Tuesday, 23 December 2025

 December 24th  2025

My Brother's Band
The Housemaid
Urchin
Sentimental Value
Hurstos Top Films of 2025

And so the year closes, with only the Boxing Day films yet to release. And they are such winners, as you will see from my high scores here. I've still to catch one more, and will be unable to review the New Year's Day films until after their release, so for now I'll take a short break of a couple of weeks and be back with you in 2026. Meantime have a wonderful festive season, enjoy whatever you are celebrating, and watch a lot of good movies. Here's to another year of terrific films, and hopefully more peace and harmony in the world. 

My Brother's Band
Dir: Emmanuel Courcol
Length: 103 mins
© Palace - love, kindness and music -
a powerful combo in a gorgeous French film
Thibaut (Benjamin Lavernhe) is a world-renowned orchestra conductor. When he is diagnosed with leukemia and needs a bone marrow transplant, he learns that he was adopted and has a brother, Jimmy (Pierre Lottin). The two are chalk and cheese - Thibaut was adopted into an upper class family, while Jimmy was raised in humbler surrounds, and is now trombone player in a community brass band. This film received many nominations in the French Cesars and had the most ever votes as audience favorite at the San Sebastian film festival. I can totally see why. There is a tenderness to this story that is executed so well, avoiding formulaic schmaltzy dialogue, and yet bringing me to floods of tears with its humanity, kindness and optimism. The contrast is ever-present between Thibaut's priveleged world of refined classical music, and Jimmy's working class town where workers are striking against the eventual closure of their factory. But it's the relationship that slowly develops between two strangers that is so deeply emotional. I guess if I'm honest there is a soupcon of emotional manipulation, but with the beautifully drawn characters, the lovely music, and the uplifting message, for me it's a total winner.
4.5 - wholeheartedly recommended

The Housemaid
Dir: Paul Feig
Length: 131 mins
© StudioCanal  - what secrets lurk in the
homes of the rich?!
Millie (Sydney Sweeney) is interviewing for a job as a housemaid at the opulent home of Nina Winchester (Amanda Seyfried). The women are seemingly polar opposites; Millie has been sleeping rough, while Nina is groomed and 
very upper-crust. Surprisingly, Millie gets the job and discovers her quarters will be in a spartan attic, which only locks from the outside. Enter the rest of the Winchester family: spoilt brat Cece (Indiana Elle) and handsome hubby Andrew (Brandon Sklenar). The scene is set for conflict, thrills and unexpected revelations, with neither Nina nor Andrew being what they initially appear to be. What starts out as a conventional thriller eventually veers off into something quite different, keeping the tension but heading into moments of deliciously black comedy, inviting us to gasp in horror and laugh at the same time. Seyfried and Sweeney are fabulous in the thrust and parry of their complex relationship, with Nina's psychological shenanigans being at times over the top, all in the service of an excellent plot (based upon a best-selling novel). While some of the underlying themes are in fact to be taken very seriously, this is a film to simply surrender to and enjoy as a shock-schlock, gasp-inducing entertainment.
4 - highly recommended

Sentimental Value
Dir: Joachim Trier
Length: 133 mins
© Madman -  family relations and artistic ambitions
combine, in a deeply moving film  
Here's a statistic for you: so far 22 wins and another 143 nominations, including for the upcoming Golden Globes. So it seems that this film is serious contender. It's the story of Norwegian film director Gustav Borg (Stellan Skarsgaard), and his two estranged daughters, Nora (Renate Reinsve) and Agnes (Inge Ibbsdotter Lilleaas). The family's history is full of trauma, over two generations, among them Nazi persecution; suicide, and the absent father in the form of Gustav. He turns up again when the sisters' mother dies. He has come back to filmmaking after 15 years to write a script based around his own mother, and wants Nora, a theatre actress, to star in it. When she declines, he engages upcoming American actress Rachel Kemp (Elle Fanning) for the role (an inappropriate choice). This film contains deeply interwoven thematic and emotional intricacies, and it is impressive to see the way that the three leads embody these emotions, often wordlessly, with subtle facial gestures alone. Less is more in this style of acting, and these are strong, honest and deeply moving performances. Sentimental Value also examines the role of using art to resolve personal issues, and the significance of the 
family home (almost a character in itself) as a repository of events and memories. Certain scenes are a little too long, but overall this is an insightful and challenging look at how families and their fraught histories can make or break us.
4 - highly recommended

Urchin
Dir: Harris Dickinson
Length: 100 mins
© Rialto - trying to make a new life
can be near impossible for addicts
Yet another highly-lauded film, this has won the prestigious critics prize for Best Film and Best actor at Cannes. Mike (Frank Dillane) sleeps rough on the streets of London and is addicted to drugs. After he assaults a man who tries to help him, he serves a few months in jail, and upon his release social services give him a chance at a new life - temporary housing, and a job cooking in a hotel restaurant. Can Mike turn his life around?  Dillane's stunning performance brings an empathy and likeability to Mike, and yet we sense the demons that constantly lure him back to self-destruct mode. The film doesn't seek to judge Mike, but does portray the childishness and unrealistic attitude he has to life, blaming others and being unable to grasp the opportunitiy to break the vicious cycle of dependence. Urchin is not an easy film to watch, although the director brings lighter moments, such as Mike going to karaoke with his new friends, and other times retreating in his head to some visually interesting places - deep caves and forests, suggesting either his feeling of despair and being trapped, or perhaps a richer inner life than his exterior aimlessness. This is a solid directorial debut, with Ken Loach and Mike Leigh slice-of-life overtones, and a determination to never give the audience feel-good easy solutions to a problem that afflicts inviduals and society at large. And Dillane is just superb!
4 - highly recommended

Link for updated index
I promised to regularly update the index of all the films I've reviewed on this site over the past ten year. This update is to mid-December this year. 

Hurstos top films for 2025
It's always a tough decision to choose my top films each year. Here they are, not in any particular order:
Flow
Life of Chuck
Sinners
A Complete Unknown
Hans Zimmer and Friends: Diamonds in the Desert
Frankenstein (Netflix)
Train Dreams (Netflix)
My Brother's Band
Before What Comes After
One Shot with Ed Sheeran (Netflix)

Honorable Mentions: 
Bob Trevino Likes It
Emilia Perez
One Battle After Another
The Story of Souleymane
The Brutalist
The Count of Monte Cristo 

Sadly not too many Aussie films caught my attention (though I certainly missed quite a few), but notable were:
Kangaroo
Kangaroo Island
 
Top documentaries:
Billy Joel: And So It Goes
Put Your Soul in Your Hand and Walk
Signorinella Little Miss (Aussie doco)
But Also John Clarke (Aussie doco)

Thursday, 18 December 2025

December 19th  2025

Avatar: Fire and Ash
The History of Sound
Steve (streaming on Netflix)
After the Hunt (streaming on Prime)

Blockbuster! The third in the Avatar franchise arrives. The other three films reviewed are somewhat less mainstream fare, each distinctively different, two of them for home streaming. 
Coming next week: Hursto's top films for 2025

Avatar: Fire and Ash
Dir: James Cameron
Length: 197 mins
© 20th Century Studios - a visual stunner
The original Avatar in 2009 blew me and the rest of the world away. It made my top ten for the year. Unfortunately this third film in the trilogy won't. But not because it isn't visually and technically spectacular, but simply because it is too long, tries too hard to be epic, and ends up feeling bloated. Your fave characters are still here - Jake Sully (Sam Worthington), a US marine now inhabiting a Na'vi body and married to native Pandoran Neytiri (Zoe Saldana), along with his four kids. Antagonistic marine Quaritch (Stephen Lang) plays a large role, while the new villain of the piece is Varang (Oona Chaplain), vicious and seductive leader of a war-mongering, seemingly brainless tribe, and in cahoots with the humans on the planet. Building a new world is definitely the franchise's forte: every visual is breath-takingly lovely, and Cameron's awesome action scenes are filled with sound and fury - it's just that there are too many of them and they are too repetitive
. We revisit the old theme of the humans (or sky people) as the Na'vi call them, being hellbent on pillaging the planet they are trying to colonise, killing all the Tulkun (whale-like creatures) for age-defying substances in their brains, and their new mission: capturing Spider, Jake's adopted son, as he has learned to breathe the air on Pandora, and this would really give the humans an advantage. I certainly enjoyed immersing in the world, (how could one not?) Seeing it in 3D is almost mandatory, but a bit of serious editing and script tightening may have given Cameron the epic he was aiming for.
3 - recommended

The History of Sound
Dir: Oliver Hermanus
Length: 128 mins
© Universal - melancholy with strong
lead perfs and great music
Lionel (Paul Mescal) is a country boy with a gift for music. At the Boston Conservatory in the early 1900s he meets fellow student and composer David (Josh O'Connor) and the two instantly connect and become lovers. War interrupts their life, David is posted, but on his return he invites Lionel to join him on a trip, collecting and recording traditional American folksongs. But their ways part again. Years later, and after various relationships with men and women, Lionel decides to track down David, and to hopefully find the wax cylinders on which they recorded the music. This film has a melancholy understated lyrical quality, redolent of longing and nostalgia. While both Mescal and O'Connor perform wonderfully, the film is a little coy about their forbidden love, not letting us ever feel the depth of their passion. The music collecting is an interesting insight into an era of US folk music (also highlighted in the film Songcatcher), and the film's style and production values cannot be faulted. 
I'm not sure if the film is a love story, a homage to folk music, or a meditation upon loss. I guess it's all three, and while I'm not 100% emotionally drawn in by the handling of any single one of these themes, the film makes for worthwhile and engaging watching.
3.5 - well recommended

Steve
Dir: Tim Mielants
Length: 93 mins
Streaming on Netflix
© Netflix - a teacher battles himself
and the disturbed boys of his school
Steve (Cillian Murphy) is head teacher at a boys' reform school. The movie follows one chaotic day in the life of the students and the staff. A film crew comes to document the school, and one of Steve's favorite students Shy (Jay Lycurgo) has a near meltdown. The frenetic and immersive style of the film puts the viewer front and centre into the school environment, with constant crises, both small and large. As the movie crew shoot, we get an insight into the boys as they are asked to describe themselves in three words. The staff battle overwhelming odds. Emily Watson plays the school counsellor, trying to maintain a modicum of sanity, but it is Steve who obviously adores the boys but has his own demons of guilt and addiction to overcome. Featuring a gripping performance from Murphy, this is a film that never feels comfortable to watch, but is so important on many levels, dealing with the dedication of teachers, mental illness, and the compassion needed to mend broken lives and a broken system.
4 - highly recommended

After the Hunt
Dir: Luca Guadagnino
Length: 138 mins
Streaming on Amazon Prime
© Prime - the acting is stronger
than the convoluted plot
University academia can be a somewhat rarefied area. But when it gets down to "he said, she said" allegations of sexual harrassment, people are often dragged from their lofty perches. So it is in this provocative, sometimes muddled tale of professor of philosophy Alma (Julia Roberts), her co-worker and friend Hank (Andrew Garfield), and star student Maggie (Ayo Edebiri, well known from The Bear). The number of issues and plot twists are at times too overwhelming and convoluted, but there's no denying the quality of the acting on show here, from the leads and all supporting cast. The film can certainly provide a strong catalyst for conversations on class, academia, truth, and the ever-murky realm of human relationships.
3 - recommended




Thursday, 11 December 2025

December 12th  2025

Kokuho
The Golden Spurtle
Train Dreams (streaming on Netflix)
The Lost Bus (streaming on Apple)

Another wonderful week for film. The streaming offerings just get better, while the big screen volume of films is ramping up, as is award season! 

Kokuho
Dir: Sang-il Lee
Length: 178 mins
© Palace - personal drama interwoven with
revelations on a traditional Japanese art form 
Say the Japanese word "kabuki" and I tend to think - "boring"!  This beautiful film is anything but boring, and shows the intricate Japanese art form in an intriguing light, all set in a plot revolving around friendship, ambition, rivalry and dedication to one's art.  In Nagasake in 1964 young teen Kikuo (Ryo Yoshizawa) witnesses the killing of his yakuze father. He is then adopted out to a family headed by a top Kabuki actor, Hanjiro Hanai (Ken Watanabe). Alongside his own son, Shunsuke (Ryuseai Yokohama), Hanjiro trains the boys rigorously, sometimes brutally, until they start to master the craft. The film then follows the lifelong friendship and rivalry of the pair. There is an intense depth to this film, which operates on many levels. First we have the showcasing of a beloved Japanese artform with its amazing costumes and vocal gymnastics. (Difficult for Westerners to understand, but this film is an eye-opener). Then the film examines the strictures of that society which make it hard for the highly talented son of a gangster to get his due respect, despite an incredible talent. Then we have the friendship and rivalry than runs over 50 years, making the film epic in its narrative, and its runtime! If you're prepared to totally immerse in a new world, you will be richly rewarded by this lovely film.
4 - highly recommended

The Golden Spurtle
Dir: Constantine Costi
Length: 75 mins
© Umbrella - like or loathe porridge - 
this contest highlights the oat!
Water, oatmeal and salt - the marriage of these ingredients can create the perfect porridge. But who would have thought this humble breakfast food could give rise to a world championship competition? That's exactly what this short and sweet doco deals with. In the picturesque Scottish town of Carrbridge, contestants come from all over the world to try their hand at cooking the perfect porridge in 30 minutes. This is quintessentially British fare - the usual quirky characters, an offbeat style of interviewing them, and a dramatic soundtrack designed to give a sense of grandeur and urgency to what is basically another cooking contest. But the film has its charms, as it's easy to like the characters, especially the retiring Porridge Chieftain, Charlie Miller. There is also an education in the art of porridge making. (For your enlightenment, a spurtle is a specially made stick that is considered the peak porridge stirring implement!)
3 - recommended 

Train Dreams
Dir: Clint Bentley
Length: 102 mins
Streaming on Netflix
© Netflix - elegaic look at family, loss, progress
with a stunning lead perf from Edgerton. 
The Pacific north-west of the USA in the early part of the 20th century was indeed a tough place to live and work. Robert Grainger (Joel Edgerton) lives a hard-working simple life, working on and off in the logging industry. When he meets Gladys (Felicity Jones), they marry, have a child and build a cabin. Robert's biggest regret is that he cannot stick around for long to be with his family. When tragedy strikes, Robert retreats into a hermit's world, and by the film's conclusion, he realises that  nearly half a century of progress has passed him by. I so wish I had caught this sublime film on the biggest cinema screen. It already has a Best Cinematography award for its sweeping capturing of that part of the world, especially the majestic forests of giant trees. And there are umpteen nominations for Edgerton, including a Golden Globe for 2026. This is the best performance I've seen from him, as he creates a man who is never an archetypal rough-and-tough logger, but a human being with tenderness, and ultimately a tormented soul. The film celebrates the simplicity of that forgotten life, but also what progress means, and the role nature and people play in the relentless moving forward of time. There is an intense sadness, along with deep beauty (and a couple of mysteries) in everything about this stunning film, though it may not be for viewers looking for more action.
4.5 - wholeheartedly recommended

The Lost Bus
Dir: Paul Greengrass
Length: 102 mins
Streaming on Apple
© Apple - remember to breathe as
you watch this white-knuckle true 
disaster film
Bushfire is one of the most terrifying natural disasters, and certainly makes for gripping movie-making. This white-knuckle film tells the true story of bus driver Kevin McKay (Matthew McConnaughey) who was charged with evacuating 22 schoolkids from a fire-threatened area and taking them to safety. The truth of the 2018 fire is that 85 people died, and more than 11,000 homes were lost, so the magnitude of this event cannot be understated. And so much went wrong in the evacuation attempt: gridlocked traffic caused the bus to be caught up for more than five hours, in stifling and smoke-filled surrounds. Greengrass, famous for such other nail-biters as United 93, takes a few liberties with the truth, having the bus head down a narrow rocky track to find a way through, and rocketing its way through a flame-engulfed stretch of road. Regardless, much heroism is shown by both McKay and the teacher Miss Mary (America Ferrara) who was co-opted along for the ride, and this bravery is superbly encapsulated in the film, especially in McConnaughey's blitzing come-back performance. Special effects are amazing, deftly combining real-life news footage of the fire with the film's creative content. This is truly heart-stopping watching that at times becomes almost unbearable, even if towards the end it goes a bit overboard! But, hey, isn't that what good film-making is about?
4 - highly recommended




Wednesday, 3 December 2025

December 4th  2025

Nuremberg
Twiggy
Careless
One Shot with Ed Sheeran (streaming on Netflix)

An excellent week to be a movie lover! Powerful performances and history in Nuremberg, the delightful story of Twiggy, the challlenges facing older Aussies who wish to age in their homes, and a streaming treat for music lovers. 

Nuremberg
Dir: James Vanderbilt
Length: 148 mins
© Madman - Crowe and Malik play psychological
games in a disturbingly powerful piece of history
The landmark Nuremberg trials, lasting for one year after the end of World War II, saw an international tribunal prosecute high level German officers for crimes against humanity. 
Prosecutor Robert Jackson (an excellent Michael Shannon) argued that individuals, not only states, could be responsible for war crimes, and helped create a new framework for international law. US army psychiatrist Douglas Kelley (Rami Malek) was tasked with examining 22 Nazi war criminals to see if they were fit to stand trial. Most notable among the defendants was Reichsmarshall Hermann Goering (Russell Crowe), and it is the relationship between him and Kelley that underpins much of this gripping film, which combines courtroom drama, psychological thriller, and war history. It's great to see Crowe back in such a powerful performance. Both he and Malik create an intriguingly weird chemistry, as the relationship between the men wavers between adversarial and at times borders on friendship. The film's setting is austere and subdued, being mostly prison and courtroom based, but one shocking scene will sear into viewers' memory, as five minutes of real Auschwitz footage is screened during the trial. Despite the disturbing nature of such a film, it is important viewing, reminding us how easily countries can veer into dictatorships, and why world-wide vigilance and calling governments to account is so critical.
4 - highly recommended

Twiggy
Dir: Sadie Frost
Length: 94 mins
© Transmission - a life that is so much
more than a 60s modelling icon
You may never have heard of Lesley Hornby, but you no doubt know the world-famous model she became. In 1966, at the age of 16, the world discovered the wafer-thin girl with the big eyes, trendy hairdo and androgynous looks. She was declared the face of 1966, and went on to have an amazing life of modelling, acting and singing (Golden Globe Awards, Tony nominations and a Damehood included!) This delightful documentary traces that life, with many nostalgic archival clips, interviews with Twiggy then and now, and much commentary from people who have known her: Dustin Hoffman, Joanna Lumley, Paul McCartney, Brooke Shields and more. The film has a casual, relaxed feel, with Twiggy coming across as a really "nice" person, still true to her lower class roots and with little artifice. Director Frost also helmed the recent film about 60s fashion designer Mary Quant, and this doco similarly captures an era, while reflecting much about British society and class structure at the time. This is an uplifting, happy film to enjoy, and remember that not all fashion and fame has to be uppity or exclusive.
4 - highly recommended

Careless
Dir: Sue Thomson
Length: 88 mins
© The Backlot Films - ageing but still full
of life
Most people don't want to dwell on the topic of growing old, but the truth is, all of us will probably be old one day, and that's the way we want it (better than the alternative!) royal commissions we have, aged care is never made a priority, and for several decades now it has been outsourced to private industry who see it as a money-making enterprise rather than a caring one. This sobering doco focuses on several individuals wanting to grow old in their own homes, and navigating the bureaucratic maze known as My Aged Care. Focus is on 
Margaret,  the 89-year-old mother of the director, as well as Beverley who has regular in-home care, Olivia, whose daughter has come from England to help her mother, and happily married Italian couple Luciana and Mario. The director never stereotypes old age; we feel keenly the human side of these people, we see photos of them in their youth, and we hear from them their memories, feelings and fears. Nor does Thomson let governments off the hook; without lecturing she makes it very clear that the powers-that-be have never done the right thing by their ageing population. There is enough humour to offset possible gloom, and a cute device of having several young kids narrate emphasises again that age awaits us all. The film won the Audience Award at this year's MIFF. 
4 - highly recommended

One Shot with Ed Sheeran
Dir: Philip Barantini
Length: 61 mins
Streaming on Netflix
© Netflix - spontaneous and joyful -
a musical treat with exceptional filmmaking
Short and sweet - oh so sweet, and stunningly impressive in terms of the filmmaking techniques employed to make this documentary. For those of you who watched the impressive four-part series Adolescence, you may recall each episode was done in one shot. And here again the same director, Barantini, films for one hour, with one 
continuous shot. This inspired doco features singer/songwriter Ed Sheeran as he does a sound check for an upcoming gig, then heads into the streets of New York, playing his guitar, singing his top hits, surprising people at birthday parties and impromptu marriage proposals and climbing onto a New York bus for a singalong with delighted passengers. This is a privileged insight into a genius songwriter, and there is something so warm and natural in the way he relates to his delighted fans, that you feel you are along for the ride. But it took meticulous planning and a team of thousands (crew, police and more) to make this naturalistic documentary. I suggest you watch the film with subtitles on to get true insight into the depth of emotion and creative genius of Sheeran's lyrics. This is an absolute joy to watch - a happy doco - and testament to the possibilities of the art of film-making.
To see how it was made head to https://www.youtube.com/watch?v=J49t-rLedKo
5 - Unmissable