as Martin are sensitive and utterly believable. A tender, sad story.

Signature Move: Being lesbian, a Pakistani Muslim and living with your mother in Chicago ain't easy. Mother wants to marry off Zaynab but she has other ideas. Zaynab takes up wrestling and meets Alma, a gorgeous Spaniard. This is classic rom-com stuff - hearfelt, plenty of laughs, and culture-clash themes coming thick and fast.

Mr Gay Syria: Shot in Turkey, this doco look at the lives of two Syrian gay refugees involved in the Mr Gay Syria pageant. One is leading a double life with wife and child in Istanbul. The "double-trouble" issues facing people who are not only fleeing warfare, but also sexual persecution, are highlighted.

Rift: Touted as Scandi-noir, Rift feels more like a semi-horror film. Gunnar responds to a phone call from his ex boyfriend Einar, who is living in a remote summer house in Iceland. As the two attempt to reconcile their relationship, there seems to be a strange presence in the isolated house. Creepy at times, but not really memorable.

Mansfield 66/67: A look at the final years of Hollywood bombshell Jayne Mansfield. Framed within a theatrical presentation I could have done without, the film nevertheless sheds a fascinating light on Mansfield's bizarre and melodramatic life, culminating in her relationship with Satan worshippers, and her untimely death.

The Melbourne Queer Film Festival is wholeheartedly recommended!

The Mercy
Director: James Marsh
Length: 102 min

In the mid 60s, amateur sailor Donald Crowhurst (Colin Firth) decided to enter a round-the-world race to bolster his failing business. He heads out ill prepared, leaving wife (Rachel Weisz) and three loving kiddies behind. When trouble looms, rather than admit defeat, he goes into a major deception as to his whereabouts. Based upon a true story, this film depicts a man going slowly bonkers from the long months at sea, and the dilemma of being unable to go on, but unable to turn back. Firth does it very well, and the director eschews blockbuster style effects for a more measured and believable glimpse of what true fear (of failure and of the sea) means. This film sure stressed me out, as did my infuriation at Donald's rank stupidity to even think of attempting such a stunt. This is good, solid Brit film-making.
3.5 - well recommended!

Wednesday, 7 March 2018

March 8
In the Fade
12 Strong
The Space In Between: Marina Abramovic in Brazil

With Oscar barely done and dusted, it's time to get down to business again. I was pretty pleased with the Oscar outcome, and what a splendid bunch of films they were this year. You can still catch up with many of them in our cinemas. This week a fine film from top German/Turkish director Fatih Akin hits the screens, along with something so unusual it could be good viewing for fans of faith healing and other questionable rituals. And another war film, on post 9/11 military actions in Afghanistan.

In the Fade (Aus dem Nichts)
Director: Fatih Akin
Length: 106 min

Katja (Diane Kruger) suffers the ultimate loss when her husband Nuri and little son Rocco are killed in a bomb blast. Nuri's friend and lawyer Danilo (Denis Moschitto) assures her the accused will pay, but after a gruelling trial things do not go as Katja hopes. All she wants is justice. Director/writer Akin knows too well the prejudice Turks in Germany have been subject to. Neo-Nazi attacks on immigrants inspired his latest film, for which Akin won the Golden Globe for Best Foreign Language Film and Kruger Best Actress at Cannes. She is front and centre in a mesmerising performance that spans the emotional gamut from unfathomable grief, through to steely determination. The film deals in strong themes of redemption (Nuri was a drug dealer who goes straight), police attitudes, justice and the rising tide of far-right extremism in today's world. Powerful and layered film-making.
4.5 - wholeheartedly recommended!

12 Strong
Director: Nicolai Fuglsig
Length: 130 min

As my theatre seat vibrates and army helicopters sweep across the screen I think to myself, "This feels like a Jerry Bruckheimer film". Well, it is, and that legendary producer brings all the sound and fury for which he is known to this almost unbelievable true story, until now militarily classified. Following immediately upon the 9/11 attacks, America dropped the first forces behind enemy lines. These elite soldiers, Green Berets, were suddenly wrenched from their families and sent to northern Afghanistan. There they teamed up with General Dostum and the so-called Northern Alliance, a motley band of warlords who were fighting among themselves. While the US dropped bombs from above, combined US and Afghan fighters charged in on horseback to wreak devastation on the Taliban. I'm not one for watching the endless horrors of warfare, but this is well directed, so we feel (inasmuch as one can) the horrendous privations of fighting under such conditions, and the heroism of all involved. Chris Hemsworth shines as Cptn Mitch Nelson, with able support from the likes of Michael Shannon and Michael Pena. As expected there is a bit too much of the usual US jingoism, but it's a strong and gripping film.
3 - recommended!

The Space in Between: Marina Abramovic and Brazil
Director: Marco del Fiol
Length: 96 min

Marina Abramovic is a Serbian performance artist who is renowned for going to physical extremes in the name of her art. In this unusual doco she heads off to Brazil in search of spiritual healers. She starts with John of God, a faith healer who performs "operations" on conscious patients to remove their disease (I've seen other docos on him - I think he's a fraud!) She meets various locals who deal in all manner of spiritual and religious healing rituals - plant healing, mud healing, egg healing, and ayahuasca, which has a dramatic purgative effect! Marina talks of faith and the link between ritual and her art as she subjects herself to all manner of indignities, while the practitioners explain their craft. I admire her openness, enthusiasm and willingness to experiment, but I am not a good judge of this type of film. I am somewhat skeptical and ignorant of the fields of both performance art and spiritual healing, hence the subject matter gets in the way of my objectiveness.
2.5 or 3 - it's a maybe for me, but recommended for anyone with a strong interest in the field